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Art History
The 'Self' Concept in Abstract Expressionism Movement
Throughout many years, movements concerning approaches on different works of art often reflect principles that appeal to the utility and social function of artworks, which is the primary characteristic of Socialist art movement. Moreover, Cubism as an art movement subsists to creating ambiguous sense of space and use of geometric shapes to flatten the objects and subjects of the painting. Figures, objects, and subjects are broken into fragments and are overlapped with each other.
These are examples of important movements in art history that, somehow, deal with artworks as creations or products of an individual's conscious being, since these artworks have specific interpretations, functions, and purposes. But what if artworks cannot be easily interpreted, and have no specific functions and purposes?
The above-mentioned characteristics are illustrated in artworks created through the...
In this movement, there is a spontaneous assertion of feelings of the individual/artist. In addition, since the discipline utilizes abstraction, there are no definite styles, only subjective expressions of the artist's feelings, visually illustrated through his/her paintings. Abstract Expressionism is often associated with the Surrealist movement, where thoughts that are only found in dreams and the unconscious (Freudian discipline in psychoanalysis) are visually illustrated through various media, such as paintings and films, media forms which Luis Bunuel, famous Surrealist painter and filmmaker, uses in creating his works of art (in painting, The Persistence of Memory, and, in film, Un Chien Andalou).
However, despite the similarities in principles that Abstract Expressionism and Surrealism subsists to, Barnett Newman, famous abstract expressionist painter, believes otherwise. For him, Surrealism is not different with that of the Socialist…
Works Cited
Krippner, S. Conflicting Perspectives on Shamans and Shamanism: Points and Counterpoints.
Newman, B. The First Man as an Artist.
Art History Roy Lichtenstein -- Stepping Out is a painting done in oil and magna on canvas by Roy Lichtenstein. (Magna is a plastic painting product made of permanent pigment ground in acrylic resen with solvents and plasticizer. This material mixes with turpentine and mineral spirits and dries rapidly with a mat finish) (www.artlex.com/ArtLex/M.html).Painted in 1978, this work is 85 inches in heighth and 70 inches in width, 218.4 cm by
Out of about 40 million slaves that were transported from African to the United States, only 15 million of them could survive, however they ended up in pure hell. It was expected of the African-Americans to meet the demands of two ideas, both of which met the needs of the rich white Americans. Thus, where slaves had a disguise to serve their masters and please them, they were just
Abstract Expressionist Painting Artistic and Aesthetic Value in American Modernist Art during the Cold War Era Defining American Expressionism American modernism is perhaps one of the most difficult artistic periods to define. Modernism refers to a trend that affirms the power of human beings to create, shape, and make improvements to their environment. Modernism is aided by technological advances and is considered both progressive and optimistic in its approach to defining society. American
Pre-Task Learning: Class discussion/reading of the history of the Spanish Civil War and its relationship to the approach of World War II. Continuing discussion on the specific context of the painting's creation and display, and of Pablo Picasso and his emerging and shifting abstract style of painting. Preliminary open-form discussion of possible interpretations of the painting, beginning with the more obvious macro-level signs in the painting on touching on other
Hope the readers found pleasure in reading the history i.e. The experiences of the former innovators. References Betensky, M.G. (1973). Self-discovery through self-expression. IL Springfield: Charles C. Thomas. Case, C., & Dalley, T. (1992). The Handbook of Art Therapy. New York: Routledge. Detre, K.C., Frank, T., Kniazzeh, C.R., Robinson, M., Rubin, J.A., & Ulman, E. (1983). Roots of art therapy: Margerat Naumberg (1890-1983) and Florence Cane (1882-1952): A family portrait. American Journal of
Laid on its side, Rauschenberg's "Bed" contains the same visual and tangible objects as a real bed. "Bed" seems like more than a representation of a bed; it could just as well be one especially given the use of actual bedding. The expansion of the visual plane and the reworking of the canvas paralleled expansions of consciousness. Those transformations in consciousness and their impact on the art world were a