Ethnic Cultures' Experience Of Art Term Paper

PAGES
10
WORDS
2675
Cite

For example, the ethnic client who paints a huge red heart with an arrow piercing its center is communicating a universally understood message: I have been affected by love/passion/emotion.

Natalie Rogers, founder of the Person Centered Expressive Therapy Institute is a strong proponent of expressive art. In this form of art therapy, the ethnic client is encouraged to "express inner thoughts by creating outer forms."

When treating a client with art therapy, Ms. Rogers uses many techniques of expressive art: drawing, coloring, dancing, musical demonstrations, and the like.

Once these exercises are completed, the participants are encouraged to explore the nuances involved in the interaction: did communication occur? Was it a pleasant experience? Were boundaries an issue? Who led? Who followed?

Despite the fact that this work is not done solely with ethnically displaced clients, the premise remains the same; through expressive creativity, one's self may be realized, recognized, and embraced.

Any professional art therapist can see many advantages to this exercise when dealing with the ethnic and unattenuated client. The understood but often unrealized fact of communication is discovered in language and cultural barriers; body language, expression, and tonality all contribute to understanding.

Limitations and Delimitations

Overview of Procedures case study method will be used even though I felt an ethnographical approach was more appropriate at certain junctures. I chose to exercise the case study method because although I plan to study cultures, in which an ethnographical approach seems more logical, they can also be seen as the bounded system necessary to conduct a case study approach.

A qualitative approach must be taken in order to do justice to the data. Determining the quality of life, progress, and level of accomplishment in study cases is crucial to finding ever new and emerging ways of helping the ethnic client through the use of art therapy.

Terms

Art Therapy

Viewed as a cathartic and non-threatening way of venting repressed feelings, art therapy can help people gain confidence and bolster self-esteem. Art therapy has been shown to be highly beneficial for people battling with eating disorders, addictions and stress. It has also been known to help those coming to terms with bereavement, and those suffering from Alzheimer's and other terminal illnesses. Art therapy is a human service profession that uses art media, images, the creative process, and patient anxiety, aiding reality orientation, and increasing self-esteem.

Psychotherapy

The fundamental task of the psychotherapeutic relationship is to create an interpersonal environment in which we can discover, become and deal more creatively with who we are, so that we might engage more realistically and with deeper fulfillment in the world. The therapist is there to offer empathic involvement in our unfolding, without judgment or blame, but with curiosity, compassion and respect for our distinct being and unknown destiny.

Anticipated Procedures for Study Verification how will you judge the quality?

Methodology

When initiating the ethnic client into various art therapy modalities, the House-tree-Person technique can be highly effective.

In this method, the client is asked to draw a house, a person, and a tree on plain white paper. The person in the drawing provides the therapist with information on how the ethnic client views themselves in a world perspecitive. According to Fleshman and Fryrear (1988), the figure can reliably be measured as a reflection of the client.

Care must be taken to not overreach with this analysis, however. As with all tools, this is one of many available to the art therapist with more emerging every day.

Generally, the affect of the person can reflect the inner attitudes of fear, insecurity, grandiose attitudes, and the like. Profiles may indicate an uneasiness and unwillingness to face the challenges in a direct manner. Lightly drawn lines may be an indicator of 'selflessness' or 'weightlessness' and may justify...

...

If the house is far from the person or tree, the client may be expressing isolation or distance from their surroundings.
Plan for Data Analysis

Outline for the Study's Overall Structure

Introduction

Historical Timeline

First Approach

Optimal Client-type

Selecting the Interviewees

Challenges

Measurements

Success Stories

Demographics

Statistics

Qualitative Analysis

Case Studies

Variables

Findings

Clinical Innovation

Future Art Therapy Goals

Follow-up

Closing Summary

Art therapy is an emergent form of psychotherapeutic tool which is highly beneficial to the ethnic client. Culture differences can be safely explored, trust issues can be identified and restored, learning can occur, and adaptation can take a natural, progressive form.

For the ethnic child, woman, or man, art therapy is a solace in a new world; an ability to freely express the soul inside us all.

Bibliography

Art Therapy, a Guide for Mental Health Professionals. New York: Brunner/Mazel,

Inc.

Burt, H. (1993). Issues in art therapy with the culturally displaced American Indian youth. Arts in Psychotherapy. 20: 143-151.

Cohen, B., Barnes, M., & Rankin, a. (1995). Managing Traumatic Stress Through Art. Maryland: Sidran Press.

Fleshman, B. & Fryrear, J. (1981). The Arts in Therapy. Chicago: Nelson-Hall.

Furth, G. (1988). The Secret World of Drawings. Boston: Sigo Press.

Gladding, S.T. (2003). Group Work, a Counseling Specialty, Fourth

Ed. Ohio: Merrill Prentice Hall.

Gurin, P., & Epps, E. (1975). Black consciousness, identity and achievement. New York: Wiley.

Hammer, E. (1958). The clinical applications of projective drawings. Springfield, IL C.C. Thomas.

Helms, J.E. (1986). Expanding racial identity theory to cover counseling process. Journal of Counseling Psychology, 33, 62-64.

Howe, J.W., Burgess, a.W., & McCormack, a. (1987). Adolescent runaways and their drawings. Arts in Psychotherapy, 14(1), 35-40.

Jung, C.G. (1964). Man and His Symbols. New York: Dell.

Landgarten, H. (1993). Magazine Photo Collage, a Multicultural Assessment and Treatment Technique. New York: Brunner/Mazel, Inc.

McGoldrick, M., Giordano, J, & P, J.K. (1996). Ethnicity and Family Therapy, Second Ed. New York: Guilford Press.

Malchiodi, C.A. (1998). The Art Therapy Sourcebook. Illinois: Lowell

House.

Oster, G.D., & Gould, P. (1987). Using Drawings in Assessment and Therapy, a Guide for Mental Health Professionals. New York: Brunner/Mazel, Inc.

Rubin, J.A. (2001). Approaches to Art Therapy, Theory and Technique, Second Ed.

Samuels, S.K., & Sikorsky, S. (1990). Clinical Evaluations of School-Aged Children: A Structured Approach to the Diagnosis of Child and Adolescent Mental Disorder, Second Ed. Sarasota: Professional Resource Press.

Tajfel, H. (1978). The social psychology of minorities. New York: Minority Rights Group.

Ullah, P. (1985). Second generation Irish youth: Identity and ethnicity. New Community, 12, 310-320.

White, C., & Burke, P. (1987). Ethnic role identity among black and white college students: An interactionist approach. Sociological Perspectives, 30, 310-331.

Wong-Rieger, D., & Taylor, D.M. (1981). Multiple group membership and self-identity. Journal of Cross-Cultural Psychology, 12(4), 61-79.

Yancey, W., Ericksen, E., & Juliana, R. (1976). Emergent ethnicity: A review and reformulation. American Sociological Review, 41, 391-403.

Zinn, M. (1980). Gender and ethnic identity among Chicanos. Frontiers, 5, 18-24. http://www.arttherapy.org/resources/links.htm

Sources Used in Documents:

Bibliography

Art Therapy, a Guide for Mental Health Professionals. New York: Brunner/Mazel,

Inc.

Burt, H. (1993). Issues in art therapy with the culturally displaced American Indian youth. Arts in Psychotherapy. 20: 143-151.

Cohen, B., Barnes, M., & Rankin, a. (1995). Managing Traumatic Stress Through Art. Maryland: Sidran Press.
Zinn, M. (1980). Gender and ethnic identity among Chicanos. Frontiers, 5, 18-24. http://www.arttherapy.org/resources/links.htm


Cite this Document:

"Ethnic Cultures' Experience Of Art" (2004, December 07) Retrieved April 26, 2024, from
https://www.paperdue.com/essay/ethnic-cultures-experience-of-art-58577

"Ethnic Cultures' Experience Of Art" 07 December 2004. Web.26 April. 2024. <
https://www.paperdue.com/essay/ethnic-cultures-experience-of-art-58577>

"Ethnic Cultures' Experience Of Art", 07 December 2004, Accessed.26 April. 2024,
https://www.paperdue.com/essay/ethnic-cultures-experience-of-art-58577

Related Documents

" Additional Information on Irish-Americans: The U.S. Census 2000 reflects that there are approximately 34,688,723 Irish-Americans presently living in this country, which is quite a bit down from the 1990 Census of 40,165,702. There is only one group (ethnic group) in the U.S. that is larger than the Irish-American group, and that is German-Americans. Irish-Americans are both Irish Catholics and Irish Protestants; Irish Catholics are concentrated in large cities throughout the north

Comparing and Contrasting Two CitiesNew York City and Los Angeles are two of the largest and most vibrant cities in the United States. While both cities share certain similarities, such as their size and diversity, they also have distinct differences. The following is a point-by-point comparison of New York City and Los Angeles.Firstly, although New York City and Los Angeles are two of the biggest cities in the US with

Art Education Field
PAGES 7 WORDS 2369

A number of modifications have occurred within the area of arts instruction, leading to a redesigning of the whole curriculum. A few transformations involve modern trends like literacy training via art, worldwide popular culture, 21st-century abilities, social justice, art evaluation, cultural diversity, and interdisciplinary approaches. Teaching Literacy through Art According to Moody-Zoet, art-teaching offers distinctive and useful intellectual behaviors and skill sets which aid in the learning of other academic disciplines. The

Admittedly, these two teams were faced with a daunting challenge in acquiring and interpreting those works of art that were most appropriate for their exhibition goals, and interpretive efforts must use some framework in which to present the resources in a fashion that can be understood and appreciated by the targeted audiences. Nevertheless, there is little or no discussion concerning the fusion of artistic styles in the two catalogs, with

French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and

Culture and the Work of Lahiri Focusing questions: After looking at three or four definitions of culture from different dictionaries, what do these definitions have in common? In the United States, some members of ethnic groups who have been in the country for several generations or more may feel distant from their cultures or even without a culture. What are the various factors that account for these feelings? The Four Definitions of