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Andrew Marvell's poem "To His Coy Mistress," the narrator makes it clear that coyness is a "crime," (line 2). Coyness is a crime because it represents withholding gratification for an indefinite time, when human beings do not have unlimited time. Thus, coyness is akin to a crime against nature. To be coy is to deny the passage of time, to deny death, and to deny the reality of aging. According to the narrator, human beings have but one life to live, and a short one at that. It is important to seize the moment, and not put off happiness in the pursuit of false morals. If human beings were immortal, it would be fine to "sit down and think which way / To walk and pass our long love's day," (lines 3-4). However, human beings are not immortal. Coyness is a lie; it pretends that people, their health, and their…
Marvell, Andrew. "To His Coy Mistress." Retrieved online: http://www.luminarium.org/sevenlit/marvell/coy.htm
Marvell's "To His Coy Mistress"
Andrew Marvell is loosely affiliated with the Metaphysical school of poetry, much noted for the wit and novelty of their "conceits" (or figurative language), and his poem "To His Coy Mistress" accordingly adopts a series of different rhetorical figures -- fixed within a tightly rhymed tetrameter stanza -- which attempt to place great rhetorical flourish on what is a simple request on the part of the poet begging his girlfriend to lay aside her reservations and engage in coitus. The poem is written in three verse paragraphs, which lay out three different stages of this love poem which illustrates the Classical topos of "carpe diem," the Horatian exhortation to enjoy life's pleasures in the face of inevitable mortality. I hope to show that over the course of these three paragraphs, Marvell employs tonal shifts which accompany three different views of time, as part of his…
That is not what King Henry II had in mind when he gave the ring to Eleanor of Aquitaine. He had in mind love, devotion, and using every moment possible for the best in life. In "We eal Cool," the young pool players are not in fact seizing the day, they are wasting their lives doing exactly what they want to do, rather than doing what will pay them handsomely in the long run. The King and his lady did not shirk their duties, they simply made time to enjoy each other, and that is what seizing the day is really all about.
In "A Late Aubade" the author shows living in the moment from another perspective. He shows the main character of the poem in bed with a lover, and thinks about all the other things that they could be doing instead. He writes, "Think of all the time…
Ackerman, Diane. "A Fine, a Private Place." p. 732-734.
Brooks, Gwendolyn. "We Real Cool." p. 744.
Marvell, Andrew. "To His Coy Mistress." p.728.
Olds, Sharon. "Sex Without Love." p. 739-740.
This darkness is the poem is the suggestion of death, which Eliot's character contemplates throughout the poem. In fact, the last lines of the poem refer to death. Eliot writes, "We have lingered in the chambers of the sea / By sea-girls wreathed with seaweed red and brown / Till human voices wake us, and we drown" (Eliot). Eliot's character knows his life is ending, and love and courtship are far behind him. Marvell's character also contemplates death. Marvell writes, "Time's winged chariot hurrying near; / And yonder all before us lie / Deserts of vast eternity. / Thy beauty shall no more be found, / Nor, in thy marble vault, shall sound / My echoing song: then worms shall try / That long preserved virginity, / And your quaint honour turn to dust, / And into ashes all my lust: / The grave's a fine and private place, /…
Eliot, T.S. "The Love Song of Alfred J. Prufrock." Bartleby.com. 2005. 8 Aug. 2003. http://www.bartleby.com/198/1.html
Marvell, Andrew. "To His Coy Mistress." Bartleby.com. 2005. 8 Aug. 2003 http://www.bartleby.com/101/357.html
" The rest of the poem deals with the seeming artificiality of life in light of the spiritual death that led man out of the Garden and into the world of Nature to begin with.
4) How does "To His Coy Mistress" compare to Herrick's "Upon Julia's Clothes"? What theme(s) and images do the two poems share? How is the treatment of women similar? Both of these poems use contrast to show the true beauty of the subject -- or at least to convince the subject that the speaker sees such beauty. They both share images of men (in both instances the speaker) being fascinated to the point of distraction by women (the subject of Herrick's and addressee of Marvell's). The hyperbole employed by both poets serves to hyper-objectify women.
5) What is the lesson of "The Garden"? How is this lesson a matter of ethics or morality? The lesson…
Your answer should be at least five sentences long.
The Legend of Arthur
Lesson 1 Journal Entry # 9 of 16
Journal Exercise 1.7A: Honor and Loyalty
1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality.
2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable.
Lesson 1 Journal Entry # 10 of 16
Journal Exercise 1.7B: Combining Sentences
Complete the Practice Activity on page 202 of your text. After completing this activity, read over your Essay Assessment or another journal activity you've completed.
* Identify three passages that could be improved by combining two or more sentences with coordinating or subordinating conjunctions. Below the practice activity in your journal, write the original passages and the revised sentences you've created.
* Be sure to…
Poetry is a very complex concept, as it can be used to relate to a series of ideas and these respective ideas can be interpreted in numerous ways, depending on each individual's perspective. Ranging from pure amusement that some poets intended to put across to intense philosophical discussions that others aimed to express, poetry can be used in a multitude of ways and it can make it possible both for individuals creating them and for people interpreting them to experience all sorts of feelings as a consequence of interacting with poems in general.
An octet is responsible for introducing tension in the poem and is based on an ABBAABBACDCDEE rhyme type. The sonnet is relatively simple and is written in a loose iambic pentameter.
John Donne's 1609 poem "Death Be Not Proud" was the poet's attempt to provide the world with a different understanding of the idea of death. The…
Donne, J. "Holy Sonnets: Death, be not proud," Retrieved March 3, 2015, from http://www.poetryfoundation.org/poem/173363
Marvell, A. "To His Coy Mistress," Retrieved March 3, 2015, from http://www.poetryfoundation.org/poem/173954
First, his use of rhyme is incredibly heavy, and quickly becomes awkward and intrusive:
Ye sons of men that durst contemn the Threatnings of Gods ord,
How cheer you now? your hearts, I trow, are sthrill'd as with a sword.
The internal rhyme in the odd numbered lines of each stanza, especially when coupled with the end rhyme in the even numbered lines (this pattern repeats in the second half of the stanza), gives the poem a condescending feel as though it is an instruction for children, while at the same time hammering itself into the mind of the reader in an obsessive manner. The complete lack of enjambment strengthens this effect, especially when reading the poem out loud.
In comparison to this, Bradstreet's sometimes stilted rhyme comes out very favorably. In one of her most well-known poems, "To My Dear and Loving Husband," even her twelve straight…
Bradstreet, Anne. "To My Dear and Loving Husband." Accessed 5 May 2009. http://www.annebradstreet.com/to_my_dear_and_loving_husband.htm
Bradstreet, Anne. "In Honour of that High and Mighty Princess, Queen Elizabeth." Accessed 5 May 2009. http://www.annebradstreet.com/in_honour_of_that_high_and_mighty_princess_queen_elizabeth.htm
Wigglesworth, Michael. "The Day of Doom." Accessed 5 May 2009. http://www.puritansermons.com/poetry/doom001.htm
Those with issues to overcome are always more heroic. Hector also becomes a hero when, after at first running from Achilles, he eventually stands up to him and dies a heroic death.
The Iliad is primarily a war epic. In your opinion, is the Iliad condemnation of the it could easily be argued that the Illiad glorifies war, as much of the poem is spent portraying the warriors as brave and courageous, even as they go on killing rampages. Warriors are describes as "masters of the battle cry" and "warlike" in glowing epithets. When Achilles originally refused to fight, he is roundly condemned for it by all of the other Greek characters. Even the weapons of war, such as Achilles impenetrable shield, are glorified. But homer is more complicated than simple -- war also brings death, which he describes in great detail. Hector's death is perhaps the most graphic of…
Madam Eglantyne the Nun, is also an ironic charater. She eats in a very refined manner and attempts other fine characteristics such as speaking French, although she fares poorly at this. Ironically, not all her language is pure, as she swears cosntantly by "St. Loy," a saint renowned for not swearing. Unlike the general conception of the Nun, she is very concerned with outward appearances and did not much care for human beings. Indeed, she cared much more for her three dogs than the human beings around her. Another irony is that she has a coral trinket to fight worldly temptations, which is clearly failing badly.
A second character is the Friar, Hubert. While he is jolly, merry, and festive, his actions are nevertheless evil and cunning. He impregnates girls, for example, and marries them off. He deceived the faithful by hearing confessions for a fee, and even begged from…
We have world without an end, and time as a tool,
Since love, tangible love, breeds not in an empty pool.
Let's sit down and deliberate without haste
Whether to walk or leave the love a day to prostrate.
Lest Dead Sea for Indian Ganges we mistake
And fowl smell, sea shells and fish we take.
For all your complains I withstood,
So should you stand with me through the flood.
Though I may or may not agree,
But time and expanse be the Decree.
As our puppy love grows to African Acacias
Mightier, wider than the drying Savannas.
Eon of years pass like galloping horses,
And you behold the commitment roses.
Twice the Eons to keep our chastity,
Even thrice to aid humanity.
Just a decade to our marriage,
Truly I shall approve to your courage.
For Marvelous Marvel, true love waits,
And uses not time as…