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In the scene where the Emperor and his aides argue about the language for the new opera, one of the aides notes, "Plain German for plain people," and "German is too brutal" ("Amadeus"). Underlying this conversation is the idea that the north could not possibly be civilized or educated, and only the elite and attuned listened to the classical music emanating from Italy. This also indicates how the culture was changing, and indicates the difference between the two composers. Mozart welcomed writing in German, but was open to any language, while Salieri plodded along in Italian. He was not open to change and innovation, while Mozart championed it in his music and his life.
Throughout the film, it is clear Salieri cannot grow to accept the changes in Classical music. He represents the old morals of the Renaissance, while Mozart represents the new morals of the Enlightenment that would forge the French Revolution and religious upheaval across Europe. His music represented this change as well. His music was classical,...
His music was special, and it was simply better than many other composers' compositions of the day. Mozart shows his contempt for the old ways when he mimics Salieri at the piano. He represented revolt and change, while Salieri always just tried to get along and please those in charge. Ultimately, the two composers and their music represent the change going on in Europe, as well as the changes classical music was undergoing as well.
Finally, the two men illustrate the division of culture that characterized Europe. Salieri came from an uneducated, peasant family, while Mozart came from the upper class that he always rebelled against. His music appealed to the masses, while Salieri's was only intended for the wealthy upper class. Again, they represent the changes facing Europe, as well as the changes music was undergoing.
References
Amadeus. Dir. Milos Forman. Perf. F. Murray Abraham, Tom Hulse. Orion Pictures, 1984.
Mozart v. Schubert Two of the best-known composers of all time, Wolfgang Amadeus Mozart and Franz Peter Schubert, shared much in common in terms of their upbringing. Both from present-day Austria, Mozart and Schubert grew up in musical families, with fathers that fostered their innate talents. Although Mozart is more famous for his being a child prodigy, Schubert also showed an early predilection for musical genius even if he wasn't writing
Mozart Although Antonio Salieri really existed and was employed as the chief composer to the Hapsburg court in Vienna for 36 years, only in fictional accounts did he plot to destroy Wolfgang Amadeus Mozart and finally poison him. As the A&E biography points out, no evidence exists that such events ever occurred despite the fact that Amadeus (1984) has always been a highly popular and well-regarded film. Other parts of the
Several of the scenes bring the contrast of the two characters' personalities onto sharp contrast. By this I am speaking of the way Mozart is able to change Salieri's welcoming music without much thought, the stunned expression upon Salieri's face when he sees the genius in the unfinished manuscripts that Mozart has given to his wife, and Mozart's ability to internalize and visually recognize the music as he dictates the
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