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Sexuality In Specific Fairy Tales Analysis Term Paper

Sexuality in Specific Fairy Tales Analysis The issue of sexuality in Disney cartoons has been controversial for a long time. The present paper has the purpose of describing and analyzing the specific sexuality in three Disney stories. These are: Little Red Riding Hood, Beauty and the Beast, the Little Mermaid.

It is true that adults watch cartoons as well, but the main target is represented by children. For them cartoons- filmic realizations of fairy tales- are full of truths. From this point-of-view it can be considered that fairy tales teach young children a lot of things, influencing their values as future adults. Their importance is more than obvious. The most famous cartoons include girls and boys as main characters. It is normal for them to be using stereotypes, but to what extent can the gender stereotypes become harmful? Let us take a look at three Disney cartoons representing three universally famous fairy tales.

The first story that comes to mind is "The little mermaid." The story was written by Hans Christian Andersen and it tells us about the life of a young mermaid who is willing to make huge sacrifices in order to be loved by a human prince. In the original story the mermaid falls in love with a human prince she saves from drowning. In order to become human and take her chance with the prince she makes a deal with a witch who gives her a potion that allows her to have a human body. The transformation is very painful. The price that the mermaid pays is her own voice. However the prince is not aware that she was the one who recued him and ends up marrying someone else. The mermaid does not die, but becomes an air creature thanks to her immense sacrifice, Disney however could not present a tragic ending so he changed it.

We have an attractive young lady, the daughter of a king. Here we may recognize a metaphor according to which every...

Since she must give up her family in order to be with the prince, the communicated idea is that the reaching of sexual maturity and the creation of your own family implies a break up with the birth family. This is partially true in reality. The sexual dimension of the mermaid is pretty strong. Not only does she have long hair, red lips, perfect eyes, perfect curves, but she wears nothing but a tank top. She represents a beauty ideal in which revealing parts of your own body is an important aspect.
Beauty however, nor kindness are enough in order to deserve somebody's love. Not only does she save the prince's life, but she must change her own identity paying with her voice in order to stand a chance of being loved. What are the hidden implications here? Love is seen as something that must be conquered by females through sacrifices which include a change of identity.

This change is both physical (not only do you have to be perfect like Ariel, but you have to respect the man's standards- after all it is a fairy tale, why could not the prince have loved a mermaid?), but also psychological (you must become someone else in order to be loved). It can be considered that getting legs is a metaphor for reaching a more developed state of sexuality- a process which is physically painful.

The man is rather passive, while she abandons her family, changes her body and also gives up her voice (in other words she will not be able to express herself ). The prince wants to marry her because she saved his life. The role that makes the woman love- worthy is therefore the one of life saver. It is perhaps a way too heavy responsibility in real life. Self sacrifice and silence seem to be the ideal behaviour for women.

"beauty and the Beast" is another interesting fairy tale from this point-of-view. The prince is transformed…

Sources used in this document:
Bibliography:

Cranny, F. 1992. Engendered fiction: analysing gender in the production and the reception of the texts, University of New South Wales Press, Australia

Meyers, R.W. 2001. The Little mermaid: Hans Christian Andersen's Feminine Identification. Journal of Applied Psychoanalytic Studies, vol. 3, no. 2

Mintz, T. 1969/1970 .The meaning of the rose in Beauty and the Beast. Psychoanalytic Electronic Review

Preston, C.L. 2004. Little Red Riding Hood Uncloaked: sex, morality and the evolution of a fairy tale. Marvels and Tales, volume 18, number 1, pp. 132-136
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