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Leonardo Da Vinci
Sitting with Leonardo at a cafe in Paris, on the side walk and watching the street show, the first question that would come to my mind would be regarding the most famous painting in the world: Mona Lisa. Was he is love with her? I know that he starting painting the portrait of Francesco del Giocondo's third wife around 1503, when she was twenty-seven years old.
A noticed that he chose to depict her without any jewelry, leaving the details of her clothes almost entirely in the dark, casting light only on her face and hands. The style resembles that of Madonna depictions at the time, but the technique is far more superior.
Vasari describes the painting in the section dedicated to Leonardo da Vinci in his "Lives." He praises Leonardo for having succeeded to bring a picture to life with such a masterful hand. His description of the painting leaves the impression that Vasari was fascinated with Mona Lisa, the woman himself.
Was Leonardo's intention to use his art and perfect technique to create the perfect image of the womanhood? Did he go beyond the mere representation of a portrait? Why did it take him so long to finish the portrait and why did take a break before resuming to paint it? Is Mona Lisa the ideal of feminine essence? Mother, lover, harbor for the man who comes home to his beloved mistress, after having crossed the troubled waters?
What are Mona Lisa's eyes telling him, the painter? Is there something only the two of them knew? Although their relationship might have been purely platonic and their encounter accidental, she was aware that the man in him, even if no longer young, was fascinated with her youth and beauty. Maybe that was the message in her eyes: I know you like me and I let you enjoy painting my portrait. I am intelligent, gentle and beautiful and I take no pride in it. Leonardo, you succeeded to present the world with the essence of feminine beauty.
Last Supper Leonardo Divinci Analysis of "The Last Supper" Overview of Leonardo da Vinci Analysis of "The Last Supper" The selected piece of artwork of Leonardo da Vinci's and it is one of the most popular paintings that depict the Jesus Christ with his twelve disciples at the dinner table. This painting is briefly providing a clear picture of both history and religion due to which it has always been fascinated with its unique
The controversies around her smile and eyes have generated almost as much research and debate as the painting itself. Anyone who has seen Leonardo's Mona Lisa had the illusion that the Gioconda was staring at them irrespective of their angle. There have been numerous scientists who have attempted to deconstruct this particular aspect, and explain how human sight responds to Mona Lisa's eyes. For instance, Margaret Livingstone, a professor
Renaissance Art The objective of this study is to trace the compositional, stylistic and symbolic development of the story of the Last Supper by Leonardo Da Vinci and what makes Leonardo's work unique. Earlier examples will be cited including those of Andrea del Castagno or Domenico Ghirlandaio. The three sources will be annotated with a 10-sentence paragraph reviewing the source. Each annotation will include full sentences in essay format that detail
Art History The clouds gleamed gloriously, as if they were smiling to greet newcomers to heaven Leonardo da Vinci and Michelangelo Buonarroti. The two artists sat rather impatiently in the heavenly waiting room, and they refused to pick up any of the literature that lay strewn on the gilded coffee table before them. This is ridiculous," grumbled Leonardo, who in spite of his age lacked no luster in his eyes. "I am
Art History Of the Western World Raphael's Madonna of the Meadow is from the High Renaissance period, which lasted from the 14th Century to the 16th Century. The Italian term "Madonna" is a medieval term for a noble or important woman, but in Western art it has come to specifically refer to work that depicts the Virgin Mother Mary. Biblical subjects such as the Madonna were very important to Renaissance painters
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