Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Leahey's approach is similar to Robinson's in that it allows Freud to be part of a systematic line, but different in that Leahey sees the process as a combination of far more players.
3. Can you think of any other psychologist from 100 years ago who is still as well-known today? What do you think are some of the important contributions of Freud? Why do you think psychologists are not so impressed with these contributions?
Often, it seems as if it is pioneers who are well-remembered in the sciences, or at least those who engender radical or controversial theories. Freud, as founder of the psychoanalytic school and theories of the unconscious mind was, of course, thrown into popularity with his work on sexual desire as a primary motivator of humans. Since Victorian society was so...
Additionally, Freud was at the right place at the right time -- contributing a number of commentaries and research into the brain. Because he simultaneously developed a theory of how the human mind is organized and how human behavior results from particular theoretical understandings, his work translates well into the vernacular. Of course there were a number of important psychologists during this time: William James, Popper, Kandel, etc., all of whom may have contributed more to the field in their own right. But it was his students and followers who allowed his theories to evolve and disseminate - and were picked up within other disciplines, thus also contributing more to the repetition and mystique of Freud (Zaretsky, 2005).
Thomas Hardy / Elizabeth Barrett Browning Considered purely as a poet, Thomas Hardy has earned the status of a Modernist, or at the very least an honorary Modernist. Claire Tomalin's recent biography of Hardy would have us believe that, in essence, Hardy had a full career as a late Victorian novelist, then retired, then was suddenly reborn as a craggy and philosophical Modernist poet, a latter-day Robert Browning for the age
Thomas Hardy's Writing Style Thomas Hardy was a successful writer of novels, short stories and poetry. While each of these areas could be used to analyze his writing style, the area of choice is his poetry. This is based on two reasons. Firstly, poetry is an area of writing that comes closest to representing the writer's style because of its personal nature. Secondly, it is known that Hardy had to revise
Thomas Hardy's Poem "The Voice" The title of Thomas Hardy's poem "The Voice" reveals a lot about its mode of delivery. The audible whispers of the woman calling, calling are conveyed to the reader through literary devices such as rhyme and rhythm. The voice of the woman is translated into the voice of the poet. "The voice" of the woman becomes a symbol of the narrator's memory, which is tainted by
The Heath is described as "Ancient, unchanging, untamable, sombre and tremendous..." (ibid) www.questia.com/PM.qst?a=o&d=6200808 Grimsditch also sees a relationship of the Heath to the characters, particularly the character of Eustacia. "It is in accord with moods of loneliness, melancholy and even tragedy, and these moods predominate in the nature of its adopted child, Eustacia... " (ibid) In essence the Heath represents the dominant mood and symbol of the book. It is against
Poetry Analysis of Thomas Hardy's "The Oxen" The English poet Thomas Hardy wrote a seemingly simple piece titled "The Oxen" in 1915, as the industrialized slaughter of World War I raged throughout the European continent. Although the light tone and themes of holiday reverence and religious worship which are present throughout "The Oxen" suggest a sense of innocence, the poem actually represents the futile yearnings of a jaded old man in
In each case, marriage for the woman has less freedom than for the man. After all, the woman cannot even properly (as Elinor evidences) express her deep-seated affection or attachment to a man, unless he has first approached her. A woman cannot initiate love, and this in itself debases her freedom of choice. This omnipresent element of Victorian culture is present in Wuthering Heights as well, when one sees