Tell-Tale Heart Is A Gothic Term Paper

PAGES
4
WORDS
1409
Cite

This short story, as well as Poe's other works, reveals his upbringing and focuses on sick mothers and guilty fathers. Gothic literature, the form of the short story, became known in Britain in the 18th century. It delves into the dark side of human experience and there finds death, alienation, nightmares, ghosts and haunted places. It was Poe who brought the literary form to America. American Gothic literature present a culture afflicted by poverty and slavery through characters with various deformities, like insanity and melancholy. He introduced a specific Gothic form from his own experiences in Virginia and other slaveholding territories. His works represent the tensions of the black and white struggle issues of his time. He skillfully writes haunting and mysterious narratives, which cloud the boundary between the real and the imagined.

Character Analysis - in the narrator, Poe posits love and hate as proceeding from the same soul. Poe makes them appear indistinguishable in the narrator's emotions as the emotions actually blend in him. It seemed like Poe anticipated the arrival of the psychoanalytic theories of Sigmund Freud, the Austrian founder of psychoanalysis. Poe and Freud saw love and hate as universal emotions, therefore, taken out of the limitations of time and space. Gothic terror itself is the product of the narrator's simultaneous and blending of self-love and hatred of his rival or opponent. He loves himself, but when feelings of self-hatred rise, he projects the feelings to an imaginary double of himself. In this short story, he admits loving the old man, yet violently kills and dismembers him. Denying his insanity, he actually reveals it when he tried to separate the loved person of the old man from his hated evil, pale blue eyes. It is sheer delusion, because a person cannot be separated from a part of himself without destroying both or all of him. He is not even aware of the contradiction of love and destruction within him.

The narrator commits more than just a cold blood murder. He also reduces the humanity of his...

...

He claims to hate and murder the old man for his "vulture eye." He describes it as "pale blue with a film over it (Poe 1983). He tries to justify his actions by indirectly comparing himself with a helpless creature in the hands of a ruthless and hideous scavenger.
In the short story, Poe uses the symbol of the evil eye quite dexterously. The narrator is obsessed with the idea that the old man kept looking at him with his evil eye and casting a curse on him. Yet the narrator cared for this old man. He got torn between his love for him and his hatred for his evil eye. He decided to reconcile these opposing forces within him by extinguishing his life and, in so doing, sparing him from his violent reaction towards his evil eye. The eye is a connection to the outside world. It is also a tool in evaluating the universe. It symbolizes the essence of human identity itself. Yet this human identity cannot be separated from the body of the person without killing or destroying him This is a fact, which did not occur automatically or soon enough in the narrator before he accomplished his heinous task.

Stories of criminal insanity, like "Tell-Tale Heart," feature precise and even ornate diction in the narrator. This technique seemed to have been a serious investment in the confession of a crime as a defense of sanity. The verb tense in Gothic literature of criminal insanity is often in the present time as confessions. The narrator then flashes back on recall past crimes. The person is likewise characteristic of Gothic works. This short story is in the first-person as a main protagonist himself in his struggles with madness and the law. Furthermore, the narrator draws a deep similarity between love and hate, the contest between the self and one's alter ego and the personification of memory after death. Poe uses these features to enhance his message of bloodshed, terror and misery in his fiction.

Bibliography

Poe, Edgar Allan. Tell-Tale Heart. Mass market paperback. Bantam Classics, February 1, 1983

Sources Used in Documents:

Bibliography

Poe, Edgar Allan. Tell-Tale Heart. Mass market paperback. Bantam Classics, February 1, 1983


Cite this Document:

"Tell-Tale Heart Is A Gothic" (2007, August 30) Retrieved April 24, 2024, from
https://www.paperdue.com/essay/tell-tale-heart-is-a-gothic-36044

"Tell-Tale Heart Is A Gothic" 30 August 2007. Web.24 April. 2024. <
https://www.paperdue.com/essay/tell-tale-heart-is-a-gothic-36044>

"Tell-Tale Heart Is A Gothic", 30 August 2007, Accessed.24 April. 2024,
https://www.paperdue.com/essay/tell-tale-heart-is-a-gothic-36044

Related Documents

Tell-Tale Heart: A Descent into Madness Edgar Allan Poe may be considered one of the founders of American Gothic Literature. His obsession with the macabre and his ability to explore the psychological repercussions of perceived danger inspired him to write various short stories including "The Pit and the Pendulum" and "The Tell-Tale Heart." In "The Tell-Tale Heart," Poe explores the events that lead the unnamed narrator to devise a plan to

The only exception here is "The Black Cat" narrator who initially is very sympathetic and then becomes increasingly insane as he indulges in alcohol. His wife is extremely sympathetic and likeable, and so, he murders her, as if to punctuate the fact that he is insane. A woman in the stories might have detracted from the central themes of madness, murder, and mayhem, but each characters is lonely (even

Tell-Tale Heart The Reflection of the Soul in Poe's "Tell-Tale Heart" Edgar Allan Poe's "Tell-Tale Heart" appeared a decade after Gogol's "Diary of a Madman" in Russia and twenty years before Dostoevsky's Notes from Underground, whose protagonist essentially become the archetypal anti-hero of modern literature. Between the American and the Russian is the whole continent of Europe, and it stands to reason that while on both sides of the continent literary characters

Tell-Tale Heart As the class notes say, "Romanticism or Romantic movement is predominantly pre-occupied with Imagination -- an escape from the world of reality/pain. Poe's story, "The Tell-Tale Heart," ignores Romantic styles of fiction popular during his day. Instead, Poe leaves romantic literary notions of escape behind and instead leads us into a Gothic trap from which there will be no escape -- the tortured mind of someone driven by madness

The narrator in this tale internalizes "elements of anxiety and fear pushed to an unrelenting extreme" (269). We can see this extreme in the narrator's thought processes as he continues to watch the old man's eye. For instance, he says: It was open -- wide, wide open -- and I grew furious as I gazed upon it. I saw it with perfect distinctness -- all a dull blue, with a

Poe's Tell-Tale Heart Historical Critique of Poe's "Tell-Tale Heart" To understand Edgar Allan Poe's "Tell-Tale Heart," it may be beneficial to first understand the historical context within which it appears. Gothic horror was much in vogue with the popular reading public of the mid-19th century. Indeed, Poe's short story was published a decade after another story about a madman was published on the other side of the world in Russia -- "Diary