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Transforming Oneself in the Great
Words: 3659 Length: 10 Pages Document Type: Essay Paper #: 29215025
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My appearance was always good and my ability to play on the piano, especially ragtime, which was then at the height of its vogue, made me a welcome guest."(Johnson, 139) Nevertheless, this only increases his feeling that he does not belong to his own race, and his sense that everything is a bitter irony. As the hero passes as a white man, he is forced many times to listen to unjust commentaries that are made against the black race and he realizes that he himself is ironically a disproof of these unfavorable remarks and an evidence that blackness does not render a man 'unfit': "The anomaly of my social position often appealed strongly to my sense of humor. I frequently smiled inwardly at some remark not altogether complimentary to people of color; and more than once I felt like declaiming, 'I am a colored man. Do I not disprove the…

Works Cited

Fitzgerald, Scott. The Great Gatsby. New York: Modern Library, 1934.

Johnson, James Weldon. The Autobiography of an Ex-Colored Man. New York: Alfred a. Knopf, 1927.

Wald, Gayle. Crossing the Line: Racial Passing in Twentieth- Century U.S. Literature and Culture. Durham: Duke University Press, 2000.

Marxist Reading of the Great
Words: 1740 Length: 6 Pages Document Type: Term Paper Paper #: 18018214
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In the car Nick sees him look sideways as though lying and thinks "And with this doubt, his whole statement fell to pieces, and I wondered if there wasn't something a little sinister about him, after all" (65, Chapter 4). Nick's middle class ideology leads him to scorn those who would strive to get ahead. It is the traditional view of the underclass toward upstarts from within. In the end, he loses "love" (Jordan). The text does not validate his character as an ideal.

The relationship of Tom and Gatsby clearly reinforces the class system. Tom articulates a power-oriented racist vision, saying "It's up to us, who are the dominant race, to watch out or these other races will have control of things" (13, Chapter 1). This Nordic racism is symbolic of a biased class consciousness out of which Tom operates. He wants to retain his class power. It creates…

Modernism in Fitzgerald's the Great
Words: 1826 Length: 4 Pages Document Type: Term Paper Paper #: 51040672
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"(Fitzgerald, 2) the image of personality, the "self as process" (Bloom, 189), parallels that of reality as process. Gatsby's own character is for its most part invented, dreamed up into reality, according to a plan he had made when he was nineteen. Fitzgerald's novel is thus an extremely subjective vision of the world, in which the author has a very important voice. As in all modernist novels, reality is obliterated by the artistic and scientific constructions. Fitzgerald tells the story of the American Dream, and the blind belief in idealism. As Breitwieser explains, Fitzgerald's intention is to define the modernist tendency of disconnecting from the real and dissolving into the artistic and the relativist view, just like in the jazz piece Nick listens to at Gatsby's party: "terminating expression, dissevering the conduit that makes things really real" (Breitwieser, 370)

orks Cited

Barrett, Laura. "Material without Being Real: Photography and the…

Works Cited

Barrett, Laura. "Material without Being Real: Photography and the End of Reality in 'The Great Gatsby.'"

Studies in the Novel. Vol. 30(4) 1998, p. 540-555.

Breitwieser, Mitchell. "Jazz Fractures: F. Scott Fitzgerald and Epochal Representation." American Literary History. 3 (2000): 359-81

Bloom, Harold, ed. Gatsby. New York: Chelsea House Publishers, 1991.

Human Savagery in Young Goodman
Words: 1494 Length: 5 Pages Document Type: Term Paper Paper #: 15704850
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Come devil! For thee is this world given..." This passage reflected Goodman's surrender to the wilderness, to the state of disorder that made him discover that he is weak and sinful. The presence of Faith in the first part of the story was also the only time that Goodman felt his strong faith in God. However, upon entering the wilderness, Faith his wife had not only disappeared, but Goodman's faith in God (and even himself) as well. Hawthorne made readers realize that human nature is in fact "naturally savage," and it is only fitting that Goodman's inherently savage nature would be discovered and uncovered (by him) in the wilderness.

Even towards the end of the story, Hawthorne continued to haunt his readers with the theme of wilderness inherent in the hearts and minds of humanity. Posing the question, "Had Goodman rown fell asleep in the forest, and only dreamed a…


Fitzgerald, S.F. E-text of "The Great Gatsby." Project Gutenberg of Australia Web site. Available at .

Hawthorne, N. E-text of "Young Goodman Brown." Available at

Dirty Work
Words: 584 Length: 2 Pages Document Type: Creative Writing Paper #: 40738679
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Great Gatsby

"I don't understand, why…I never heard from you again. How can you show up here, now, expecting anything?"

It was one of the rare times Daisy's face masked its natural resplendence, and harbored a look of puzzlement that bordered, at the corners of her tiny mouth, on contempt.

"I got called overseas. You think I wanted to go? My heart, everything I had up to that moment, was with you. They don't ask you when it is time to be shipped out, they simply tell you and do it. Besides," Jay added, looking incredulously at her, "I'm here now. Things can be different."

The shriek of Daisy's cry alarmed Gatsby and Daisy both, the latter of whom rose to her feet to better shatter the forced amicability of the waning afternoon light.

"Forgive my memory, but when did the armed services ever forbid the passage of written correspondence!…

Nick Carraway Nick You Are a Sensitive
Words: 1147 Length: 3 Pages Document Type: Essay Paper #: 67099516
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Nick Carraway

Nick, you are a sensitive, thoughtful, and intelligent man who has the potential to learn a lot from the current challenges you have presented. The questions you ask are astute and show a willingness to change and a vast array to tools with which to deal with change. Your self-awareness and insight are admirable, and are your core strengths. This self-improvement plan will help you capitalize on your strengths, and also become more realistic about your boundaries and limitations. Do not feel these boundaries and limitations are faults, because they are not. They are part of what makes you a unique and interesting individual. First I would like to answer your core questions in turn.

What advice can you give me about how to organize my life to achieve my goals of financial independence and spiritual fulfillment?

The financial independence you need will come, if you can outline…

Decline of the American Dream
Words: 6858 Length: 24 Pages Document Type: Research Proposal Paper #: 93389783
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As we have already mentioned, the mood and tone for moral corruption in New York City was prime in the 1920s and while it may seem there are the rich and the poor, class distinction among the rich plays an important role in the novel. Gatsby's success will only carry him so far because of a dividing line that exists between the new wealth and the old wealth. This is best depicted with the est and East Egg sections that divide individuals according to their wealth. Gatsby, regardless of how much money he makes, cannot hold a candle to the old wealth of the community in which Tom and Daisy live. Tom comes from an "enormously wealthy" (6) family and when he moved to the rich East Egg, he "brought down a string of ponies from Lake Forest" (6). The Buchanan's home is "more elaborate" (7) than what our narrator…

Works Cited

Alberto, Lena. "Deceitful traces of power: An analysis of the decadence of Tom Buchanan in the Great Gatsby." Canadian Review of American Studies. 1998. EBSCO Resource Database. Site Accessed November 01, 2008. 

Fitzgerald, F. Scott. The Great Gatsby. Bantam Books. New York. 1974.

Fussell, Edwin. "Fitzgerald's Brave New World." ELH. 1952. JSTOR Resource Database. Information Retrieved November 1, 2008. 

Inge, Thomas. "F. Scott Fitzgerald: Overview." Reference Guide to American Literature. 1994. GALE Resource Database. Information Retrieved November 03, 2008.

Narrator Lies -- to Himself
Words: 1150 Length: 3 Pages Document Type: Essay Paper #: 78096565
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However, Fitzgerald creates a narrative conceit whereby Carraway praises Gatsby, but Gatsby's ridiculousness as well as his charm shines through. For example, Gatsby attempts to seduce Daisy with his collection of shirts bought in London by his "man" -- the scene is both touching and ridiculous as Daisy says "It makes me sad because I've never seen such -- such beautiful shirts before" (Fitzgerald 74). Daisy is clearly weeping because she understands how hard Gatsby has tried to impress her, and how much she has lost by marrying Tom.

Fitzgerald does not censor the scene and make the two lovers seem better than they are, while Nick clearly romanticizes their affair: "Possibly it had occurred to him [Gatsby] that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her"…

Works Cited

Fitzgerald, F. Scott. The Great Gatsby. New York: Oxford University Press, 1998.

Isolation in American Literature the
Words: 3546 Length: 11 Pages Document Type: Term Paper Paper #: 13731057
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The mere fact that these people interact as much as they do is a sign of the blurring of class signs. Also, the image of Gatsby as essentially nouveau riche, is itself a statement indicating interclass mobility. Unlike Steinbeck's story, Fitzgerald's is much more concerned with individual prejudices and stereotypes. In Gatsby, the prejudgments are of the working class against the leisured class. The work also speaks to the utter aimlessness of someone like Gatsby - a man who lives it seems, just for the sake of inoffensive pleasure, but who, at the same time, contributes nothing to the overall society. The unbelievable disconnect between Gatsby's set, and the rest of humanity is captured in an offhand remark of one of his guests, who just happened to find himself in the library, "I've been drunk for about a week now, and I thought it might sober me up to sit…

Works Cited 

Pelzer, Linda C. "Honoring an American Classic: Viking's 1989 Edition of John Steinbeck's the Grapes of Wrath (Review)." The Critical Response to John Steinbeck's the Grapes of Wrath. Ed. Heavilin, Barbara a. Westport, CT: Greenwood Press, 2000. 309-311.

John Steinbeck, the Grapes of Wrath, p. 30

Linda C. Pelzer, "Honoring an American Classic: Viking's 1989 Edition of John Steinbeck's the Grapes of Wrath (Review)," the Critical Response to John Steinbeck's the Grapes of Wrath, ed. Barbara a. Heavilin (Westport, CT: Greenwood Press, 2000) 310.

Hemingway Fitzgerald the Great
Words: 2071 Length: 6 Pages Document Type: Essay Paper #: 3288813
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Unable to serve in the army, he too, like Jake is haunted by a feeling of vulnerability. His mother financially supports his career as a novelist, and he is highly dependant upon Frances, the woman with whom he is involved, even while he is lusting after Lady Brett. Likewise, Jake's feelings for Brett are characterized by male vulnerability: "I was thinking about Brett and my mind stopped jumping around and started to go in sort of smooth waves. Then all of a sudden I started to cry. Then after a while it was better and I lay in bed and listened to the heavy trams go by and way down the street, and then I went to sleep" (39).

In love, Jake is frustrated. However, Jake is far from impotent in other manly pursuits. Especially when he is away from Paris, the city of romance and love, he finds a…

Works Cited

Fitzgerald, F. Scott. The Great Gatsby. May 11, 2009. 

Hemingway, Ernest. The Sun Also Rises. New York: Scribner, 2006.

Balinese Cockfighting and F Scott
Words: 1505 Length: 4 Pages Document Type: Term Paper Paper #: 13567762
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Gatsby will always be interpreted as an interloper, even though some people, like Nick, have enough ability to step outside of the culture, and express admiration for Gatsby's futile project of self-improvement, and Gatsby's desire to win Daisy by making money. The Balinese experience binds the participants "into a set of rules which at once contains them and allows them play" (Geertz 450). Some creativity and transgression is allowed within some limits, just as Carraway's socially and financial secure position allows him to show more affection towards Gatsby in his narrative. Gatsby's wealth and alcohol buy him some entry into the community that he would have lacked as a poor man. But despite this creativity of reinterpretation of social conventions, of both what Gatsby himself signifies and of Gatsby's own manipulation of cultural symbols, there are limits to how much a person can break the rules of the masculine 'play'…

Works Cited

Fitzgerald, F. Scott. The Great Gatsby. The University of Adelaide Library. 2005.

25 Feb 2008.

Geertz, Clifford. "Deep Play: Notes on the Balinese Cockfight." Interpretive Social

Science. Editors Paul Rabinow & William Sullivan. Berkeley: University of California Press, 1979.

Morrison & Fitzgerald Comparing and
Words: 1833 Length: 5 Pages Document Type: Term Paper Paper #: 11256411
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Therefore we see through Nick's eyes the ways and lifestyle not only of Tom, Daisy, Jordan and others, but also the mysterious, nouveau riche Gatsby, wealthy from bootlegging and other criminal activities. hen Gatsby seduces Daisy, she, too, is drawn into his orbit, which later results in Myrtle's and Gatsby's deaths. hen Tom learns Daisy is involved with Gatsby, he becomes furious. Gatsby is later killed by the husband of Myrtle, who erroneously believes Gatsby struck and killed Myrtle while driving (this was not Gatsby, but Daisy).

Reflecting on the decadence all around him Nick decides to head back to the Midwest, realizing Gatsby's love for Daisy had been not only illicit, but corrupted from the start, by Gatsby's shady past. Moreover, as Nick reflects near the end of the novel, the soul of the American Dream itself is now dead, having been replaced by pursuit of money.

In both…

Works Cited

Bass, Ellen, and Laura Davis. The Courage to Heal. 3rd Ed. New York: Harper And Row, 1994. 24.

Brooks, Gene. "The Effects of Adultery." Retrieved August 16, 2005, at

Eaker-Weil, Bonnie. "Fearful Attraction."

March 2005. Retrieved August 16, 2005, from: >.

Lust and Desire Ethan Frome
Words: 1546 Length: 5 Pages Document Type: Thesis Paper #: 500614
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In this book, then, desire and lust -- and their inability to be fulfilled in any meaningful way -- lead directly and explicitly to destruction, and even a desire for destruction which is itself thwarted and seemingly unattainable in this book. The ride on the sled does not kill Ethan and Mattie, but rather renders them incapable of desire (or acting on it0, and even changes the dynamic of their relationship so significantly that desire can longer be a part of it.


The idea that desire leads to destruction is not new. But it is refreshed in The Great Gatsby and Ethan Frome, where Fitzgerald and harton show desire not only leading to destruction, but having no intrinsic value of its own along the way. In these novels, desire is not actually the double-edged sword of pleasure and destruction that it is often seen to be. The allure of…

Works Cited

Fitzgerald, F. Scott. The Great Gatsby. New York: Oxford University Press, 1998.

Bernard, Kenneth. "Imagery and Symbolism in Ethan Frome." College English 23(3) (1961), pp. 178-84.

Samuels, Charles. "The Greatness of Gatsby." Massachusetts Review 7(4) (1966), pp. 783-94.

Wharton, Edith. Ethan Frome. New York: Charles Scribner & Sons, 1922.

Scott Fitzgerald's Character Dick Diver From Tender
Words: 1424 Length: 5 Pages Document Type: Term Paper Paper #: 31522242
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Scott Fitzgerald's character Dick Diver from "Tender is the Night" takes on characteristics of both Jay Gatsby and Nick Carraway from "The Great Gatsby." Two sources. MLA.

Character Analysis of Dick Diver

Scott Fitzgerald was a mosaic of the characters he created. Fitzgerald, himself, can be found in Jay Gatsby, Nick Callaway, and Dick Diver. His own personal history reflects those he gave his characters, drinking habits, social status, and affluence (Brief pg). The life style of the 1920's in Paris is one that Fitzgerald and his wife Zelda experienced and is woven into his novel "Tender is the Night." Fitzgerald's stories often reveal the lives of the 'have's and 'have nots,' the lifestyle and near decadence of the rich compared to the common middle classes (Brief pg). Moreover, Fitzgerald always seems to distinguish between the 'old money' and the 'new,' the aristocrats and the nouveau rich. His writings reflect…

Works Cited

Fitzgerald, F. Scott. Tender Is the Night. Simon and Schuster. 1995; pp 59.

Fitzgerald, Francis Scott. The Great Gatsby. Charles Scribner's Sons. 1925; pp

Brief Life of Fitzgerald." F. Scott Fitzgerald Centenary: University of South

Carolina. .(accessed 11-25-

American Modernism and the Endemic Themes
Words: 1636 Length: 5 Pages Document Type: Term Paper Paper #: 21908862
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American Modernism and the Edenic Themes

Langston Hughes and Jay Gatsby: Different Strokes for Different Folks in the Search for an Edenic orld

The search for Eden has always had an eternal quality since the development of primordial man. At times, this search has manifested itself as a quest for a promised land full of natural resources, while at others, it has taken the form of a journey seeking social acceptance and harmony. Either which way, man's search for Eden has always been motivated by a desire to secure material and emotional well-being. Though this search is not unique to the people of America, the promise held out by a vast, virgin continent and new beginnings led to the belief that a life in the pursuit of wealth and happiness was possible here. This great 'American Dream,' however, soon proved as susceptible to human greed, bigotry, and the struggle for…

Works Cited

Baldwin, J. "The Eternal Adam and the New World Garden: The Central Myth in the American Novel since 1830." New York: Braziller, 1968.

Daly, P.E.M. & Mayhew, P.H. "Envisioning the New Adam: Empathic Portraits of Men by American Women Writers." Westport, CT: Praeger, 1997.

Dickinson, D.C. "A Bio-Bibliography of Langston Hughes, 1902-1967." Hamden, Conn:

Archon Books, 1967.

Frantic Pursuit of the American
Words: 616 Length: 2 Pages Document Type: Essay Paper #: 74826838
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On the other hand, Nick is genuinely concerned for the human side of his friendships and romantic liaisons. Unlike Gatsby or Tom, Nick seems to truly understand the meaning of universal suffrage and other key gender revolutions taking place during the 1920s. He is deeply disturbed by what he finds in West Egg, in particular what passes for manners. Extramarital affairs, rather than political and economic empowerment for women, are the result of the Roaring Twenties in the Great Gatsby. Nick finds that his love interest Jordan "looked like a good illustration" more than a human being by the time he leaves West Egg.

The tragedies that take place are not simply a result of Gatsby's infamous parties. Rather, the broken relationships and Myrtle's death are symbols of the breakdown of the American Dream. Through the characters of Tom and Gatsby, Fitzgerald critiques the relentless pursuit of wealth and prestige.…

Fleeting Nature of Time From
Words: 1758 Length: 5 Pages Document Type: Research Paper Paper #: 76815290
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Gatsby had been feeling guilty for letting Daisy go in favor of him getting the chance to upgrade his social position. Fitzgerald cleverly relates to this at the moment when Gatsby is left behind for a few moments by those was going to have dinner with, leaving Daisy alone and vulnerable. This is proof that time is yet again fleeting, with Gatsby having lost Daisy all over again because of the seconds it took him to get his coat from inside the house.

Time is without doubt passing fast and the best that people can do is to enjoy it while they can. If one were to behave similarly to Gatsby and Prufrock, dedicating all of their time to the search for love, they might never come across it at all. hat is more troubling is that they will not even take advantage of the opportunities that they might get…

Works cited:

1. Boodin, John E. "The Concept of Time." The Journal of Philosophy, Psychology and Scientific Methods, Vol. 2, No. 14 (Jul. 6, 1905), pp. 36.

2. Elliot, T.S. The Love Song of J. Alfred Prufrock. Poetry Magazine, 1915.

3. Fitzgerald, F Scott. (1925). "The Great Gatsby." Charles Scribner's Sons.

4. Hartland-Swann, John. "The Concept of Time." The Philosophical Quarterly, Vol. 5, No. 18 (Jan., 1955), pp. 1-20.

Lust and Desire in American
Words: 1197 Length: 4 Pages Document Type: Research Proposal Paper #: 71468342
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The fulfillment of desire, that is, means the eradication of desire -- by its very definition, desire is gone once its object has been attained. This plays out differently for the two characters described above; Gatsby does briefly attain his desire -- i.e. Daisy -- but also learns that, through her own decision, he will never really possess her. This dual event of fulfillment and permanent rejection is symbolically paired with his death, and the complete randomness yet strange inevitability of the death as far as the storyline of the novel goes makes it all the more tragic. Blanche never really attains her desire, and in fact can be seen as destroying it utterly when Mitch leaves her, and this final rejection is enough to break her. Unable to attain her desires, Blanche suffers a complete break from reality that effectively destroys her, as well, yet she continues living in…

Distortions of the American Dream The Effects
Words: 1176 Length: 4 Pages Document Type: Term Paper Paper #: 21275255
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Distortions of the American Dream: The Effects of Materialism in Day of the Locust and the Great Gatsby

In both The Day of the Locust and The Great Gatsby, pursuit for the superficial and material in the world has become their driving focus, blurring the line between right and wrong. In this paper we will look at how materialism affects both Jay Gatsby and Tod Hackett.

We can see what direction the main protagonist in Day of the Locust, Tod Hackett, will go, just by looking at the word "hack" in his name. While in school he has decided to pursue the field of commercial illustration instead of pursuing the more rigorous field of painting art for arts' sake. His friends warn him that he is selling out. Tod has taken the possibility of a great education at Yale and has decided to help create superficial images of things that…

Short Piece on My Life as an Outsider
Words: 834 Length: 3 Pages Document Type: Creative Writing Paper #: 95264548
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And somewhere between the time you arrive

And the time you go

May lie a reason you were alive

But you'll never know.

Jackson Brown

A lone cloud drifted across the deep blue sky briefly casting its shadow on me as I sat reading a book on a wooden bench in the middle of campus. Countless people of all sorts and colors scurried by engrossed in their iphones, tablets and other technological pleasures oblivious to the beauty of the day. The flowers were vibrant in their spring dress and the scent of freshly cut grass wafted through the air.

As the hour turned a group of my friends arrived as if on schedule (after all it was Wednesday) and gathered around to kill their time.

"Whatch ya reading?" asked Bristol between smacks on her gum.

I said, "The Great Gatsby."

"I had a date with the Great Gatsby last…

Teams Running for Presidency Would Have a
Words: 591 Length: 2 Pages Document Type: Term Paper Paper #: 65014837
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teams running for presidency would have a real chance, however, they are indeed two of the most interesting presidential couples the American history has seen. I intend to draw a brief portrait of all four potential president and vice- president candidates, so as to draw conclusions on the way they would run there campaign and their motives.

Howard Roark is the emblem of individualism. As one excellent discussion based on his characters mentions, he is "never concerned with the thoughts of others. He not only doesn't care about their opinions, he doesn't even think to care."

Thus, here is someone who thinks his opinion is always best, for the sole reason that there is no other opinion. This is not somewhat I am mentioning in a negative way, for the author has a more than sympathetic attitude towards the character and he stands out as someone who is not ready…


1. The Fountainhead. On the Internet at 


On the Internet at

The Fountainhead. On the Internet at

Short Sketch About Me as an Outsider
Words: 690 Length: 2 Pages Document Type: Creative Writing Paper #: 49088812
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Outsider Sketch

Wrapped tightly in a dark blue-green comforter, she snuggles up against the oversized pillows on her dorm room bed. The shades are drawn and only the red and green glow from tiny lights on those ubiquitous little electronic devices breaks the near darkness in her room. The music is low but she can just make out that Pandora is apparently playing a Bach fugue -- or is it Mendelssohn, Beethoven, or perhaps Wagner? It sure wasn't hip-hop or Bob Dylan.

While the "cool" clique of teenage classmates (that she finally was accepted into only to eventually realize it was a counterfeit collaboration) were frolicking about at Friday night beer parties, she preferred the safety, sobriety and seeming security of solitude. She really tried hard from elementary school on up to high school to fit in, to blend in like blueberries poured into a bowl of Aunt Jemima's pancake…

American Lit Definition of Modernism and Three
Words: 3585 Length: 13 Pages Document Type: Term Paper Paper #: 58544512
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American Lit

Definition of Modernism and Three Examples

Indeed, creating a true and solid definition of modernism is exceptionally difficult, and even most of the more scholarly critical accounts of the so-called modernist movement tend to divide the category into more or less two different movements, being what is known as "high modernism," which reflected the erudition and scholarly experimentalism of Eliot, Joyce, and Pound, and the so-called "low modernism" of later American practitioners, such as William Carlos Williams. Nonetheless, despite the problems of reification involved with such a task, I will attempt to invoke a definitions of at least some traits of modernism, as culled from the Princeton Encyclopedia of Poetry and Poetics:

First, [in modernism] "realization" had to replace description, so that instead of copying the external world the work could render it in an image insisting on its own forms of reality... [and] Second, the poets develop…


Preminger, Alex and Brogan T.V.F. The Princeton Encyclopedia of Poetry and Poetics.

Princeton, NJ: Princeton UP, 1993.

Rise and Fall of the
Words: 1015 Length: 3 Pages Document Type: Essay Paper #: 54029825
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The myth destroys the dream because they are so closely connected and when one fails, the other is doomed. Gatsby cannot have not can he enjoy his lavish lifestyle without Daisy.

hile Gatsby makes his mistakes, there is something about him that draws us near. Harold Bloom maintains, "Fitzgerald's oddest triumphs that we accept his vision of Gatsby's permanent innocence . . .e come to understand that Gatsby is in love neither with Daisy nor with love itself, but rather with a moment out of time that he persuades himself he shared with Daisy" (Bloom). His love is pure and we can even go as far to say that his intentions are pure as well and this is why he emerges as the victim in this novel. John Fraser agrees, adding that why we come to appreciate the man is a "tribute to the further aspect of the illusion of…

Works Cited

Bloom, Harold, ed. "Bloom on The Great Gatsby." The Great Gatsby, Bloom's Guides. 2006.

Bloom's Literary Reference Online. Facts On File, Inc. Information Retrieved April

12, 2009.

Donaldson, Scott. "Possessions in The Great Gatsby. Southern Review. 2001. EBSCO

Analyzing and Reading Critical Theories
Words: 1381 Length: 4 Pages Document Type: Essay Paper #: 46809687
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Great Gatsby: As Seen Through Marxist Perspective

A Marxist perspective of F. Scott Fitzgerald's famous novel, The Great Gatsby may be interested in social class representations, together with how characters acquired and retained riches and power. An overall analysis of the novel reveals that it portrays the extremely rich social class that does not work and devotes most of its day to leisure activities primarily. A few less rich minor characters also find mention, along with a smaller share of workers and servants seen at work in the course of the story. In terms of the Marxist theory, the affluent social class denotes the "haves." At the time of the American industrial revolution, capitalists -- the people with capital (i.e., wealth, equipment, or land) -- meant the upper social class. On the other hand, the "have-nots" indicated the lower social class, or workers. In Marx's opinion, a class with economic…

Works cited

Falth, Sebastian. "Social Class and Status in Fitzgerald's The Great Gatsby." Web.

Fitzgerald, F. Scott. The Great Gatsby. Amersham: Transatlantic Press, 2012

"Marxist Interpretations." -- The Great Gatsby Study Guide from Web. 16 Dec. 2015.

TYSON, LOIS. "Critical Theory Today." Web. 16 Dec. 2015.

Legal and Illegal Business Ethics
Words: 952 Length: 3 Pages Document Type: Book Report Paper #: 89743590
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Scott Fitzgerald, The Great Gatsby

F. Scott Fitzgerald's book, The Great Gatsby, is iconic for a period and a place where the world was caught by the mad drive to recover from the trauma of a world war. The meeting with the specter of death on a mass scale in a time when everybody thought wars were a thing of the past had left the young generation desperate to experience everything there was and live life to its fullest.

Alcohol prohibition had created the perfect frame for this post American war world: everybody rushed in to break the law. The business savvy were in Heaven: no schooling was required and the merchandize was in high demand. All it was required was the will to get to work and make business with whoever was willing to supply the booze. Money had no smell. Fitzgerald, who had lived in both the old…