.. Don't understand nothing about building their men up and making 'em feel like they somebody. Like they can do something" (Hansberry, I, i.). It is clear that Walter Lee still believes it is the woman's role to support the man in his endeavors, and not to make decisions or act on them. In her responses to him, Ruth displays her growing frustration with and rejection of this belief, which was also largely typical of the time -- as the fifties wore on and moved into the sixties, many women began to demand the same rights to money and work that they had experienced during the war (Learn History).
But though both Ruth and Mamma are quite telling about the role of women in the play and in society at large, Beneatha is arguably the most symbolic of the women. Her struggle is much more rooted in the upcoming 1960s, when both the women's rights and Civil Rights movements would really take off ("Women's History"). In the play, Beneatha struggles with the old and traditional desires of her family, especially as they get in the way of her dream of becoming a doctor. As an African-American female, this was a highly non-traditional dream, and is the clearest example the play provides of a woman -- and a person of color -- casting off the shackles of the identity society has pegged her with and attempting to define herself.
It is unclear whether or not this attempt was successful at the end of the play, which is fitting given that it appeared in 1959 and the issues of gender and race still aren't fully...
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