Statuette Of Nedjemu Term Paper

PAGES
1
WORDS
420
Cite

¶ … Statuette of Nedjemu of Ancient Egypt (image retrieved at (http://academic.memphis.edu/egypt/1.htm) illustrates several aspects of Egyptian funerary sculpture that remained typical for almost 3000 years, although not in all of the surrounding ancient kingdoms and nations. This particular statue is thought to date from the Old Kingdom period, probably the Fifth Dynasty around 2500-2350 B.C.E. The strict use of proportionality on the part of the limestone structure as well as the rigid posture and the quiet facial expression "reflect the Egyptian desire to represent the deceased in a manner appropriate for eternity," in a stylized fashion, rather than to capture how...

...

(Art of Egypt, 2004)
This fixation upon honoring the dead is in direct contrast to Greek statues of the period that were more often used in living temple rites, although they were often equally rigid and stylized. (Artlex, 2004) According to the observations of the historian Herodotus, the father of history expressed admiration at the religiosity of the Egyptians, noting that priests shaved their heads, kept huge monuments, and infused even the agricultural use of the Nile River with sanctity. But this religiosity is most evident, he noted in the fact that a woman could not serve the priestly office,…

Sources Used in Documents:

Works Cited

Art of Egypt. (2004)

http://www.cartage.org.lb/en/themes/Arts/scultpurePlastic/SculptureHistory/ArtofEgypt/StatuetteofNedjemu/StatuetteofNedjemu.htm

Artlex. (2004) Retrieved on October 10, 2004 at http://www.artlex.com/ArtLex/h/hellenistic.html

Statuette of Nedjemu." (1996) Retrieved on October 10, 2004 at http://academic.memphis.edu/egypt/1.htm
Hellenistic Art. (2004). Retrieved on October 10, 2004 at http://www.greeklandscapes.com/greece/athens_museum_hellenistic.html
Herodotus. "Histories." Chapter II. Retrieved in total at Internet Classics Archive., http://classics.mit.edu/Herodotus/history.2.ii.html.


Cite this Document:

"Statuette Of Nedjemu" (2004, October 10) Retrieved April 19, 2024, from
https://www.paperdue.com/essay/statuette-of-nedjemu-177517

"Statuette Of Nedjemu" 10 October 2004. Web.19 April. 2024. <
https://www.paperdue.com/essay/statuette-of-nedjemu-177517>

"Statuette Of Nedjemu", 10 October 2004, Accessed.19 April. 2024,
https://www.paperdue.com/essay/statuette-of-nedjemu-177517

Related Documents

Hellenistic Art As Hellenistic art is gradually transformed into Roman and early Christian art, the concept of pathos continues to play an important role. Discuss pathos in the evolution from Hellenistic to Roman art and the emergence of pietas as a marker of Roman/Early Christian art. The Hellenistic period is focusing on artworks created in the timeframe between: the death of Alexander the Great (in 332 BC) to the beginning of ancient

Hellenistic Philosophy
PAGES 5 WORDS 1737

Hellenistic Philosophy The Skeptics view anxiety as arising from the inability to ascertain right or wrong through the use of reason. Anxiety also arises through an immoderation in affect in the apprehension of the reality of evident things. Freedom from anxiety can be achieved by ceasing to ascertain reality of non-evident things through reason and to withhold judgment in such situations. According to the Epicureans, anxiety arises from an apprehension of

As such the Hellenistic style of paining was used partially as a marketing tool to attract followers. However, it was also used to convey religious elements in a manner that was appealing to many non-believers during the period. To obtain the attention of the general population, the artwork needed to be stunning both visually and conceptual. As such the Hellenistic was the ideal candidate in which to achieve these

Hellenic Tombs One of the ways in which the art, history and architecture of ancient cultures can be understood and investigated is through what is left behind to be examined. Some of the most permanent artifacts that are available for examination are ancient tombs which have stood the test to time. From these tombs one can not only understand and form opinions of the architecture and historical context of the time,

The Human Form: Archaic to HellenisticThe development of the human figure in Greek art from the Archaic Period through the Hellenistic Period is represented by changes in artistic technique, themselves reflective of cultural and philosophical value shifts in Greek society. As Greece became more philosophical and sophisticated, its art�especially that which depicted the human form�also appreciated in terms of idealization, realism, and drama.During the Archaic Period (600-400 BC), Greek art

Ancient Indian art starting from the 3-century BC experienced a considerable influence of Hellenistic traditions In general, Greek state-cities in Middle Asia had a number of typical features of Greek urban culture so that life of its inhabitants was quite similar to traditional life of Greeks in Mediterranean. Urban architecture, ethics, dress code and social relations in Asian Hellenistic colonies were quite similar to classical Greek traditions. For example, Greek-Bactrian city