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Chekhov employed an attitude similar to most nineteenth century short story writers, as he attempted to captivate the reader's attention through putting across concepts that would make it especially difficult for him or her to keep his or her state of mind. The lawyer and the banker both go through intense emotional and physical occurrences as they struggle to find their personal identity. The fact that the banker eventually comes to feel sorrow for his thinking is essential because the story provides readers with a turn of events as characters experience significant change as a result of observing that their previous perspective concerning the world was not necessarily accurate.
The moment when the reader becomes acquainted with the fact that the lawyer has won when considering his state of mind as he left confinement is essential for the short story. This concept and the fact that the banker starts to feel particularly bad about his situation satisfy both the writer's and the reader's need for closure. People basically feel...
Chekhov provides a surprising twist with the purpose of bewildering readers and in order to provide them with the simple reality of life by emphasizing that individuals need to focus on matters that seem less important and that are actually the only things that really have a bearing.
It is not necessarily that Chekhov wanted his readers to be moved as a consequence of reading his short story. Instead, he wanted them to start thinking that they too should change their perspective in regard to life. He wanted them to experience a revelation as a result of identifying with the characters. The fact that the banker comes to consider that his condition is worse than the condition he was in at the time when he lost most of his finances enables readers to understand that he experienced a significant change and that he came to be moved by things other than material values.
In an attempt to curb his boredom, the imprisoned lawyer spends his time reading, writing, and playing music, while the banker slowly loses his money. Realizing that if the lawyer fulfills his part of the deal, the banker will lose the remainder of his fortune, he plots to murder him. Unbeknownst to the banker, the lawyer has developed a disdain for material things and has counter-plotted in favor of
In common households, they were mothers, daughters and wives. In high class societies, they were seen as a pricey decoration item that was supposed to possess certain qualities like haughtiness and vanity. The duke always suspected his wife of being charmed by others. He felt that she enjoyed glances and compliments from other men and that these pleased her. That was the reason, he had her killed. This is a
Humor in Browning's Work Robert Browning's work of poetry entitled "My Last Duchess" provides a description of a piece of visual art. Depicted within that visual art is a woman of some means: a duchess, in fact. The speaker of the poem is the individual that quarters and perhaps even owns this particular work of art. The speaker is directing his verbal sentiments to a guest who is viewing the poem.
Last Duchess Jealousy, Rage, and Possession in Browning's "My Last Duchess" Robert Browning's "My Last Duchess" emphasizes Victorian ideals of women and allows readers to understand how they were objectified. In this macabre poem, Browning uses the themes of jealousy, rage, and possessiveness to describe what motivated the Duke to behave as he did. In the poem, the unnamed narrator has transformed his wife into an object on numerous occasions and
What many of these other people have to say about themselves and their situation an about the change of hear they may have now that they have heard Pippa sing could be fodder for a dramatic monologue in the way Browning would later shape that form. The poem covers an entire day, New Year's Day, a day of remembrance and renewal, a day of change from one year to the
The duke virtually suffered of megalomania, as he considered himself to be an almost supernatural being which had been endowed with the power to control other people's lives. The duke did not consider his wife to be more than a simple object, as he almost identified her with a painting. Furthermore, he believed his wife to be similar to something that could simply be replaced when it finished serving