Methodology

The methodology for this proposed research will be very straightforward and in keeping with standard modes of critical investigation in the visual arts. A simple (yet comprehensive and detailed) visual examination of the paintings will be made, noting the colors, shadings, positions, expressions, and other visual elements of the painting both from a formalist perspective and with an eye towards psychological detail. Research regarding the possible psychological meanings of specific facial expressions, gestures, and elements of body language as well as interpersonal distancing will also be examined in order to enable the development of reliable conclusions and interpretations regarding the people represented in the selected works of art. This will be accompanied and augmented by study regarding the events in Paris from an array of...

books authored by established and non-controversial historians of the era) in order to provide accurate and comprehensive background information, thus allowing for truly meaningful comparisons and conclusions as to the meaning and impact of these paintings to be developed.
Research Questions

Specific research questions that will guide the proposed research will include identifying precisely the psychological moods and realities exhibited by the subjects of the painting (including the spaces depicted), as well as a definition and analysis of the goings-on in Paris at the time that the selected works of art were created. Any correlation that might exist between these elements will also be examined, with questions first determining if this correlation exists and then determining its extent and specific nature.