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He had built a wall around him that was preventing his normal interaction with people. This was causing real suffering and sickness. "What then became of me? I know not; I lost sensation, and chains and darkness were the only objects that pressed upon me." (p.168) He loses interest in life even more when his dear ones are killed: "I had formed in my own heart a resolution to pursue my destroyer to death; and this purpose quieted my agony, and provisionally reconciled me to life." (p.169)
Sickness is thus a multifaceted theme in the novel. It serves many purposes. On the one hand, we see it as a force fighting against the evil ambitions of Victor and on the other, it can also be seen as a compassionate force trying to restrain Victor. It is all a matter of perception. Had Frankenstein understood why he was falling...
When it wasn't physical, it was purely emotional or mental. His weak nerves came under repeated attacks of melancholia and gloom. Sickness is thus an important theme in the novel that highlights some key features of the novel.
Works Cited
Anne K. Mellor, " Making a "monster": an Introduction to Frankenstein," the Cambridge Companion to Mary Shelley, ed. Esther Schor (Cambridge, England: Cambridge University Press, 2003)
The Mary Shelley Reader, eds. Betty T. Bennett and Charles E. Robinson (New York: Oxford University Press, 1990)
Works Cited
Anne K. Mellor, " Making a "monster": an Introduction to Frankenstein," the Cambridge Companion to Mary Shelley, ed. Esther Schor (Cambridge, England: Cambridge University Press, 2003)
The Mary Shelley Reader, eds. Betty T. Bennett and Charles E. Robinson (New York: Oxford University Press, 1990)
What Victor is saying is that in order to create a living being from the dead, he must haunt the graveyards like a human ghoul and experiment on live animals to "animate" "lifeless clay," being the deceased remains of human beings. From this admission, it is abundantly obvious that Victor, like Prometheus, sees "clay" as the foundation for creation, a substance which is part of the earth itself and
One can see similarities between monsters decline into homicidal tendencies and other homicidal persons. Homicide and suicide are often closely linked. Those that have suicidal thoughts are often prone to homicidal thoughts as well. In the case of the monster, he desperately wants to end his own life, and also, to seek revenge against the one who brought him this misery. Homicides followed by suicides are seen mainly in the
After completing the task of reviving this inanimate being into a living entity, Victor admits that he is haunted by what he has done and that his heart is filled with "breathless horror and disgust" (Shelley, 52). Obviously, Victor has now entered the realm of true madness, due to realizing that his experiment with the dead has placed him in a very dangerous position. While trying to sleep on the
Frankenstein and the Once and Future King are similar in respects of secrecy that ended in destruction. Victor Frankenstein's secrecy was with his science. He believed that science was full of secrets and when they were revealed they were to be kept secret. Arthur's lineage was filled with secrecy in affairs that he inherited and even had an affair of his own. Arthur also kept the affairs of others
Composition IIFrankenstein Application EssayOption #4: Personal PerceptionMary Shelley�s Frankenstein presents the story of a fictitious brilliant scientist, Victor, who is obsessed with the idea of life and death, and the relations between the mortal life and the supernatural. His desire leads him to create a monstrous creature from the organs of dead humans. At first, the creature is sensitive and gentle, but soon becomes a victim of society�s alienation because
His family worries about him, of course, but they have no idea what is actually the problem. If they did, would they see Victor as a monster? It is difficult to say. Families can overlook a great deal of things when found in a person that family loves. However, some things are simply too great to bear when it comes to what a person has done or what he