According to McDermott, this direct lineage and relationship that both novels owe to Faulkner is tremendous. The murder of Homer is a flashback and a continuation of Emily's dysfunctional relationship with her father. Just as she later holds onto Homer's corpse, she also refuses to let her father's corpse go for three days. Although both male figures dominate her, she can not let them go. Her aberrant grieving for her

" His use of alcohol only enforces his incapability to distinguish between what is real and what is memory. It seems as though every stop represents a moment in Ned's life that he chose to ignore, oblivious to the fact that it might interfere and disturb the course of life. He does not recognize what people are telling him, nor does he find himself on the same length with them,

It is thus that he helps to establish the truly tragic abstractions that characterize the family's individual experiences. Where a broad, unilateral overview of the story might direct the reader's focus to the burial plot, an objective set of narratives articulated by the character's themselves suggests that Faulkner intends the story more as a lamentation for the living. In As I Lay Dying, Faulkner delivers a treatise on the American

human condition when one compares characters in the stories of different writers. Each writer's story indicates a perception of the human condition that is acted out by the story's characters. One interesting study may be to compare the character of Miss Emily Grierson from "A Rose for Emily" by William Faulkner with the character of Elisa Allen in "The Chrysanthemums" by John Steinbeck. Through the author's description of the

American Lit Definition of Modernism and Three Examples Indeed, creating a true and solid definition of modernism is exceptionally difficult, and even most of the more scholarly critical accounts of the so-called modernist movement tend to divide the category into more or less two different movements, being what is known as "high modernism," which reflected the erudition and scholarly experimentalism of Eliot, Joyce, and Pound, and the so-called "low modernism" of later

Kate Chopin (1850-1904) was born Katherine O'Flaherty in St. Louis, Missouri, in 1850. She didn't begin her writing career until after 1882, the year in which her husband, Oscar Chopin died (Toth). She spent several years publishing short stories, based on the Creole and Cajun cultures of Louisiana, where she and Oscar had lived. Her first novel, At Fault, was published in 1890. It was her second novel The Awakening