The final lines of the first stanza are very short and concise. They are almost brutal in their finality and in the way that they suggest the inescapability of death through their analogy to winter. The direct simplicity of these lines and the way that they are positioned after the other longer lines, adds weight to the meaning of the poem and we feel the sense of loss and grief. Note as well the use of alliteration in the second last line of the stanza: "Silent, and soft, and slow."
This also adds to the sense of inevitability and the finality of death.
The use of alliteration, combined with the shorter and longer lines in the stanza is an example of the way that the pace of the poem is altered and manipulated to suggest and support the central meaning of the poem.
The second stanza seems to suggest that the protagonist is looking for answers or is in denial at the death of someone that he has loved. There is also the suggestion of a feeling of guilt in the word" Confession." These feelings are aided by the repetition of first words in the lines. The repetition of the word, "Even" has an auditory quality, which suggest a sense of possibly. But the possibly that death can be stopped or in way prevented is denied in the conclusive and final tone of the last two lines of the stanza.
The troubled sky reveals
The grief it feels.
As in the first stanza, the last lines of stanza two are short and curt, which conveys the impression again that death is final. The fact that the last two lines rhyme helps to enforce this...
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This indicates that the friendship he refers to never truly existed in the first place. Indeed, in Stanza XIII, he has the audacity to make a claim for the "truth." This, as the reader has come to expect at this stage, is only very brief. The only claim to truth is that the woman was indeed light. However, because of this very lightness, she claims not to have done any
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