Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Visual Media and Collective Memory
How visual media shape collective memory
Visual media: Shaping collective memory
According to Barbie Zelizer's review of the book Realms of memory, the simple question: "What does it mean to be French" is the focus of all three volumes of the massive cultural history of the nation (Zelizer 1999: 201). The artifacts chronicled by the author of the book are simple, yet complex enough to sustain the reader's attention. The work Zelizer is reviewing is divided into three sections: conflicts and divisions, traditions, and symbols. Certain visual themes, including food and competitive bicycling, run throughout all three works, given the significance they have in French culture. Within America, other visual themes in history have similar symbolic significance and embody all three aspects of visual history -- conflicts, traditions, and symbols. This can be seen in the treatment of the Vietnam War in the media.
The Vietnam War was...
sent troops abroad. It came to symbolize, in the 1960s, a classic divide between old and young, square and 'hip.' By and large, the opponents of the war were young. They identified with a counterculture that celebrated sex, drugs, rock n' roll, rebellion and defiance of authority. In contrast, the supporters of the war identified themselves as upholding traditional American cultural values. In the visual symbolism of the debate, of American flags vs. peace signs, the actual issues of the war often took a backseat.
Even Americans who did not live through that epoch in American history often feel as if they remember the Vietnam War through its symbolism, like the image of a young Vietnamese girl being burned by napalm, or war protestors putting flowers in the guns of soldiers as they stormed the Pentagon. The idea that Vietnam was a cultural battle is very American, given that for the Vietnamese people it was a war of independence or at very…
Reference
Zelizer, Barbie. (1999). Realms of memory. Journal of Communication, 49 (4). 202-205.
Memory and Culture visual media and how they shape our collective memory. Zelizer and food culture According to B. Zelizer's analysis of the book Realms of memory: "We are enlightened by the curious notion that one's food an indicator of one's level of civilization" (Zelizer 1999: 202-203). In discussing the symbolic language of France, food plays an important role in the author's analysis. Food symbolizes collective aspects of the culture as well as
ZIEGLER Media Worlds "Exploring sites of memory:" the Kennedy assassination According to Barbie Zelizer's review article entitled "Exploring sites of memory," "public history emerges simultaneously from the commonplace and mundane, the eccentric and comic, the background of the everyday, and the splendor of life on high" (Zelizer 1999:202). There is a collective memory that shapes our individual memory, and vice versa. While Ziegler's review is applied to a book on recent French history,
Yes, the Oedipus complex aspect of Shakespeare it gives us and which in turn invites us to think about the issue of subjectivity, the myth and its relation to psychoanalytic theory. (Selfe, 1999, p292-322) Hemlet and Postcolonial theory Postcolonial theory was born as a result of the publication of the famous work of Edward Said, Orientalism (1978). This theory claim that some authors (Paul Gilroy, Achille Mbembe, Francoise Verges, etc.) and
Abstract Expressionist Painting Artistic and Aesthetic Value in American Modernist Art during the Cold War Era Defining American Expressionism American modernism is perhaps one of the most difficult artistic periods to define. Modernism refers to a trend that affirms the power of human beings to create, shape, and make improvements to their environment. Modernism is aided by technological advances and is considered both progressive and optimistic in its approach to defining society. American
It might have been the combination of the right timing with this new satellite technology and this horrific event of the President being shot that changed the public interest in complete, live, and around the clock coverage. The fact that television at that time could bring powerful images of what was happening in the world and could make the incident seem like a local event that was happening in their own
One contextual tool that has been widely manipulated in international events by both sides is language translations and mistranslations. Due to the language barrier between the Chinese and American people, the audience on each side can only hear the other party's voice through media's translations, which by no means, may be immune to contextual framing. Given the sensitive time, sensitive location and sensitive nature of this collision, both parties would