132). Hence the Faerie Folk came to symbolize the De Danann's "earlier sensual and spiritual connection to life and nature that influenced the beliefs of the Druids" until Christianity showed up, Yeoman continues. This analogy dovetails with the confusion and game playing in Neverland, according to Yeoman's point-of-view. The author dips into the sexuality issues on page 133, asserting that the blending together of masculine and feminine attributes within Berrie's

Identifying Archetypes in Peter Pan Introduction J. M. Barrie’s Peter Pan is full of a wide range of characters who embody or represent various literary types. For instance, there are archetypes of Innocent Youth, the Hero, the Doppleganger, the Villain, the Mother, and so on. This paper will identify these archetypes and show how they are used in Barrie’s Peter Pan. Archetype  The archetype is an example or representation of a specific type of

It is Dudgeon's hypothesis through this bizarre methodology that the author Barrie and Kicky actually met and somehow Kicky demonstrated his power of psychic perception to Berrie, which of course fascinates Berrie. After becoming very interested in Kicky's powers Berrie than attempts to emulate those powers and in doing so gives Dudgeon's book its own mysterious glow (Haslin). Once Berrie has become acquainted with the boys he becomes, according to

James Kincaid, Peter Pan & Grimm's Tales "By insisting so loudly on the innocence, purity and asexuality of the child, we have created a subversive echo: experience, corruption, exoticism." This statement from James Kincaid's work on Victorian children's literature would be later expanded and ramified to provide the central thesis for Kincaid's study Erotic Innocence: The Culture of Child Molesting, a work which inquires into the cultural investment that contemporary mainstream

The lines between good and bad are blurred, and the ability to identify who is "right" is lost in a vaguely politically correct equal opportunity defiance of gravity. Additionally, a modern adaptation made by Hogan is one that is a true mistake when made by any artist. Assumably working under the impression that audiences are not intelligent enough to decipher literary techniques, Hogan removes most of the tragic elements

Peter, Wendy & the Victorian British Family In J.M. Barrie's epic fantasy, Peter and Wendy, three children from Victorian England set off for a distant paradise of endless boy-centered adventures called 'Neverland'. This land that can be reached by Peter Pan's nonsensical directions, "second to the right, and then straight on till morning" (Barrie 24), represents an upside-down world where the codes of Victorian England can be deeply analyzed and challenged.