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Characterization
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What is Characterization?

Characterization is the craft by which writers construct fictional and narrative personas, revealing personality, motivation, and moral complexity through action, dialogue, and description. It sits at the center of literary studies courses, from introductory composition to upper-level seminars, because understanding how characters are built is fundamental to interpreting any text. Works such as Flannery O'Connor's "Revelation" and "A Good Man Is Hard to Find," Charles Dickens's A Christmas Carol, Zora Neale Hurston's Their Eyes Were Watching God, and Jean-Paul Sartre's No Exit appear frequently in academic writing precisely because their characters embody larger questions about identity, morality, family, and the human condition.

Student papers on this topic approach characterization from several angles. Literary analysis papers examine how specific characters evolve across a narrative arc, tracing the relationship between a character's inner life and external conflict. Comparative essays set characters from different works against one another to highlight contrasting techniques or thematic concerns. Some papers ground their analysis in a single story or play, offering close readings of pivotal scenes, while others engage memoirs and personal essays — such as Bernard Cooper's "A Clack of Tiny Sparks" — where the line between character and real-life subject becomes a point of critical inquiry.

A strong essay on characterization begins with a focused thesis that connects a specific technique — such as indirect characterization through dialogue or the use of foils — to a broader interpretive claim about the work's meaning. Textual evidence drawn directly from the narrative carries the most weight, particularly passages that reveal character through action or relationship rather than simple description. The most common pitfall is summarizing what a character does rather than analyzing how and why the author constructs them that way.

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Paper Doctorate
Godard's Alphaville: Film Noir, Sci-Fi, and New Wave
A formal analysis of Jean-Luc Godard's Alphaville. Film is analyzed in respect to French New Wave cinema. Analysis of the tenets of new wave is undertaken. Also argument is made that Alphaville is a precursor to contemporary films such as Blade Runner due to its hybridization of genres and themes.
Research Paper Doctorate
Missionary Conquest: Critical Analysis of Cultural Genocide
It is often said that there is nothing so dangerous as a convert or a missionary. Although many take this idea as a kind of "tongue in cheek" characterization of the excesses of those "blinded by faith," there remains a…
Paper Doctorate
Print vs. Film: Zaroff in "The Most Dangerous Game"
The basic story of "The Most Dangerous Game," both the short story and the 1932 film are about a big game hunter who finds himself at the mercy of an even more dedicated hunter than himself, the mad Cossack General…
Research Paper Undergraduate
Symbolism and Justice in August Wilson's Fences
This play examines the use of symbolism in August Wilson's Fences, and argues that the symbols all correlate to the theme of injustice in Wilson's play. Baseball is used as a symbol of the injustice of segregation, but crucially the play's setting after baseball segregation has ended does not fill the protagonist, Troy Maxson, with gratitude, but bitterness. As a result Troy perpetuates the injustice against his own son, when the boy is offered a football scholarship. Finally the most expansive symbol in the play--that of the injured Gabe and his belief that he must use his trumped to announce the Last Judgment--demonstrates, in the play's conclusion, that Wilson's purpose is to ask us to imagine a transcendent justice, in which the wrongs done against Troy, and the wrongs done by him, can be evaluated in the context of history.
Research Paper Doctorate
Vine Deloria Jr.'s Custer Died for Your Sins: A Critical Analysis
One of the more profound developments of the current Native American movement has been an effort on the part of Indians themselves to record their own history in order to help them gain control of their future.
Paper Doctorate
Work Values: Cross-Cultural Comparison Between the U.S. and China
A value is "what a person consciously or subconsciously desires, wants, or seeks to attain" (Locke, 1983). Peterson and Gonzalez (2005) say values "are motivational forces," and "influence the role work plays in…
Research Paper Doctorate
Clarissa Dalloway: Hostess, Flowers, and Life in Mrs. Dalloway
The opening line of Mrs. Dalloway tells the reader a lot about the title character: "Mrs. Dalloway said she would buy the flowers herself." Woolf immediately wants to portray Clarissa Dalloway as an independent woman,…
Paper Undergraduate
Book vs. Film: Analyzing The Maltese Falcon (1941) Opening Scene
This paper compares and contrasts the film and book version of Dashiell Hammett's novel The Maltese Falcon. Only the first chapter and first scene of the book are focused upon: the difference in media; the different characterization of Spade, Wonderly, and Archer; and the degree to which the audience mistrusts Miss Wonderly are all compared.
Paper Undergraduate
American Dream Critique in Miller and Hansberry's Plays
The idea of the "American Dream," of achieving material success through one's own efforts, is not merely a constant topic in American literature, it seems to be a fundamental archetype of American national mythology.
Research Paper Doctorate
Ancient vs. Modern Drama: Tragedy, Heroes, and Evolution
¶ … structure of ancient and modern dramas to highlight their differences and similarities. The paper also shows how drama evolved over the centuries with references to Greek, Elizabethan and Modern plays.