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These pyramids were the resting places of these kings and pharaohs' sacred bodies, which the Egyptians believed should be preserved if the soul should live beyond. This explains why they prevented the decay of the corpses through a mysteriously elaborate method of embalming as mummies. They lay these mummies in stone coffins and wrote incantations to assist them in their journey in the next world. The Egyptians meant that their leaders would live forever. Egyptian art and architecture reflect nature and the regularity of the whole, especially in the reliefs and paintings that adorned the walls of the tombs. The art appears to be intended to be for the dead man interred and to keep him or her alive. Egyptian painters looked at life in a very different way from others. They did not value beauty or wholeness as others do in their works. Egyptian painters wanted to preserve everything in their culture as permanently and as clearly as possible. In achieving perfect clarity, they also drew from memory in a most consistent way. They saw and expressed everything from its most characteristic angle, hence the distinctively contorted art and architectural expressions in their works. They also found it difficult to visualize the foot as seen from the outside. They perceived human beings this way and depicted them according to that angle and faithfully according to a law, whereby all their...
According to this style, seated statutes had their hands on their knees, men had to have darker skin than women, and the appearance of specific gods had to be distinguished. Egyptian artists also had to learn to compose beautiful scripts by cutting the images and symbols of hieroglyphics clearly and accurately on stone (Gombrich).
The art and architecture of both Mesopotamia and Egypt are similarly drawn from their environment, geographical characteristics, climate and natural resources. The Mesopotamians derive these from their natural wealth, while the Egyptians draw them from their classic achievement, the pyramids. Both peoples are immensely dedicated to their gods and leaders in this life and in the next. Basic differences include the subjugated expressions of Mesopotamian art and architecture on account of their subjugation to other peoples, who envied their natural resources. On the other hand, Egyptian art and architecture document their uniqueness in every feature of the tombs, reliefs and statutes they built for their gods and kings.
Bibliography
Delahunt, Michael. Mesopotamian Art. Artlex, 2006. http://www.artlex.com/Artlex/m-mesapotamia.htm
Gombrich, Ernst Hans. The Story of Art. The Artchive, 2006. http://www.artchive.com/artchive/E/egyptian.html
Bibliography
Delahunt, Michael. Mesopotamian Art. Artlex, 2006. http://www.artlex.com/Artlex/m-mesapotamia.htm
Gombrich, Ernst Hans. The Story of Art. The Artchive, 2006. http://www.artchive.com/artchive/E/egyptian.html
Figurine of the Goddess Wadjet In the Los Angeles County Museum of Art, there is a sculpture in the Egyptian wing that depicts one of the Egyptian goddesses. The piece is entitled "Figurine of the Goddess Wadjet." It is located in Hammer Building Room 303 of the museum amongst the other Egyptian art exhibits. It was given to the museum from the Hearst family, famous for their collection of ancient, historically-significant
(Hall, 1974) Wings are additionally attributed to "Father Time, the winds and Opportunity, who all pass swiftly." (Hall, 1974) It is clear that wings when used in religious art are used in symbolic representations of beings that are divine, heavenly, or directly connected to the heavens and its creator. Wings are representative of heavenly beings, gods, or messengers of gods, or beings that are endowed with powers not of
Likewise, the dead were honored with elaborate preparation rituals to send them off into the next, permanent world of death. They were incased in enormous preservative monuments as well as several layers of coffins. Because of this elaborate nature of death ritual, and their focus on religious rituals, Egyptians were often credited by the Greeks for originating their religion, as "the Egyptians, they went on to affirm, first brought
Other women, such as this slave girl, do not have any rights. On the grave is only Haegeso's father's name. In fact, this box of jewels probably represents part of the dowry Proxenos gave to his daughter's husband when she left her father's home to begin her life in her husband's. Marriages are arranged and a woman gives up all her belongings and rights when she is married. This
Ancient History The ancient histories of Mesopotamian and Egyptian civilizations have much in common. Both regions were inhabited since prehistoric times by nomadic groups, which began to settle down in towns and villages by around 6000 BCE. Consistent settlements soon grew into larger cities; in both Egypt and in Mesopotamia, these cities became city-states with complex lifestyles and forms of government. Some of the first written languages were created simultaneously in
Houses permitted the people to move from a nomadic existence to a settled and more organized way of life. The majority of the houses were square with other rooms built on. The palaces of the early Sumerian culture were the political, economic and religious focal points of the city; large-scale, lavishly decorated, and consisted of rooms used to house craftsmen and such. Archaeological finds have also revealed them to