Symbolism first developed in poetry, where it spawned free verse. Forefathers included the poets Baudelaire, Verlaine, and Rimbaud; practitioners included Laforgue, Moreas, and Regnier. The Swiss artist Arnold Becklin is perhaps the most well-known Symbolist painter; his pictures are like allegories without keys, drenched in melancholy and mystery. Other artists working in this vein include Odilon Redon and Gustave Moreau. The Surrealists drew heavily on the Symbolists later on. Catalan

Modern Art A primary concern of fauvism is the presence of strong colors. Fauvist works have relatively wild brushstrokes. The subject matter of fauvist painters is simple and often abstract. Fauvism is heavily influence by postimpressionism and pointillism. In "Woman with a Green Stripe," the viewer can distinguish between each color because of the brushstrokes. The portrait is simply of a woman, making a neutral face. The colors are stark and

His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying

20th century humanities or modernism is the assumption that the autonomy of the individual is the sole source of meaning and truth. This belief, which stemmed from the application of reason and natural science, led to a perpetual search for unique and novel forms of expression (Keep, McLaughlin, & Parmar). Thus, it is evident that modernism discarded the Renaissance period's interest in the classical tradition and universal meaning, in

Monet used brushstrokes and many shades of vivid greens and pinks to portray the garden as if it were viewed through a mist. In 1910, English writer Roger Fry coined the phrase "post impressionism" as he organized an exhibition in London (Shone, 1979, p. 9). Just as the paintings of the impressionists caused a scandal in the art world some forty years earlier, the post impressionist work of artists such

The manner in which Cezanne abstractly modulated color in his paintings was seminal to the controversial cubist style. What is more, Pablo Picasso's Les Demoiselles d'Avignon simplified previous endeavors in terms of structure by employing a savage two-dimensional angularity, and as such was exponential for early modern art. Modernist painting, in Clement Greenberg's words, "used art to call attention to art" (193) as opposed to Realism's alleged concealment of art.