City Of God Third-Party Individuals Essay

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For example, it is very probable that Ferreira Meirelles would have had trouble producing a motion picture on life in the favelas if he did not have access to Lins' manuscript. However, a successful artist needs to gather information from immediate sources in order to be able to efficiently tell a story from his perspective. This is basically what Ferreira Meirelles did at the time when he used Lins' book with the purpose of directing City of God. Denying a person the right to talk in regard to a certain subject can be categorized as an act of discrimination. As long as she or she is familiar with the topic that he or she tackles, it would seem absurd to claim that he or she is not entitled to relate to the respective subject. A person who is well acquainted with social problems and psychology can encounter little to no difficulties speaking in regard to something that can be better explained through using these two domains. People fail to understand that fiction is not very different from reality and that a person who is familiar with an event that actually happened can employ his abilities to narrate or to direct with the purpose of emphasizing the issues related to that particular incident. While Lins' book received credit...

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His film impressed through the explicit messages that it conveyed and through the fact that it had been one of the best motion pictures to describe life in favelas. It used a limited amount of Hollywoodian elements because Lins' account was already enough for the director to build a film on.
City of God stands as proof in regard to how a person does not necessarily need to come from the environment in regard to which it produces art in order for his or her creation to be truthful. When considering a situation when the artist is solely interested in helping the people living in the respective environment, conditions are even more intricate, given that he or she intends to raise public awareness concerning a problem. Many artists perform selfless acts but receive no recognition for their efforts because certain communities feel that a person needs to come from their own ranks in order for their story to be told accurately.

Bibliography:

Dir. Fernando Ferreira Meirelles. City of God. Miramax Films, 2002.

Sources Used in Documents:

Bibliography:

Dir. Fernando Ferreira Meirelles. City of God. Miramax Films, 2002.


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