This paper reviews Kevin Henkes' young adult novel Olive's Ocean, following twelve-year-old Martha Boyle through a transformative summer at her grandmother's Cape Cod home. The review examines the novel's central themes β grief, mortality, first love, and self-discovery β as they unfold through Martha's relationships with her grandmother Godbee, neighbor Jimmy Manning, and the memory of classmate Olive Barstow. The reviewer argues that the book, while appearing simple on the surface, presents complex emotions and realistic adolescent experiences with gentle but meaningful depth, making it a compelling example of coming-of-age fiction.
Olive's Ocean by Kevin Henkes is a charming novel set at Martha's grandmother's house by the ocean β specifically Cape Cod in Massachusetts β a location that plays a large part in the book's overall message and theme. The story takes place during the summer, when Martha has plenty of time to have fun and reflect on her life and the upcoming school year.
The main characters are Martha Boyle; Jimmy Manning, a neighborhood boy who lives next door to her grandmother; and Olive Barstow, a young girl in Martha's class who is killed in a bicycle accident. Martha is twelve years old, and Jimmy is a couple of years older. Martha is a thoughtful girl who grows up during this summer, partly because of Olive's death and partly because of her own reaction to it.
The book opens with Martha answering the door to find Olive's mother on the doorstep. She gives Martha a page from Olive's journal in which Olive writes that Martha is "the nicest person in my whole entire class" (Henkes 5). Martha's life is changed after reading the journal, because she realizes that she and Olive shared many of the same dreams and hopes. The next day, she and her family leave to spend the summer at her grandmother's house on Cape Cod, overlooking the Atlantic Ocean β Martha's favorite place, and somewhere Olive had always dreamed of seeing.
Martha and her grandmother, whom she calls Godbee, share a very special relationship that deepens during this visit. Martha confides her secret dream of becoming a writer β something she had also shared with Olive β and admits that she is beginning to like Jimmy Manning, the boy next door.
Martha falls for Jimmy and spends time with him as he films his movie, The World Is Not What You Think It Is. They talk, hold hands, and he gives her a memorable first kiss β until she discovers he did it only to capture the moment on film, and that his brothers had been betting on how long it would take him to kiss her. Mortified, she attempts to hide from him in the ocean, an impulsive act that nearly costs her her life.
Martha also grows closer to her family throughout the summer. In one touching exchange, her father tells her, "You know when you were little and tired like this, I'd throw you over my shoulder and carry you home like a sack of rice. Sometimes I wish you were still that little. I wish I could still do that," and although she is embarrassed, "she wished it too...with all her heart" (Henkes 110). By the end of the novel, she carries a bit of the ocean back to share with Olive's mother, and arrives at the realization that writing is truly what she wants to do with her life.
"Martha confronts death, identity, and ambition"
"Reviewer's assessment of strengths and themes"
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