¶ … Life of a Slave Girl and the Devil in Silver. The paper will point to internal and external fears the protagonists experience in the two novels, and also will report how the protagonists are haunted and how they deal with it.
The Devil in Silver -- Quick Summary
The book by Victor LaValle blends social satire with horror fiction, and in the process he points (fictionally, with brilliant descriptive narratives) to the unfair and inhumane way in which people who are troubled mentally are treated in institutions. The protagonist is Pepper, a 6-3, 270 pound, who is placed in a mental institution even though he is not crazy. The devil in this story is a monster with the head of a bison that hides behind a silver door; he kills the patients with the good graces of the hospital staff. Pepper makes friends with several patients and they plan to attack the devil. It's a wildly entertaining / bizarre and surprising story.
Incidents in the Life of a Slave Girl -- Quick Summary
The book by Harriet Jacobs is radically different than LaValle's book. Jacobs' book follows the life of "Linda Brent" -- a slave and later in the book a fugitive slave -- from the time she was born into slavery to her eventual escape and to freedom in New York City. Things go fairly well for Linda because she has a mistress who is helpful and benevolent (and she has a loving maternal grandmother) but when that mistress dies Linda becomes the property of Dr. Flint, who makes unwelcome sexual advances. Linda joins a concubine and has two children; later she flees to New York and joins the cause of the abolitionists, but shudders in constant fear of being recaptured vis-a-vis the Fugitive Slave Act of 1850.
Fears in the Slave Girl story
Of course Linda had good reason to fear her master, Dr. Flint, because he reminder her "at every turn…that I belonged to him, and swearing by heaven and
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
" (Honestly, what more needs to be said?) Now that it has been established that both Call of the Wild and "A New England Nun" have elements of both realism and local order, it's time to present them in terms of their most powerful literary attribute, categorically speaking (of the three aforementioned literary categories): naturalism. As mentioned, naturalism in literature is the notion that social conditions, heredity, and environment unalterably impact
In this regard, Meyers concludes that, "As for Flory, environment has been too much for him, for he is not really alcoholic or crapulous by nature, and he regrets it when a girl from England arrives to stay at Kyauktada; she is a poverty-stricken little snob on the look-out for a husband, but he has not seen a spinster for a decade, and he succumbs on the spot whereupon
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