Devil In White City The Thesis

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On one hand, the inventions of the Fair and the belief in commercialism and industry makes spectacle possible in a way that is not easily replicated anywhere else, Eiffel Tower aside. More so than anywhere else, the belief in newness and self-creation seems to be a kind of religion in America. Chicago would recreate itself, and so would Holmes. Science would set America free, leaving older primitive cultures to curiosity cabinets and freak shows, and science would give Holmes the tools to create the perfect murders, and then to profit by selling the remains, letting...

...

For both Holmes and Chicago, eradication of the 'dark city' beneath the image of a white facade was the essence of the American Dream.
Works Cited

Larson, Erik. The Devil in the White City: Murder, Magic and Madness New York: Crown,

Erik Larson, the Devil in the White City: Murder, Magic and Madness, (New York: Crown, 2003), p.4.

Larson, p.4

Larson, p.62

Larson, 198

Larson, p.36

Larson, p.64

Sources Used in Documents:

Works Cited

Larson, Erik. The Devil in the White City: Murder, Magic and Madness New York: Crown,

Erik Larson, the Devil in the White City: Murder, Magic and Madness, (New York: Crown, 2003), p.4.

Larson, p.4

Larson, p.62


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