This paper analyzes Roger Stahl's article "Why We Support the Troops," examining his argument that the phrase "support our troops" functions as political rhetoric that deflects public debate away from the real reasons for military conflict. The paper traces Stahl's historical account of the phrase's origins during the Vietnam War under the Johnson Administration, its evolution through "anti-war, pro-soldier" films, and its intensification following the end of the military draft. It also considers how both supporters and opponents of war have co-opted the phrase in ways that ultimately bypass substantive policy discussion and shield government leaders from accountability.
The words "support our troops" are frequently spoken as a matter of routine, according to Roger Stahl's article Why We Support the Troops. The phrase has been used by supporters of American armed conflicts on the right to covertly suggest that they — and not the war's opponents — are "for" the young men and women risking their lives to serve abroad. Members of the left have likewise adopted the phrase in recent years to signal that they support the troops even if they do not support the war. Yet Stahl argues that "such rhetoric ultimately works to foreclose debate rather than encourage its citizens and representatives to engage directly the reasons for killing, whether they are right or wrong, legal or illegal, effective or ineffective" (Stahl 535). In this way, the phrase reduces public discourse about war to a contest over who "supports the troops" the most, rather than a substantive examination of the real reasons that killing is taking place abroad.
As evidence for his thesis, Stahl traces the phrase "support our troops" to its origins during the Vietnam War, when the Johnson Administration popularized it to encourage support for the individual men fighting and to deflect public attention from an increasingly unpopular conflict. The executive branch shifted focus toward getting prisoners of war home rather than ending the war itself. This rhetorical strategy gradually gave rise to what Stahl calls the "anti-war, pro-soldier" ideological framework, in which war is portrayed as ugly and tragic, but individual soldiers are portrayed as noble and heroic (Stahl 539).
"Films and yellow-ribbon campaigns deflect government criticism"
"Post-draft civilian anxiety and symbolic support"
"Both pro- and anti-war slogans avoid real accountability"
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