David Carson When David Carson Essay

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6). There are always "next levels" for Carson. Looking at his design for the book the Architecture of Patterns, at first the eye sees the + signs and interprets them as crosses in a cemetery. A closer look and maybe they are just "X's" turned on their sides. Small, smaller, with a few very large + positioned on the cover. The book title is blurred and interrupted by the +'s. Carson's design for Quicksilver and Pukas Surfboards is rowdy; a surfboard shape is permeated with circles and a macrame-like swirl connecting to what could be a bow. it's bizarre, but it's pure Carson. The Bark catalog design uses fonts creatively, a patented Carson approach. "Born on the BarkOcean" is laid over a blurry photo of an ocean swell with the back leg of a...

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It reflects motion, water, a surfer and skewed fonts -- all wrapped into a classic Carson attitude. As Byrne said, "Style that works is a concept."
Works Cited

Adweek. "End of Print?" 44.42, (1994): p. 32.

Blackwell, Lewis, and Carson, David. The End of Print: The Grafik Design of David Carson.

San Francisco: Chronicle Books, 2000.

Carson, David. "click: dcd work, bio, clients." Retrieved Nov. 17, 2010, from http://www.davidcarsondesign.com/?dcdc=top/t.

Plagens, Peter, and Sawhill, Ray. "The Font of Youth." Newsweek. 127.9 (1996): 64-66.

Remson, Adam. "Director David Carson on the Menu." Shoot. 43.2 (2002): pp. 6-8.

Sources Used in Documents:

Works Cited

Adweek. "End of Print?" 44.42, (1994): p. 32.

Blackwell, Lewis, and Carson, David. The End of Print: The Grafik Design of David Carson.

San Francisco: Chronicle Books, 2000.

Carson, David. "click: dcd work, bio, clients." Retrieved Nov. 17, 2010, from http://www.davidcarsondesign.com/?dcdc=top/t.


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