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Interestingly, results indicated that the three timing variables investigated, which were releases prior to long weekend, during summer, or during Christmas, did not demonstrate relation to total revenues (Simonoff & Sparrow, 2000). However, the third quartile grosses were noticeably higher for seasonal releases in comparison to non-seasonal releases (Simonoff & Sparrow, 2000).
One of the most important factors involved in determining the success of a film in terms of box office revenue is the release date (Simonoff & Sparrow, 2000). Simonoff and Sparrow (2000) explain how movie studios often will plan a release date for a film up to a year in advance and leak this info to the media in an attempt to "scare off" competing films. Furthermore, this occurs among major blockbuster motion pictures as well as small budget films, as it is unlikely to find two movies targeting the same audience released in the same weekend (Simonoff…
Box Office Mojo (2007). All time box office: opening weekends. Box Office Mojo, retrieved 6/22/2007 at http://www.boxofficemojo.com/alltime/weekends/ .
De Vany, a. (1997). Complexity in the movies. Department of Economics, Institute for Mathematical Behavioral Sciences, University of California, retrieved 6/22/2007 at http://www.wu-wien.ac.at/am/Download/ae/Complexity.pdf .
Jaeger, J. (2003). The movie industry. Matrix Entertainment Corporation, retrieved 6/22/2007 at http://www.mecfilms.com/moviepubs/memos/moviein.htm.
Simonoff, J.S. & Sparrow, I.R. (2000). Predicting movie grosses: winners and losers, blockbusters and sleepers. Chance, 13(3), 15-24.
Everybody's Sweetheart is well-known for the fact that it presented 1920 audiences with a storyline to remember and to fantasize about, given that people (those in the South particularly) were going through a difficult period and many of them hoped to accomplish themselves both from a material and from a social point-of-view. In spite of his expertise in analyzing movies, Sandburg cannot help but being visibly impressed by this motion picture.
The Mask of Zorro has, according to Sandburg, triggered waves of appreciation from a movie-crazed American public. People could not ignore all the intriguing elements in the motion picture, especially considering that most of them were innovative for the 1920s. Sandburg's appreciation of the movie is obvious through the fact that he recognizes the film as one of Douglas Fairbanks' best motion pictures, both as a producer and as an actor.
Film audiences from the start of the century…
Rice Burroughs, Edgar. "Tarzan's Seven Lives." Screen Play Magazine. 1934.
Sandburg, Carl & Bernstein Arnie & Ebert Roger. The movies are: Carl Sandburg's film reviews and essays, 1920-1928. (Lake Claremont Press, 2000).
"INTOLERANCE' IMPRESSIVE.; D.W. Griffith's New Picture Is a Stupendous Spectacle." Retrieved February 8, 2011, from the NY Times Website: http://movies.nytimes.com/movie/review?res=9501E1DF143BE633A25755C0A96F9C946796D6CF
he list of "hou Shalt Nots" is portrayed as being definitive in all five movies.
wo of the films do not address the life of Moses except indirectly. In "he Decalogue," the filmmaker applies the themes of each of the en Commandments to a series of characters in the ten-part series. Each installment in the series focuses on one of the en Commandments as the main theme. David Hugh Jones' 1999 film "he Confession" is a much thinner exposition of the en Commandments. he story of the Fertig family addresses a few of the Commandments but not all ten and is not a systematic or thorough means of addressing moral or Biblical matters. Still, the religious themes do add moral depth and dimension to the movie.
Biblical films like Cecil B. DeMills' two "en Commandments" movies and also the Dreamworks production "he Prince of Egypt" convey the morality of the…
Two of the films do not address the life of Moses except indirectly. In "The Decalogue," the filmmaker applies the themes of each of the Ten Commandments to a series of characters in the ten-part series. Each installment in the series focuses on one of the Ten Commandments as the main theme. David Hugh Jones' 1999 film "The Confession" is a much thinner exposition of the Ten Commandments. The story of the Fertig family addresses a few of the Commandments but not all ten and is not a systematic or thorough means of addressing moral or Biblical matters. Still, the religious themes do add moral depth and dimension to the movie.
Biblical films like Cecil B. DeMills' two "Ten Commandments" movies and also the Dreamworks production "The Prince of Egypt" convey the morality of the Ten Commandments also. However, films set in Biblical times may appeal less to a general audience than those that are set in the contemporary world. Religious, and especially Christian, viewers might glean more moral content from the Cecil B. DeMille movies or "The Prince of Egypt" because of familiarity and sympathy with Biblical themes and content. Viewers who have a more secular view of morality may find films like "The Decalogue" and "The Confession" to be more morally compelling because they can relate to the characters.
Therefore, Biblical films can best be divided into two main categories: those that are set in Biblical times and those that are not. The ones set in Biblical times might address some of the Old Testament allegories such as the birth and life of Moses including the exodus of the Jews from Egypt after their enslavement. Cecil B. DeMille brought Moses' story to life in two films: both entitled "The Ten Commandments." The Dreamworks team drew upon the same story of baby Moses and Moses the leader of the Jews but produced an animated film lighter in tone and moral content than the DeMille versions. Each of these three movies uses Moses as an actual character and allows the viewer to find ways of applying the tale of Moses to his or her own life. In other words, the two "Ten Commandments" movies and "The Prince of Egypt" are about more than just the Ten Commandments themselves but are actually about one of the main figures in the Bible. The second type of Biblical film is not set in Biblical times. Movies like "The Decalogue" and "The Confession" are not about Moses but they are about the Ten Commandments. These films are explicitly centered on the moral component of the Bible and how that morality applies to life in the modern world.
motion picture industry has played a pivotal role in the lives of many Americans. Films have captivated audiences around the world with their information, cinematic, acting, and story. Many films illuminate a particular aspect of society that needs to be altered for the better, while others simply entertain with an intense story. Feature films, especially those marred with fantasy, suspense and intrigue are very popular among the viewing population due primarily to their emotional appeal. Below is chart of the top 10 grossing films of 2012 (oback, 2010).
The Hunger Games
Dr. Seuss' The Lorax
Journey 2: The Mysterious Island
Wrath of the Titans
Act of Valor
1) Francis, D.R. (2008, September). Economic Slump: Ethics Loom Large. Retrieved July 31, 2011, from Christian Science Monitor: http://www.csmonitor.com/Business/2008/0915/p16s03-wmgn.html
2) Scott, D. (2008, October). The Ethics of Risk and the Economic Crisis. Retrieved July 31, 2011, from Center for Ethics: http://www.umt.edu/ethics/imx/radioessays/comment_RiskEthicsEconomicCrisis.pdf
3) Dominus, Susan (April 8, 2011). "Suzanne Collins's War Stories for Kids." The New York Times. http://www.nytimes.com/2011/04/10/magazine/mag-10collins-t.html?pagewanted=all . Retrieved November 14, 2011.
4) Eisenberg, Eric (March 20, 2012). "5 Reasons The Hunger Games Isn't Battle Royale." http://www.cinemablend.com/new/5-Reasons-Hunger-Games-Isn-t-Battle-Royale-30063.html . Retrieved March 23, 2012.
Considering the feelings that the film puts across, one can even consider that it is meant to take up a place in the pages of history. This is the oldest existing motion picture directed by an African-American and it is most probably going to play in front of numerous audiences interested in conditions in the U.S. during the first few decades of the twentieth century. It is actually difficult to determine whether the director wanted it to provide people with an artistic concept or if he primarily wanted to provide them with troubling information concerning society's hypocrisy.
Micheux uses the concept of a black man being lynched for his presumed attempt to rape a white woman as a stereotypical idea meant to influence viewers in expressing lack of interest in the white woman's condition. The director presents viewers with the harsh reality of the 1920s when the masses took advantage…
Dir. Oscar Micheux. Within Our Gates. Micheaux Book & Film Company, 1920
Stephen Sommers' 1999 motion picture The Mummy puts across an account involving a group of researchers and opportunists wanting to profit as a result of getting involved in an Egyptian expedition. The Mummy is an adventure horror meant to keep viewers entertained by providing them with laughs while also introducing scary scenes. To a certain degree one can say that the film's narrative structure also involves elements related to comedy, considering that it goes from a bad situation to a happy ending. Some might be inclined to think that the film is confusing because of the series of elements it contains, as it is sometimes difficult to determine whether viewers are meant to be amused or terrified by events occurring throughout the movie.
The plot is in a chronological form, as it goes from the times of Pharaoh Seti I to the modern era, in 1926 as archeologists and…
Dir. Stephen Sommers. The Mummy. Universal Pictures, 1999.
One of the most significant concepts about the film is that it is meant to portray African-American experiences in a hostile society. Similar to his ancestors, Zinga focused on achieving his dreams regardless of the cost of his endeavor. Also, he manages to go through experiences similar to the ones that other Africans went through as a result of their struggle for recognition.
In spite of the fact that some might consider that the film is too idealistic and that it presents the perfect life of an individual of African ancestry, it is actually meant to trigger deep feelings in audiences that had trouble understanding the negative effects that discrimination had on society as a whole. The director practically wanted viewers to understand the complex feelings experienced by Africans as a result of the fact that they were forcefully taken away from their homes. Moreover, he also wants individuals to…
Dir. J. Elder Willis. Song of Freedom. British Lion Films, 1936.
he mise-en-scene and the filming complement each-other and make it possible for viewers to be presented with an intriguing account involving archetypal characters going through experiences that are not actually that common.
It is very probable that both arantino and Ross focused on adopting attitudes that would make viewers regret that they ever had doubts regarding the two films. hese two individuals actually focused on providing the wrong impression in the beginning only to get actively involved in making later scenes more elaborate.
Surely, it would be wrong to say that these films entail a lot of complex thinking, but it is likely that they were not designed to trigger philosophical discussion (even with this, they are both likely to have raised numerous debates concerning the nature of man and how he is inclined to abandon everything that he believes in when presented with epiphanies).
he films and the way…
The films and the way they are edited certainly puts across the feeling that viewers are privileged to witness artwork, not just movies meant to lighten the mood. Although Pulp Fiction is a whole different story in comparison to The Hunger Games, it is only safe to say that they are both meant to emphasize the artistic nature of their creators. Filming in both movies is beautiful and it is obvious that the camera work was not only meant to capture the story, as it was also provided with the mission to contribute to making it happen.
Dir. Gary Ross. The Hunger Games. Lionsgate, 2012
Dir. Quentin Tarantino. Pulp Fiction. Miramax Films, 1994.
One of the common themes in the two motion pictures is the fact that individuals face great adversity and are nonetheless determined to go through with their plans. The central characters in both films are well-acquainted with the risks they face as a result of getting involved in a controversial relationship. Even with this, they are unhesitant and love ultimately emerges as the principal tool keeping them going and making it possible for them to struggle in order to achieve their goal.
Mina and Demetrius fight on account of the love they have for each other, Lila fights for her baby, and Ray finds to provide her children with a home. Each of these individuals is in a critical situation but this does not stop them from focusing on their plans. Poverty fuels them and enables them to employ indifferent attitudes toward society's regulations.
The fact that the central characters…
Dir. Courtney Hunt. Frozen River. (Sony Pictures Classic, 2008).
Dir. Mira Nair. Mississippi Masala. (MGM, 1991).
hen he stays among those in the Cheyenne tribe, Jack has a fairy-tale-like life, he learns about respect and about how to be at peace with the world.
Question number 4.
The Searchers is one of the most renowned esterns mainly because it has John ayne starring in it and because of its confusing, yet clever, plot which keeps the audience captivated. The movie is certainly representative for the genre because it complies with most of the rules that such films needs to conform to.
The movie is also believed to be characteristic for the United States from the period following the Civil ar. Ford apparently tries to justify Ethan's racism through the fact that the character has been compelled to act accordingly because of the fact that Indians have destroyed his brother's family.
As he comes home, Ethan visits his brother, Aaron, and gives money and presents to him…
1. Little Big Man. Dir. Arthur Penn. Cinema Center Films, 1970.
2. The Searchers. Dir. John Ford. Warner Bros., 1956.
From Muybridge's work, the leap toward full-fledged motion pictures was small. Etienne-Jules Marey also expanded the boundaries of photography by shooting a rapid sequence of shots: chronophotographs (Dirks). However, true motion pictures demanded new technologies. The invention of celluloid and the perfection of projection systems enabled the prototypes of motion pictures to evolve into movies.
Thomas Edison was also influenced by Muybridge's work with still photography and the zoopraxiscope. Edison's kinetiscope followed closely on the heels of Muybridge's earlier invention. Along with a plethora of similar devices, the zoopraxiscope and the kinetiscope paved the way for the evolution of the motion picture entertainment industry.
Dirks, Tim. "Film History Before 1920." Retrieved 12 Oct 2007 at http://www.filmsite.org/pre20sintro.html
History of Edison Motion Pictures." Retrieved 12 Oct 2007 at http://memory.loc.gov/ammem/edhtml/edmvhist.html
National Museum of American History. "Freeze Frame." Retrieved 12 Oct 2007 at http://americanhistory.si.edu/muybridge/
The Zoopraxiscope." Retrieved 12 Oct 2007 at http://www.kingston.gov.uk/browse/leisure/museum/museum_exhibitions/muybridge/machinery_and_equipment/zoopraxiscope.htm
Dirks, Tim. "Film History Before 1920." Retrieved 12 Oct 2007 at http://www.filmsite.org/pre20sintro.html
History of Edison Motion Pictures." Retrieved 12 Oct 2007 at http://memory.loc.gov/ammem/edhtml/edmvhist.html
National Museum of American History. "Freeze Frame." Retrieved 12 Oct 2007 at http://americanhistory.si.edu/muybridge/
The Zoopraxiscope." Retrieved 12 Oct 2007 at http://www.kingston.gov.uk/browse/leisure/museum/museum_exhibitions/muybridge/machinery_and_equipment/zoopraxiscope.htm
TELEVISION'S ELATIIONSHIP TO SCIENCE AND TECHNOLOGY
Television's elationship to Science and Technology
Scientific knowledge has led to the development of machinery, and equipment among other provision of technology. Notably, computer technology is a product of scientific knowledge: the advancement of the science and the engineering knowledge has led to the increase in the practical application of knowledge. As a result, the technology has continued to advance leading innovation and modernization. Television is a product of scientific knowledge and thus led to the transmission of knowledge of science from one region to another. Television has had gradual improvement in different time. For example, in the ancient time, the transmission of news and entertainment was limited and only in the black and white. As seen in the modern society, television has advanced from black and white images to colored photographic images (Williams, 1974). The improvement in the mode of transmission of images…
Dick, P. K. (1982). Blade Runner. Random House LLC
Jonze, S., Kaufman, C., & Burwell, C. (1999). Being John Malkovich. Universal Studios.
Williams, R. (1974). "The Technology and Society" from "Television: Technology and Cultural Form." New York: Schocken, pp. 35-50
motion? In your response, include your interpretation of the characters' emotional state of mind as they experience these events/
A single mom announces her two little boys that she will have to leave the home alone for a day. The film opens with the stories told from two opposite points-of-view. Of curse, their relationship is one of love and hate, like that between two respectable brothers. The older one, Lenny, is annoyed that instead of going with his friends to Coney Island on Sunday he faces the perspective of staying home and taking care of his little brother. The little one, Joey, is constantly seeking to join in the play of the older one and they constantly reject him. Both brothers are feeling frustrated. Joey, because of his brother's constant refusal to let him join in the play with the older ones, Lenny because he feels pestered by his brother's…
pictures can speak louder than words, and this is clear in the photo entitled "U.S. Navy: An aerial view of damage to akuya, Japan after a 9 magnitude tsunami." The photo initially looks like picture of a tiny child's toy boat, which is floating in a muddy sea of debris. The boat looks brave and cheery, as it floats amidst the muck, garbage, and flotsam and jetsam of people's belongings. However, the first, deceptive glance of the photograph quickly ebbs away as the viewer becomes aware that he or she is bearing of witness to one of the greatest human tragedies to strike a nation, as a result of a natural disaster, in the 21st century. The photograph highlights the smallness and vulnerability of the human condition in the face of epic destruction beyond human control.
Japan's long national nightmare began when an 8.9-magnitude earthquake, the "fifth-largest recorded since 1900"…
Harlan, Chico. "One year later, Japan still in crisis." The Washington Post. 12 Mar 2012.
McGroarty, Patrick & Vanessa Fuhrmans. "Germany to Forsake Its Nuclear Reactors."
Wall Street Journal. 31 May 31, 2011.
American Academy Pediatrics publication a critique a media portrayal substance, links made AAP statement material. The password EBook: apusstudent I uploaded rest material.
American Academy of Pediatrics' Policy Statement concerning media portrayal of substance abuse touches upon several important issues that arise along with the media products' influence on America's young population at large. The article's targeted list of open-access channels associated with messages of noxious substance use include advertisements, television shows, motion pictures, social websites and music. Attention is directed specifically towards the findings of broadly conducted research in the matter of harm inflicted on children and adolescents as a result of the entertainment industry's depictions of legal and illegal substances, such as alcohol, tobacco, marijuana and heroin. Based on these findings, Pediatrics proposes a set of familial, institutional and legislative measures designed to minimize or abolish the destructive influence that media effects on a child's and teenager's development…
American Academy of Pediatrics. (2010, October). Policy Statement -- Children, Adolescents, Substance Abuse and the Media. Pediatrics, Vol. 126, No. 4, pp. 791-799.
Levinthal, C.F. (2012). Drugs, Behavior, and Modern Society, Seventh Edition. New York: Allyn & Bacon.
Macdonald, A. (Producer), & Boyle, D. (Director). (1996). Trainspotting [Motion picture]. United Kingdom: Channel Four Films.
Roberts, D.F. et al. (1999). Substance Use in Popular Movies and Music. Office of National Drug Control Policy, Center for Substance Abuse Prevention (U.S.). Retrieved from www.ncjrs.gov
movies atings television shows atings. Cuently aea numbe shows television potaying negative aspects ace, class gende. Fo, show "Family Guy" a show played "pimetime" mateials show "kid-fiendly.
Watching Toy Stoy is likely to influence many adults to believe that it would be wong fo them to allow thei childen to view the animated comedy. I believe that it is wong fo the Motion Pictue Association of Ameica film ating system to povide it with a G. ating, taking into account the violent scenes that the animation contains. Andy's next-doo neighbo, Sid, is a hoible peson and he is obsessed with mutilating toys. While it would be pefectly nomal fo childen to occasionally beak toys, an individual who wants to mutilate toys and who ceates mutant toys consequent to doing so is actually deanged.
Poviding childen with the image of a deanged individual is pobable to have a negative effect on…
references and profanity, but violence is practically absent and adolescents are shown in ways that are characteristic to teenagers in general.
This film has an inappropriate rating and it should have been provided with an R. rating or even with a PG-13 rating. By labeling it NC-17, the Motion Picture Association of America virtually fails to acknowledge that teenagers are capable of putting across behaviors that are not socially acceptable. The reality is that many teenagers are likely to identify with characters in the film and that the most activities shown are actually perfectly normal for teenagers.
The chart is meant to emphasize the rating that each film should be provided with when concerning particular aspects like violence, sexuality, and drug use:
2 stands for G -- general audience
4 stands for PG -- parental guidance suggested
Flew ver the Cuckoo's Nest"
Independent films have become such a mainstay of American cinema that it is difficult to tell what should be considered independent and what should be considered a major production these days. Small, independent film studios can gain such a following that they are soon producing movies that are seen by millions. f course, this was not always the case because the reason there are indie films is because of the rebellion over the control of the large studios. In the case of the movie "ne Flew ver the Cuckoo's Nest" it was an indie film, but it was seen by a large audience. Like many indie films of that time and this though, it had a flare that could not be seen in major motion pictures. Since major motion picture studios were interested more in the bottom line and worried about turning a profit for…
One only has to look at history to see the fallacy perpetrated by major motion picture studios. "They Died with Their Boots On" is a retelling of the story of the Little Bighorn massacre which starred Errol Flynn and was released by the major motion picture company Warner Bros. The movie makes a hero of Custer as he tries to run down Sitting Bull and a corrupt, gun-selling Indian agent. The picture is factually inaccurate from start to finish and perpetuates the myth that Custer was the honorable one at Little Bighorn. Sitting Bull is seen as an opportunist and a rebel who only wants to kill white people. This sort of movie was immensely popular (released in 1949) because, although everyone knew it was probably a biased retelling, it had a distinct hero and a villain (there were actually later movies which had Sitting Bull as the hero which is also factually inaccurate). Although the movie is enjoyable when an individual wants to spend a mind-numbing few hours in front of the TV, it is also a symbol of why many people were tired of major motion pictures, and why indie films have gained the traction that they currently have. A true telling of the story would reveal that neither was a hero, but that Custer, as a glory-seeker and narcissist, sacrificed his troop on a fool's errand.
In recent times, major motion picture studios have gotten the message, at least partially, that people crave a little more reality. That is why big name releases such as "American History X" and "American Beauty" were released by New Line Cinema and Dream Works respectively. These are considered indie film companies, but they are that in name only. These are both major studios that are producing edgy movies under an indie tag. Both of the releases mentioned above were both critical and box office successes because they were edgy. Another film that shows the influence that indie films has had is "Unforgiven." This is not a classic Western that has a distinct white-hatted good guy and a black hat wearing bad guy. The lines are blurred between the sheriff and the ex-outlaw. Some of the things Eastwood's outlaw character does are good, and some are not. The same can be said of Hackman's sheriff character.
These movies seem to rely on the success of such movies as "One Flew Over a Cuckoo's Nest." Because movie producers could see a major shift in the way they viewed edgy movies, the large motion picture studios changed the way they made movies. The money shifted, so the movie makers did also.
surrealist films, Un Chien Andalou L'Age, d'or Las Hurdes (Land read), terms cinematic techniques a formal surrealist perspective. Use specific frames films discussion.
Luis unuel's films are generally known to have produced diverse sentiments in viewers, considering that most people are unable to digest the controversial topics that the director relates to. When taking into account unuel's attitude in making these motion pictures, it is only safe to assume that his intention was to push away viewers rather than to attract them. It is actually probable that unuel was the first director in the history of filmmaking who expressed no interest in gathering large crowds of supporters. He was not particularly concerned about the effects that his films will generate on the public, as he was primarily interested in expressing himself through these films. unuel's films were revolutionary at the time when he first presented them to the public and…
Dir. Luis Bunuel. L'Age d'Or. Corinth Films, 1979 (U.S.)
Dir. Luis Bunuel. Las Hurdes: Tierra Sin Pan. 1933
Dir. Luis Bunuel. Un Chien Andalou. Les Grandes Films Clasiques, 1929
However, in spite of the fact that the film was promoted as a motion picture displaying real-life events, it appears that the director did not hesitate to modify a series of aspects about the environment that he shot in and the story itself. The protagonist's wife and children were not actually his and Flaherty correctly believed that audiences would be more deeply impressed if he presented the story from a more spectacular point-of-view. Even with this, one can still claim that the film is a documentary because it presents viewers with its own creation.
Many individuals took advantage of the fact that documentary films were very influential and devised propaganda strategies using motion pictures. Many individuals involved in this affair considered that fiction films no longer had a strong appeal and that society was more concerned about seeing 'cinema verite'. Many filmmakers got actively engaged in creating films discussing political…
Aufderheide, Patricia, "Documentary Film: A Very Short Introduction," (Oxford University Press, 2007)
Ellis, Jack C. And McLane, Betsy a. "A new history of documentary film," (Continuum International Publishing Group, 2005)
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio.…
"What better way to annoy the Hollywood liberals than to remind them every single day that
George W. Bush is STILL the President?" Retrieved from https://www.donationreport.com/init/controller/ProcessEntryCmd?key=O8S0T5C8U2 Accessed 15 September, 2005
"What's interesting about the business is that it's no longer the movie business" Retrieved from http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/picture/corptown.html Accessed 14 September, 2005
Germans, Post World War 2
Evil, German attitudes through the Twentieth Century, and humanity
The Second World War has had a terrible impact on society as a whole and it is safe to say that it shaped the way that people perceived the idea of being human and of life in general. Michael Hanake's 2009 motion picture The White Ribbon discusses with regard to a series of events happening in a fictional German village during the era leading to the First World War. While the film discusses ideas that apparently have nothing to do with the Second World War or with the National Socialist ideology, an in-depth analysis would make it possible for someone to find parallels between many of the concepts it contains and values promoted in Nazi Germany.
Haneke's film provides viewers with the image of an apparently perfectly organized village in which everyone is well-acquainted with…
Schwab, Gabriele. Haunting Legacies: Violent Histories and Transgenerational Trauma. ( Columbia University Press, 13 Aug 2013)
Dir. Michael Haneke, The White Ribbon. Filmladen (Austria) X Verleih AG (Germany), 2009.
Also, these concepts emphasize the limits associated with the American peoples, as by being as realistic as they possibly could be they made it possible for viewers to accept that a estern did not necessarily have to involve a heroic cowboy running off into the sunset consequent to killing the bad guys and saving the damsels in distress.
These films were all about presenting American values as realistically as possible with the purpose of influencing viewers to accept that there is actually much more to the American culture than one might be inclined to believe.
Campbell, Jeff, "USA 5th Edition," (Lonely Planet, 01.03.2008)
"3:10 to Yuma," Retrieved March 20, 2013, from the Reel Gouda ebsite: http://thereelgouda.blogspot.ie/2007/09/310-to-yuma.html
"Yippie ki-yay! The western's not ridden off into the sunset yet," Retrieved March 20, 2013, from the Guardian ebsite: http://www.guardian.co.uk/film/filmblog/2007/oct/29/willlawrencemonampic
Karnick, S.T. "3:10 to Yuma: Review," Retrieved March 20, 2013, from the…
Campbell, Jeff, "USA 5th Edition," (Lonely Planet, 01.03.2008)
"3:10 to Yuma," Retrieved March 20, 2013, from the Reel Gouda Website: http://thereelgouda.blogspot.ie/2007/09/310-to-yuma.html
"Yippie ki-yay! The western's not ridden off into the sunset yet," Retrieved March 20, 2013, from the Guardian Website: http://www.guardian.co.uk/film/filmblog/2007/oct/29/willlawrencemonampic
Karnick, S.T. "3:10 to Yuma: Review," Retrieved March 20, 2013, from the American Culture Website: http://stkarnick.com.previewc45.carrierzone.com/culture/?p=3309
Watch movie clip: The Departed (2/5) Movie CLIP I Want Some Pills (2006) HD http://www.youtube./watch?v=NEwspgySg5s&list=PL31DE65690EE474 Elements Design During process envisioning designing a film, director, production designer, art director ( collaboration cinematographer) concerned major spatial temporal elements.
The Departed -- scene analysis
The director, the production designer, and the art director
The Departed is a 2006 motion picture directed by Martin Scorsese, with Kristi Zea as the production designer and Teresa Carriker-Thayer as the art director.
Martin Scorsese was meant to put the script into play by controlling the motion picture's artwork and the dramatic character it was meant to put across. y guiding the film crew and the actors in producing the best results possible the film director is thus meant to have authority over most of the motion picture's production. One can even go as far as to say that the film director is responsible for interpreting the script…
Dir. Martin Scorsese. The Departed. Warner Bros. 2006
Jerome Robbins: Something to Dance About
Judy Kinberg's 2009 motion picture Jerome Robbins: Something to Dance About provides a view into the life of a person who played a significant role in the twentieth century's art movement. Jerome Robbins used his mastery to make Broadway musicals much more intriguing and choreographed some of the world's greatest ballet dancers. The film uses a great deal of resources with the purpose of providing viewers with a complex understanding of the artist's life. Things like personal journals, confessions from witnesses that interacted with Robbins (some of them were close to him), and videos showing his performances all come together in painting a picture of the artist.
It would be safe to say that Robbins changed the way that many people perceived dance and music. His involvement in the industry provided these people with a completely new point-of-view on the domain and made it…
Other studios relied on a few stars, but nevertheless did very well: Fox made an estimated $20 million on Shirley Temple, while Universal had WC Fields and Abbott and Costello. David O. Selznick split off in the mid-30's from MGM and started his own studio, relying on top-quality movies to break into the studio system's hold on the business (Dinks).
Conclusion: The reakdown of the Star System
One could argue that the star system has never left us. Even today, the drawing power of an Angelina Jolie or a rad Pitt can make the difference between mediocre and strong box-office results. "Star Power" exists as long as stars have the ability to bring a positive impact on the results of a picture. What is different from the "star system" of the 1930's is that the stars, directors and independent producers have much more power than they did at that time.…
Bellanger, M et al. Mary Pickford. Toronto: Library and Archives Canada, 2005.
Botnick, V. "Growth of the Star System (1909-1920)." American Film Institute (2007): n.p.
Dinks, T. "Film History of the 1930's." 2007. filmsite. 29 October 2007 http://www.filmsite.org/30sintro2.html .
Gallagher, B. "Some Historical Reflections on the Paradoxes of Stardom in the American Film Industry, 1910-1960." Images Journal n.d.: n.p.
Most viewers are likely to feel that it is important for them to adopt defensive personalities in order to avoid being drawn in a group that seems to act in disagreement with society's values. While this is not necessarily bad, the sincerity in these films induces intense feelings in viewers, making individuals consider that the whole world is damaged and that all that one can do is to try and cope with the miserable conditions that people sometimes come across. Whip and Charlie both initially seem determined to let go and stop fighting for their personal well-being. Similarly, Kate has a tendency to party regardless of the effects that her attitude has on herself and on people around her. This makes it possible for viewers to understand that it is not at all easy to overcome a serious trauma and that individuals are even likely to suffer throughout their lives…
Dir. James Ponsoldt. Smashed. (Sony Pictures Classics, 2012)
Dir. Robert Zemeckis. Flight. (Paramount Pictures, 2012)
Dir. Stephen Chbosky. The Perks of Being a Wallflower. (Summit Entertainment, 2012)
By showing the workers being treated cruelly by the authorities alongside of the scene showing the bull being slaughtered Eisenstein thus wants the audience to become actively involved in revealing the political message regarding how workers are nothing but animals being carried around a slaughterhouse.
The film is practically a paradox when considering that Eisenstein uses the intellectual montage technique and does not use concepts like reason or logic with the purpose of putting across his message to the audience. Instead, he makes use of ideas like farce and parody in an attempt to demonstrate the stupidity related to a capitalist system and its lackeys as they destroy people's lives. Eisenstein certainly loved drama and this is obvious when looking at the numerous tools that he uses with the purpose of dramatizing scenes throughout the motion picture. It appears that the director intended to address viewers from a psychological point-of-view…
Goodwin, James, "Eisenstein, Cinema, and History," (University of Illinois Press, 01.02.1993)
Nelmes, Jill, "An Introduction to Film Studies," (Routledge, 2003)
In the words of DeBartolo:
Vertov was the founder of Soviet documentary, and he was an enthusiastic opponent of the theatre, staged events and fiction in film. Vertov loved machines and the tricks that the camera was able to do fascinated him. "Man with a Movie Camera" is a result of his fascination. He filmed "Man with a Movie Camera" using a candid camera, filming undercover or from a distance, using split screens, dissolves, superimposition, slow motion, crude animation and freeze frames. He seemed devoted to tram cars, shuttle looms, traffic signals, and motor cars, and he traveled throughout the country side and into factories.
Shortly thereafter, Vertov would make his first sound film, Enthusiasm. By this time, Vertov was allegedly disgusted with the sort of mainstream, narrative-based cinema that was so popular with the working-class public - and which today continues to triumph in the form of Hollywood entertainment…
DeBartolo, John. "Man With a Movie Camera," 2001. Retrieved 8 February 2008 at http://www.silentsaregolden.com/DeBartoloreviews/rdbmanwithmoviecamera.html
Duncan, Dean W. "Nanook of the North." Retrieved 10 February 2008 at http://www.criterion.com/asp/release.asp?id=33&eid=49§ion=essay
Flaherty, Robert, dir. Nanook of the North, 1922.
Sherwood, Robert. "Robert Flaherty's Nanook of the North." The Documentary
The moment when More acknowledges that "to be human at all perhaps we must stand fast a little, even at the risk of being heroes" is decisive in demonstrating that the character is well-acquainted with the risks that emerge as he goes through with supporting his thinking. More has little to no appreciation with regard to titles, as he believes that a person first needs to focus on his or her love of God before thinking of other matters. His opinion regarding such titles is revealed as he criticizes Richard Rich for the fact that he committed perjury in order to be appointed Attorney General of ales. This makes it possible for viewers to understand that More would have never performed such an act in spite of the fact that his life would be threatened as a result of his behavior.
In comparison to other films meant to discuss historic…
Phillips, Gene D., "Exiles in Hollywood: Major European Film Directors in America," (Lehigh University Press, 1998)
Dir. Fred Zinnemann. A Man of All Seasons. Columbia Pictures, 1966.
Jerry appears to be a lunatic during the first few scenes of the film and it is actually difficult to determine whether the stories that he relates to are true or whether he is just another crazy person that one might find during a casual taxi ride. The most impressive thing about both of these characters is that they do not seem capable to do a great deal of things in order to defeat their antagonists, considering that Langdon is just a simple teacher in charge of putting down some of the most evil individuals belonging to the feared Illuminati group and that Jerry is a taxi driver who wants to fight agencies like NASA and governmental agents who are in charge of one of the most intricate conspiracy in all of history.
Even with this, both of these characters manage to complete their missions successfully as they come across…
Dir. Richard Donner, Conspiracy Theory, Warner Bros. 1997
Dir. Ron Howard, the Da Vinci Code, Columbia Pictures, 2006
Some might interpret the parts of the scene involving smoke as being less interesting and as diminishing the scene's importance. However, alongside of the music, the smoke contributes to making the scene even more important and to enable viewers to realize that this particular scene is going to have an influential effect over most of the motion picture. "Critics had to confess that in spite of the film's length, Branagh's Hamlet had flashes of brilliance" (Modern Hamlets and Their Soliloquies 203).
Zeffirelli's scene of the ghost appearing in Gertrude's bedroom further continues to display Hamlet from a high angle while the spirit is in a low angle. The two maintain their roles in their relationship in spite of the fact that Hamlet is very strong as an individual. This makes it possible for viewers to realize that his father maintains his power over Hamlet regardless of his son's achievements. Gertrude's…
Cartmell, Deborah, "A Companion to Literature, Film and Adaptation," (John Wiley & Sons, 03.08.2012)
"Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda," (Ohio University Press, 29.03.2011)
"Modern Hamlets and Their Soliloquies," (University of Iowa Press, 1992)
Dir. Franco Zeffirelli. Hamlet. (Warner Bros. 1990)
An African-American individual and a drunken cowboy actually form a great team as they push back numerous gunslingers and as they manage to get the townsfolk to overcome their racist ideas in order to fight for their homes. When regarding matters from a more dramatic point-of-view, it seems perfectly normal to acknowledge that suffering unites people regardless of their skin color and background.
Richard Donner's film also emphasizes the importance of humor in the face of adversity. Jack rown, the central character in the film, is an African-American individual who is humiliated on a constant basis by his white patrons and who is even related to as being a toy. Donner practically produced an outrageous account, taking into consideration that he made a film about a white man buying and African-American for his son. However, the humorous nature of the motion picture is actually intended to emphasize that it would…
Both films provide interesting information and it is obvious that their directors were primarily concerned in making it possible for viewers to look at racism from a whole different perspective. African-Americans who initially seem unlikely to upgrade their social status eventually succeed to act in disagreement with odds and actually manage to trigger intense feelings in viewers. Their determination is certainly impressive and they are largely responsible for changing people's understanding of society's tendency to discriminate. While stereotypes appear to dominate most of the films' storylines, it gradually becomes obvious that they should not be taken into consideration and that, similar to most characters in the film, viewers have to acknowledge the wrongness associated with differentiating individuals.
Dir. Mel Brooks. Blazing Saddles. Warner Bros, 1974
Dir. Richard Donner. The Toy. Columbia Pictures, 1982
Shakespeare is often revered as one of the world's greatest authors. His works, which have now become legend, are the subject of intense study and review. In many instances, many of today's popular motion pictures, dramas, and movies have used elements of Shakespeare's work. Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finest works in the English language. Many of these tragedies have been adapted for modern viewing. Hamlet, Othello, and Macbeth, for instance, have seen multiple motion picture releases and have captivated generations. In addition, many of Shakespeare's tragedies have become common works on Broadway, further justifying their importance in English literature.…
1) Booth, Stephen, ed. Shakespeare's Sonnets. New Haven: Yale University Press, 1977, p. 457- 476.
Curious Case of Filming Dr. Jekyll and Mr. Hyde: 1920 versus 2008
obert Louis Stevenson's Dr. Jekyll and Mr. Hyde has evolved into one of the most acclaimed pieces of modern literature. One aspect of this phenomenon is a continual spark of interest with the novel is motion pictures. Various directors through the years have interpreted the book through their own eyes and the following is a depiction of that. One might question Dr. Jekyll and Mr. Hyde's overwhelming success. Theme restaurants, Broadway shows and movies all have indicated a public interest in the classic. This essay will examine how various cinematic microelements contributed to vastly different artistic productions of approximately the same plot a century apart.
The first movie that I decided to use for this examination is the 1920 restored version of Dr. Jekyll and Mr. Hyde, directed by John S. obertson. I thought that obertson's attempt to…
Auback, T. 2002. Jekyll & Hyde in Pop Culture. Grin Verlag: Munich, Germany.
Germana, M. 2011. Becoming Hyde: Excess, Pleasure and Cloning. Gothic Studies. 13(2): 98-115(18).
Rose, B.A. 1996. Jekyll and Hyde Adapted: Dramatizations of Cultural Anxiety (Contributions in Drama and Theatre Studies). Praeger: New York, NY.
Shakespeare's play, Romeo Juliet, film version: note defend effective ineffective. Do unknown young actors, Leonard hiting Olivia Hussey, opposed recognizable stars, made film appealing? Please explain
Although some might be inclined to believe that it is impossible to compare two works of art because they should each be analyzed from different points-of-view, it is only safe to consider that illiam Shakespeare's Romeo and Juliet needs to be compared with the film that was inspired from it. One of the first things that the director needed to take into account was that the play that he wanted to screen contained a particularly powerful storyline and the actors thus needed to be prepared to express its full intensity. Franco Zeffirelli decided to cut some of the play's major parts and in spite of the fact that he created a less dramatic piece he managed to create a motion picture that was successful…
Dir. Elia Kazan. A Streetcar Named Desire. Warner Bros. 1951
Dir. Franco Zeffirelli. Romeo and Juliet. Paramount pictures, 1968
Viewers and the protagonist alike comprehend that it is futile to continue fighting, given that from the moment when he was informed as regards his mental state, everyone became focused on the gravity of the situation and started to doubt the actual state of affairs concerning Edward Daniels. It is very probable that Scorsese was interested in having viewers doubt their own sanity as a result of seeing certain scenes in the film. he shot where a woman is supposedly drinking water from a glass is particularly interesting because of the following shot, where she is shown without it, only to be shown slamming an empty glass onto the table in the next shot.
Guilt emerges as one of the most important elements in the film as Laeddis comes across more and more cases of people expressing guilt (Hudson). Viewers also learn that eddy himself is haunted by his memories…
The sensation of guilt strengthens across the movie, as viewers become confused concerning what the protagonist actually feels guilty about. The Holocaust scenes appear to be just a means to capture his attention and that of the viewers as a whole. It is initially unclear who she refers to when she demands to know why she and the others were not saved.
Dumke, Kevin. "Shutter Island is unreal, literally," Retrieved April 12, 2011, from the Gustavian Weekly Website: http://weekly.blog.gustavus.edu/2010/02/26/shutter-island-is-unreal-literally/
Hudson, Jonathan. "Shutter Island" entices with beauty, captures with acting," Retrieved April 12, 2011, from the Chimes Online Website: http://chimes.biola.edu/content/article/2010/feb/24/shutter-island-review/
This were then replaced with larger big band orchestras as technology allowed such large groups to be clearly recorded, "As the swing era began, shorts were made of many of the top orchestras," (Yanow 2). Big band orchestras began showing up in all the major Hollywood productions. They featured pre-recorded songs where the musicians lip singed. It is interesting to have such a crucial period on film. The Swing Era "was fortunately captured for feature films and short subjects at the time it was all happening," (Behlmer 1). Big bands became incredibly popular in feature films during the 1930s and 40s. Benny Goodman, "The King of Swing," had a movie- Hollywood Hotel in 1937 "the full orchestra plays an abbreviated version of that quintessential Swing Era arrangement of 'Sing, Sing, Sing' in the film," (Behlmer 1). From big Hollywood productions came popularity on the small screen. As televisions became the…
Behlmer, Rudy. "Big Bands in the Movies." Turner Classic Movies. 2009. Retrieved 16 Nov 2009 at http://www.tcm.com/thismonth/article/?cid=199314
Gridley, Mark C. Jazz Styles: History and Analysis. 9th ed. Prentice Hall. 2006.
History Link, "The Jazz Singer, the First Successful Feature Film with Sound, Debuts in Seattle at the Blue Mouse on December 30, 1927." The Free Online Encyclopedia. Retrieved 15 Nov 2009 at http://www.historylink.org/index.cfm?DisplayPage=output.cfm&file_id=2485
Schoenherr, Steven E. "Recording Technology History." San Diego University. 2005. Retrieved 16 Nov 2009 at http://history.sandiego.edu/GEN/recording/notes.html#origins
Men: First Class deals with a plethora of socio-political issues that ultimately pertain to the concept of freedom. The basis for the plot of the movie is the Cuban Missile Crisis and the role that an unknown, manipulative power of mutants played in almost staging -- and narrowly averting -- a nuclear war in the early part of the 1960s. hat is of particular interest about this aspect of the film was that the historical epoch rendered within it was a turbulent time for African-Americans, who sought Civil Rights throughout the United States during the years prior to and after those depicted in the movie. Although none of this history manages to infiltrate the plot of the film, it is still noteworthy to analyze the way African-American characters are utilized within this movie in a context that is decidedly removed from the greater social struggles that characterized their race…
X:Men: First Class. Dir. Matthew Vaughn. Perf. Michael Fassbender, January Jones, James McAvoy. 20th Century Fox., 2011. Film.
doind a research project pay green?
I collected an articles .
Joe right's 2005 motion picture "Pride and Prejudice" involves a series of elements related to ideas like family, faithfulness, and marriage. By presenting the central characters as individuals who struggle to remove social status boundaries, the film makes it possible for viewers to gain a more complex understanding of thinking during the late eighteenth century. Elizabeth Bennet is the film's protagonist and by looking at matters from her perspective viewers are able to learn more about her surrounding environment and about the feelings present in a society that promotes a strict set of legislations that are focused both on rational and on moral ideas.
Elizabeth Bennet is a very complex character and it is actually intriguing how her intellect virtually pushes individuals who are unable to adapt on a social level to the limits of her community. Elizabeth gradually…
Grandi, Roberta, "The Passion Translated: Literary and Cinematic Rhetoric in Pride and Prejudice (2005)," Literature/Film Quarterly, Vol. 36, No. 1
Holden, Stephen, "Marrying Off Those Bennet Sisters Again, but This Time Elizabeth Is a Looker," retrieved April 7, 2013, from the NY Times Website: http://movies.nytimes.com/2005/11/11/movies/11prid.html?_r=0
Neckles, Christina, "Spatial Anxiety: Adapting the Social Space of Pride and Prejudice," Literature/Film Quarterly, Vol. 40, No. 1
"With My Body I Thee Worship: Joe Wright's Erotic Vision in Pride & Prejudice (2005)," Journal of Religion and Popular Culture, Vol. 20.
Night Shyamalan's 2002 motion picture "Signs" is more about faith than it is about either crop circles or aliens. Although the plot centers around the imminent arrival of extraterrestrial beings and what that arrival entails, the film focuses on the disillusioned Reverend Graham Hess, played by Mel Gibson. Following the untimely death of his wife, Hess loses his faith in God and renounces the church. This loss of faith is established early in the film, when he tells the police officer to "please stop calling me Father," and this theme is reexamined throughout the film as Hess confronts the alien presence. Flashbacks and conversations with family members eventually restore Hess's faith in the church. However, religion is only one expression of faith; faith in God and religion is ostensible, but so is the faith in the unseen, in reason, or even in the status quo. Confronted with a foreign, incomprehensible,…
alt Disney Company Scenario
Scene: Fiscal Karat (FK), host of TV's Let's Talk Money, is seated at the center of an oak conference table. Let's Talk Money is a weekly PBS talk show that interviews business leaders and often finds government officials to debate certain ideas and programs. Tonight's episode features Mr. Michael McDuck (MM), CEO of alt Disney Company and Mr. Rigid B. Crat (RC), Senior Administrator for the U.S. Treasury's Anti-trust Division.
FK: Good evening and welcome to Let's Talk Money, your weekly adventure into provocative and interesting monetary topics ranging from mild to wild. Tonight, a special treat for the kid in us all -- Michael McDuck, CEO of alt Disney goes head to head with the Administration's Senior Anti-Trust Maven, Rigid B. Crat. elcome gentlemen!
First though, let's take a moment to establish a bit of background. The alt Disney Company is a multinational mass media…
Disney Vows to Investigate Claims of ABuse at Factories. (2005, June). Retrieved from SACOM: http://sacom.hk/archives/66
J&J, Walt Disney, Kraft Foods Top Rankgin. (2010, October 13). Retrieved from Environmental Leader: http://www.environmentalleader.com/2010/10/13/jj-walt-disney-krafts-foods-top-csr-ranking/
Hearing: Are Government Contractors Exploiting Workers Overseas? (2011, November 2). Retrieved from Sparky - Keeping You Plugged In: http://mssparky.com/2011/10/hearing-are-government-contractors-exploiting-workers-overseas/
Areeda, P., & Hovenkamp, H. (2011). Fundamentals of Antitrust Law. New York: Kluwer Law.
video "Flight Of the Phoenix (2004)." It's 7 questions base movie. The 6 answer 1 page 2 pages. The project-based leadership innovation point questions answered. You download movie website: http://filehippo.
Flight of the Phoenix - Leadership
John Moore's 2004 motion picture Flight of the Phoenix relates to an account involving leadership styles and individuals who take on attitudes that make them more or less worthy of being considered leaders by the persons that they interact with. The fact that the plane's crew members are confused and unable to take attitude in critical conditions surrounding the plane's crash influences them in turning to the Captain as a result of his position and because of his authoritarian atittude. This actually set the path for later events involving Towns, as most of the group's members got accustomed to the idea that he had no problems imposing his point-of-view when the situation arose.…
Peter eyland's 2023 TED talk provides an intriguing perspective on the idea of a god and generates much controversy as a result of trying to change society's understanding of this concept. The power to create is indeed, an impressive feat, and it is only natural for humans to feel privileged because of coming to control this power. eyland's speech is referring to androids whom people are going to have difficulties differentiating from real humans in a few years time. hen regarding matters solely from the perspective provided by Ridley Scott's 2012 motion picture Prometheus, it would only be safe to say that the power to create provides one with the ability to relate to him or herself as being a god.
hile Darwinism seems to be a powerful idea, many people prefer to think of their background as having had a creator. One can almost say that people are 'programmed'…
Thomas, Isabel, "Cloning," (Raintree, 2012)
Dir. Scott Ridley. Prometheus. (20th Century Fox, 2012).
Power Relations in Junichiro Tanizaki's Naomi
The most powerful and lasting contributions to the literature of a given era are invariably penned by bold thinkers struggling to comprehend the ever changing world in which they live. Spanning the late 19th and early 20th centuries, the Japanese Meiji Restoration period, which was propelled by the fusion of industrialized economy and estern culture, and personified by the authorial brilliance of authors such as Jun'ichir? Tanizaki, shaped and inspired a momentous political and social transformation within one of the world's most ancient civilzations. The toppling of previously infallible Shoguns and the sudden distribution of democratic ideals across boundaries of gender and class forced many traditional Japanese to recalibrate their worldview instantly, and the result is a wealth of material, including novels, plays and works of critical nonfiction, all of which focuses intently on the crumbling conventions of age-old gender roles. ith the external…
Tanizaki, Jun'ichiro. "Naomi," trans. Anthony H. Chambers." (1986).
American pop culture has been cultivated and molded by mass media. The recent iteration of mass media, electronic media, has a profound and significant influence on the daily lives, thoughts, perceptions and desires of every single person in the United States, whether people are aware of this influence, or not. The potential for media to influence people has been the subject of much debate since the earliest forms of mass media; newspaper, radio, and television have all contributed to our individual and collective psyche in America. This paper will discuss the roles that music, radio, television, and the motion pictures have played in the development of American popular culture as well as discuss some of the trends propagated by the electronic media and will provide a personal perspective on the relationship between media representations and consumerism, the human body and justice, law, and order.
Bagdikian (2000, pg. 185) notes that…
Bagdikian, B. (2000) The Media Monopoly, Sixth Edition. Beacon Press.
Bhattacharya, P. (July, 2003) Back to the future: Urbanization, globalization and consumerism. Boloji.com. Retrieved from http://www.boloji.com/opinion/0051i.htm
Zoubkov, P., Johnson, S., Young, N., Fletcher, H. & Thomas, B. (2004) Global Bits: Corporate influence in the media. Global Education Center, 3, 87-93 Retrieved from http://www.globaled.org.nz
Technology and Film
Almost from its inception, the idea of the relationship between the individual and technology has been part of an evolving paradigm. While this new technology brought entertainment to the masses, technology itself as often the subject of early films which explored the idea of whether technology was a tool for humans to use, or a foreboding tyrant that both dehumanized and attempted to control both the individual and society. The idea of dehumanization by technology was, of course, nothing new and was part of the Marxist view that industry actually prevented humans from actualizing as humans while paying them a wage that resulted in a kind of self-slavery. Technology could both save and awe humans, it could expand boundaries, but it could also warn of impending doom.
In the 1902 film A Trip to the Moon, for instance, space travel was introduced to the public by using…
Why is it important for everyone in business organizations to have a basic understanding of the systems development process? Would your response change if the organization is licensing a system rather than developing their own from scratch?
All individuals within business organizations operate as end users. In particular, being end users of the system, the hold with them business information and knowledge that the information system personnel require in order to cultivate and advance all of the elements of the design of the information system. Taking this into consideration, it is imperative for every individual within business organizations to have a basic understanding of the system's development process as their input is fundamental to the design of an efficacious information system (Rainer et al., 2013). In the case that the organization is licensing a system instead of cultivating one right from the start, my response would change. This…
Therbligs -- an Innovation of the Past Assembly Line ith Still-Practical Applications Today
hat is the problem; one might be tempted to ask, with apportioning the workday according to simple units of seconds and hours, when measuring worker efficiency? hy is there a need to create another system of measurement in respect to motion as well as to time? The concept of Therbligs a study of worker efficiency not in relation to time, but in relation to motion, provides the answer.
The concept of Therbligs was born during the turn of the 20th century, a century that oversaw the birth of the modern factory and also the modern motion picture. It was with the help of this latter invention that John and Lillian Galbraith could embark upon their study of human kinesthetic behavior in the former. Thus, although term "Therbligs" may "sound like a new computer term or some obscure…
Ferguson, David. (2000) "The Gilbreth Network: Therbligs." Article Retrieved 28 Feb 2005 at http://gilbrethnetwork.tripod.com/therbligs.html
I've never "seen" a million dollars, but that doesn't mean it doesn't exist.
A couple of the other physics concepts can be difficult to comprehend, as well. For example, one concept is that things can exist in more than one space at a time, but people do not choose to see them, and so, when they look at them they disappear. This section of the film might turn away a lot of viewers, because much of the discussion may be over their heads and the might find it boring. These ideas are some of the most "out there" of the film, and the hardest for the mathematicians to really get across. The talk of what is real and what a person sees vs. what they remember was understandable, but many of the other concepts may just be too odd for people to wrap their heads around. For example, the atom…
Arntz, W., Chasse, B. And Vicente, M. (Producers), & Arntz, W., Chasse, B. And Vicente, M. (Directors). (2004). What the bleep do we know! [Motion picture]. USA: Samuel Goldwyn Films.
The purpose of this precaution is to maximize the ability of the company to pursue violations of its copyright in an appropriate court of law or other forum and to ensure that the company is entitled to the maximum compensation allowed by law for copyright infringement of its intellectual property. That notice shall read as follows:
No part of this copyrighted intellectual property may be reproduced for any purpose, whether or not for profit, without the express written authorization of XYZ Company. Any violation of XYZ copyright of this protected material will be pursued to the fullest extent of the applicable criminal and civil law against any and all parties involved.
Policy 2 -- Non-Use of Company Intellectual Property by Employees
The XYZ Corporation is the sole owner of any and all copyrights and other intellectual property rights of any and all intellectual property created by its employees in the…
A Practical Pastoral Counseling Model
Where Will Counseling Take Place?
oundaries for Safety and Security
God's Riches at Christ's Expense
A Practical Pastoral Counseling Model
This is an overview of the counseling position that I will take when working with clients/parishioners. I realize that this cannot encompass every eventuality that may occur during a counseling session, but it should be comprehensive enough to account for most of the possibilities that present themselves. I acknowledge that this is also the treatise of someone who is going to be practicing as a pastor first and a counselor second, therefore the relationship of a shepherd to his assigned sheep is the most important consideration in all of this. Also, the counseling relationship that a pastor enjoys with a parishioner is not as extensive as that between a patient…
Carlson, Dwight L. 2000. Overcoming hurts and anger. Eugene: Harvest House. ISBN: 0736901965
This book is a real help when dealing with anger. The author gives you steps on how to prevent your anger and deal with past anger in a Christian manner. He gives examples of mishandled anger, biblical principles about anger, and how to handle anger in a Christ-like way.
LaHaye, Tim and Bob Phillips. 2002. Anger is a choice. Grand Rapids: Zondervan. ISBN: 0310242835
Since the invention of the printed press, people have relied on newspapers and magazines to give them information they need. In the present moment, there are so many ways that people can get that information that the business of magazines and newspaper subscription has become very competitive. Because of this, the magazine industry has modified itself to make sure that it appeals to their target audience. In the case of Hispanic readers, magazine writers and editors try to convince them to purchase their magazine by making appeals to their heritage. In the year 2006, a market research company named Syvonate conducted a survey at the joint request of the Magazine Publishers of America and the Hispanic Magazine Coalition. The researchers surveyed more than 900 Hispanic consumers. They asked the people in the survey what kinds of advertisement most appeal to them and has the most effect on them.…
Davis who was not especially beautiful in the classical sense of beauty ruled Hollywood in the 1930s and 1940s, playing tough women who chose their careers and their own desires over sacrificing for men or children or the social and economic benefits of a well protected family home. Davis who was very popular with the mostly female audience "never pretended to be dumb, or a little girl."
In the 1930s cinema tough and independent women were often nasty leading to the effect that they could rightfully be punished. Bette Davis was "the prototype of the "Hollywood Bitch."
Her characters wanted more often victimizing a weak man with her behavior finally backfiring on her. In particular, her role as Julie Marsden in the 1938 movie "Jezebel" is the quintessential Bette Davis character. A calculating tough, aggressive and complex character who decides to break the social roles of the South in the…
Barsanti, C. (6 September 1999). The Women. (pp. 1 -- 4).
Derived 17 August 2011 from www.filmcritic.com/reviews/1939/the-women.
Collins, L. Katherine Hepburn. (pp. 1 -- 12).
Derived 17 August 2011 from www.esc.edu > File Cabinet > Student Submissions.
In the "hard-core" sub-genre of hip-hop, one sees a much clearer emphasis on street and urban authenticity -- rather than on sampling. For N.W.A., hip-hop is an expression of lived life -- a kind of militant message passed down to urban blacks from men like Malcolm X
But not all hip-hop comes from such types. The Beastie Boys are an example of hip-hop artists who thrive on a different message. Much of their music is centered on adolescent/teenage angst -- white suburban kids enraged by suburban living, but moved by urban beats. They inter-mingle their own white perspective with samplings from an assortment of other artists -- thus making their mark on the hip-hop scene. Their aggression appears to be real, like 50 Cent's -- even if it is different in its source. The Beastie Boys are, of course, legends in hip-hop -- but Mickey Hess denies that their authenticity…
Alridge, DP 2012 'From Civil Rights to Hip Hop: Toward a Nexus of Ideas', the Hip
Hop Project, pp. 1-28
Arewa, OB 2006 'From JC Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context', North Carolina Law Review 84, pp 548-558
Best, S; Kellner, D 1999 'Rap, Black Rage, and Racial Difference', Enculturation 2:2
The Wikipedia web site defines "art" as a "generic term for any product of the creative impulse," while Encarta Encyclopedia considered this concept as "the product of human creativity in which materials are shaped or selected to convey an idea, emotion, or visually interesting form." These definitions are related in the study of eight web sites, all of which center on the subject of (various forms of) art:
The Hubbard Street Dance Chicago (HSDC) web site (http://www.hubbardstreetdance.com/home.asp) centers on and provides an overview about street dancing through providing information about different institutions and centers that offer street dancing tutorials, competitions, other street dance-related events.
The Andy Warhol Foundation for the Visual Arts, Inc. (http://www.warholfoundation.org) showcases the not only the works of Andy Warhol, but also functions as a venue for artists to take advantage of grants and art projects that would be beneficial for their development/improvement as visual artists.…
here are 2855 locations in NYC alone that sell you coffee cups. o list all these stores -- sometimes duplicated -- would take a volume alone. he following is therefore a summary of some key places that sell coffee cups -- otherwise called mugs, the general price of these (usually ceramic) coffee cups; the details of these coffee cups; and descriptions of outstanding logos and/or designs.
As the Huff Post New York (2012) remarks: "Coffee cups in New York are as varied as the Big Apple" (http://www.huffingtonpost.com/2009/07/13/coffee-cups-in-new-york-a_n_230644.html). For the first three decades it was the iconic polystyrene or paper Greek-themed "Happy to Serve" coffee cup that has now been converted into ceramic. In the mid-1990s, the environmentally friendly Starbucks-style cup rushed into style usually accompanied with sipping lids and cardboard sleeves. All of these are free; you paid for the drink of course. You find these cups…
TSA screener at JFK 'hurled hot coffee at American Airlines pilot who told her to stop swearing' Mail online. dailymail.co.uk http://www.dailymail.co.uk/news/article-2124997/TSA-screener-JFK-hurled-hot-coffee-American-Airlines-pilot-told-stop-swearing.html
Nyc Coffee Cups
The Sopranos and Society
Part I (Answer to Question #1)
The Sopranos, the author argues, is a reflection of a moral code which is prevalent in American society. This code, based on a twisted version of the American Dream, basically states that anything is acceptable as long as it furthers one's economic prosperity. No matter who gets hurt, or which laws are broken, as long as it benefits one personally, it is acceptable. Simon argues that the lead character, Tony Soprano, is a representative of the "power elite" in the United States; which also acts in a manner that is strictly for the benefit of themselves and with little regard for the collateral damage they cause. The moral code exemplified by the characters in the Sopranos is a representation of the twisted perversion of the American Dream which some, less honorable members of American society adapt; but unfortunately…
Simon, David. (2002). Tony Soprano's America: The Criminal side of the American Dream. Boulder, CO: Westview.
As a screenwriter and filmmaker, Quentin Tarantino has long been considered the ultimate auteur. His style and content are uniquely his own and are marked by edgy, graphic content along with fast, memorable dialogue. There is a rapt attention paid to pop culture and popular slang that all of Tarantino's films bear, and of late his films have paid attention to dark historical events. Inglourious Basterds (2011) focused on World War II and the multiple forms of carnage that this event encompassed. Django Unchained marks yet another foray of Tarantino into one of America's blackest historical marks: slavery. Like Basterds, Tarantino puts his unique stamp on this dreary historical subject by couching it from a unique and meaningful perspective: he portrays the events of slavery with the imprint of a slave who becomes a type of bounty hunter, and kills white men. This is strongly evocative of the…
Denby, D. (2013, January 22). "Django Unchained": PUT-ON, REVENGE, AND THE AESTHETICS OF TRASH. Retrieved from Newyorker.com: http://www.newyorker.com/online/blogs/culture/2013/01/django-unchained-reviewed-tarantinos-crap-masterpiece.html
Foster, G. (2004, May). Intersectionality, Worldwide and Other Pages. Retrieved from Udayton.edu: http://academic.udayton.edu/race/02rights/slavery06a.htm
Tarantino, Q. (Director). (2012). Django Unchained [Motion Picture].
Leni Riefenstahl. The writer explores the topic of Riefenstahl and her unethical art. The writer examines the catastrophic consequences and her lack of integrity that lead to horror for millions. There were nine sources used to complete this paper.
Leni Riefenstahl: Her Unethical Art and The Catastrophic Consequences
The reign of Adolf Hitler is one that history will never forget. Under his terrorist reign of terror millions of people died. Those who did not die suffered from the loss of loved ones, loss of privacy and loss of financial stability. It was a time in which the world was introduced to the dangerous side of charismatic politics. While there were many who were fooled in the beginning by Hitler's manipulation tactics they soon learned his true motivations and spent the rest of their lives working to unseat the inhumane dictator. There is one person however, who admired him from the…
JANE SUMNER / Staff Critic, The Riefenstahl riddle: At age 100, famed Germanfilmmaker Leni Riefenstahl still stirs an enigmatic cocktail of emotions., The Dallas Morning News, 08-18-2002, pp 1C.
John Anderson, Leni Riefenstahl, Film's Queen of Denial., Newsday, 03-16-1994, pp 65.
Author not available, THE WONDERFUL HORRIBLE LIFE OF LENI RIEFENSTAHL; DIE MACHT DER BILDER., Magill's Survey of Cinema, 06-15-1995.
(2) Blockade (Kennedy, .F., 1969), which would prevent the Soviet Union from carrying out its mission of establishing a Soviet missile base on the island of Cuba, and will send the message to the Soviet Union that they are attempting to cross the line where the United States can maintain a hands-off policy (Powell, Samantha, 2003, pp. 6-7). and, should the first two fail, (3) an air strike and invasion of the island wherein the United States will seize control of the island and work towards making it either a U.S. territory, or we will work to install a democratic government (Kennedy, .F., 1969).
These are the recommendations of this council.
Donald, .(dir) (2000), Thirteen Days (motion picture), Beacon Communications, USA.
Kennedy, .F., (1969) Thirteen Days: A Memoir of the Cuban Missile Crisis, W.W. Norton & Company, New York, New York.
Powaski, .E. (1998). The Cold War…
Donald, R.(dir) (2000), Thirteen Days (motion picture), Beacon Communications, USA.
Kennedy, R.F., (1969) Thirteen Days: A Memoir of the Cuban Missile Crisis, W.W. Norton & Company, New York, New York.
Powaski, R.E. (1998). The Cold War the United States and the Soviet Union, 1917-1991. New York: Oxford University Press. Retrieved September 24, 2007, from Questia database: http://www.questia.com/PM.qst?a=o&d=78888344