It is not surprising, then, that the primary message of "The Crucible" resonated his thoughts and feelings about the McCarthy administration's containment policy against Communism. The arguments he presented in the play showed how Miller viewed the government's offensive action against Communism not only futile, but reflection of how American society was slowly developing into: "...for good purposes, even high purposes, the people of Salem developed a theocracy, a combination of state and religious power whose function was...to prevent any kind of disunity that might open it to destruction by...ideological enemies."
This passage aptly described the American society's condition under the paranoid and highly-offensive McCarthy administration. Like John Proctor in his play,...
Eugene O'Neill's play, "The Emperor Jones (1921)," is the horrifying story of Rufus Jones, the monarch of a West Indian island, presented in a single act of eight scenes of violence and disturbing images. O'Neill's sense of tragedy comes out undiluted in this surreal and nightmarish study of Jones' character in a mighty struggle and tension between black Christianity and black paganism (IMBD). Jones is an unforgettable character in his
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