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Poetry may be one of the most common vehicles for emotional expression, especially the expression of romantic love. From Milton to Shakespeare, poets have woven words that capture their audiences as well as the object of their affection. Often the verses that talented poets pen linger for years, even centuries, as love is a universal experience. Love poems also appeal to all readers, especially if their language is straightforward and accessible. Without resorting to complicated diction or convoluted metaphors, George Gordon, Lord Byron, communicates his affection and admiration for his female lover in "She Walks in Beauty." Moreover, "She Walks in Beauty" affects me personally because it reminds me of romantic ideals; like love itself, the poem is at once simple and evocative.
Lord Byron does not use unnecessary symbolism to describe his love. Instead, he extends metaphors to color the nature of his emotions. The first line of the…
pleasant and romantic world depicted in "She alks in Beauty," Byron illustrates a dark, cold, and hopeless world in "Darkness." "Darkness" is an elaborately detailed poem that remains a testament to Byron's flexibility as a poet. hen I consider the personal and external forces at work in Byron's life at this time, it becomes easier to understand how he could so masterfully create a world that was full of despair and so far removed from the world he illustrated in "She alks Like Beauty."
By the time "Darkness" was published, Byron was already established as a poet whose talent covered a wide range. (Bartleby) "She alks in Beauty" was written in 1814, and is presumably written for Mrs. Robert John ilmot, Byron's cousin. (u 668). Although only two years separate the two poems, there were forces other than love that were influencing Byron's life during those years. History provides a…
Bartleby. From The Columbia Encyclopedia, Sixth Edition. 2001. http://www.bartleby.com/people/Byron-Ge.html . Site visited 23 February 2003
Byron, George Gordon, Lord. The Complete Poetical Works. Ed. Jerome J. McGann and Barry Weller. Oxford: Clarendon Press, 1980-92.
Cox, Jeffery and Snodgrass, Charles. Romantic Circles. http://www.rc.umd.edu/webglimpse/webglimpse/export/software/rc/w ww?filter=%5E%2Fexport%2Fsoftware%2Frc%2Fwww&query=byron&lines=1&errors=0 & maxfiles=100&maxlines=1000&maxchars=10000> Site visited 23 February 2003.
Leung, Matthew. Poetry of Byron. New York: Macmillan. 1964.
Socrates and Plotinus also have very similar ideas on how Beauty is recognized, which though intimately related to their ideas on the nature of Beauty are somewhat different, also. For both men, Beauty was connected to the eternal. Socrates, being at least somewhat (and perhaps completely) atheistic, does not immediately or necessarily connect the concept of the eternal with the concept of the divine, however, but rather recognizes the inherent Beauty in the only act of immortality that mortals can engage in -- procreation and generation, which leads to "beauty in birth." The physical act of love between a man and a woman is described by Socrates -- through the voice of Diotima -- as an act of supreme beauty, and its effects are equally beautiful, as it causes immortality and hence touches upon the eternal. Beauty is also connected to love because love cannot occur with deformity; the closer…
Beauty and Life of the Monarch Butterfly
This is a paper about the Monarch Butterfly. What animal kingdom is it from? Listed is the life cycle of the butterfly. What are the adaptations of the Monarch Butterfly?
THE BEAUTY OF THE MONACH BUTTEFLY
Many people think butterflies live in a carefree environment, but they are wrong. They seem so peaceful visiting flowers, but they are bound by social conventions and instincts of their own. Although their lives appear to be so simple, yet their lives are quite demanding (Farrand 1990). The beauty of the Monarch is found delighting in most butterfly lovers. The life of a Monarch Butterfly is quite complicated as it meets the instincts that it is bound with. A butterfly's life depends on finding enough food, where to lay its eggs safely, the intricate demands of courtships, and on finding the right spot of transformation from a…
Butterflies and Moths" Encarta Encyclopedia Article. http://encarta.msn.com/find/Concise.asp?z=1&pg=2&ti=761578331&cid=2
Butterflies The World of Nature" 1990. New York: Gallery Books
Carson, Shawn. "Unraveling the Secrets of Monarchs" Scientific American Sep. 1997 Vol. 277 Issue 3 p. 90
Darrach, Brad. "Millions of Monarchs" Life. Aug 93. Vol. 16. Issue 9. p. 50
'For though beauty is seen and confessed by all, yet, from the many fruitless attempts to account for the cause of its being so, enquiries on this head have almost been given up"
illiam Hogarth, The Analysis of Beauty, (1753)
Not very encouraging words, but if the great artist illiam Hogarth felt himself up to the task, we can attempt at least to follow his lead. That beauty is enigmatic goes almost without saying. Different ages, different cultures, and even different individuals, will have their own definitions of "beauty." The problem is more than skin deep. Any term that can be so widely and irregularly employed is bound to trap the casual researcher ... Or reader ... Or viewer ... Or for that matter, any other human being who attempts to define what is and what is not "beauty." People, places, things -- even ideas dreams -- can…
Al-Braizat, Fares. "Muslims and Democracy: An Empirical Critique of Fukuyama's Culturalist Approach." International Journal of Comparative Sociology (2002): 269+.
Browne, Stephen H. "EDMUND BURKE (1729-1797)." Eighteenth-Century British and American Rhetorics and Rhetoricians: Critical Studies and Sources. Westport, CT: Greenwood Press, 1994. 42-50.
Callaghan, Karen A., ed. Ideals of Feminine Beauty: Philosophical, Social, and Cultural Dimensions. Westport, CT: Greenwood Press, 1994.
"The Eighteenth-Century Beauty Contest." Eighteenth-Century Literary History: An MLQ Reader. Ed. Brown, Marshall. Durham, NC: Duke University Press, 1999. 204-234.
" "We tried to call you." "Why didn't you return my call?" For some reason, not for lack of trying, I nearly always forget to charge my cell phone. It is not that I am anti-technology. I spend too much time on my computer and Internet. There is something psychologically taking place with me and that cell phone. And, it gets me into trouble. When I need to make a phone call when I am away from home, I cannot find a pay phone. They are quickly being removed or broken and unfixed. I can go for miles without finding one. Once I ran into a police station to see if they had a pay phone and even they had removed the one in the hallway for the public.
I am amputated unless I remember to charge my phone.
We are undergoing a communication shock, as when the printing press…
Arendt, Hannah. Between Past and Future. New York: Penguin, 1993.
Chillemi, Stacey. Faith, Courage, Wisdom, Strength and Hope: Inspirational Poetry That Comes from the Heart. Frederick, MD: Publish America, 2005.
McLuhan, M. And Q. Fiore. War and Peace in the Global Village. New York: Bantum, 1968.
Oelschlaeger, M. The wilderness condition: Essays on environment and civilization. San Francisco: Sierra Club Press, 1992.
Most individuals fail to appreciate life to the fullest because they concentrate on being remembered as some of the greatest humans who ever lives. This makes it difficult for them to enjoy the simple pleasures in life, considering that they waste most of their time trying to put across ideas that are appealing to the masses. While many did not manage to produce ideas that survived more than them, others succeeded and actually produced thinking that remained in society for a long period of time consequent to their death.
Creativity is generally regarded as one of the most important concepts in society, considering that it generally induces intense feelings in individuals. It is responsible for progress and for the fact that humanity managed to produce a series of ideas that dominated society's thinking through time. In order for someone to create a concept that will live longer than him or…
Being of nature, a supposedly passive entity does not necessarily stime the female poet, it can also, in Bishop's construcion, empower her as a speaker.
Yet, there is one caveat -- for Bishop's poem remains tantalizingly silent about her own gender as a female. Thus, even as late as Bishop, the idea of an openly female speaker within a poem associating herself with nature, and seeing herself reflected in nature remains tenuous. Thus, although not Byronic in its imposition of meaning upon the natural world, nor Barrett Browning like in its denial of it, Bishop does not comlpetely deny the cultural assumptions of associating women with nature that still haunt female poets today. Unlike men, women must grapple with this association as authors, of passivitity and feminine voicelessness as mere subjects of the poetic experience -- while men can chose to view nature as neutrals, rather than as conciously gendered…
Bishop, Elizabeth. "The Fish." From Charters, Ann & Samuel. Literature and its Writers. Third edition. New York: Bedford, 2002.
Browning, Elizabeth Barrett." "How do I love thee? From Charters, Ann & Samuel. Literature and its Writers. Third edition. New York: Bedford, 2002.
Gordon George -- Lord Byron. "She Walks in Beauty Like the Night. From Charters, Ann & Samuel. Literature and its Writers. Third edition. New York: Bedford, 2002.
Samuel Taylor Coleridge's poem, "To a Beautiful Spring in a Village" represents the Romantic Movement in that the poet expresses appreciation for the "sweet stream." Coleridge is also expounding on his experience of the stream, which is an example of how the Romantic riters wrote. The poem celebrates the stream with its "friendly banks" and "pebbled falls," focusing on every detail and finding joy in all of them. (Perkins 397)
illiam ordsworth's poem, "Lines ritten in Early Spring" is an excellent example of Romantic verse as it, too, places a great deal of respect and awe upon nature. In this poem, ordsworth laments what "man has made of man" while rejoicing in the beauty of nature. The poet is emphasizing the workings of nature when he thinks that "every flower enjoys the air it breathes" and the birds around him "hopped and played" with their every movement seeming to be…
Hall, Donald, ed. Contemporary American Poetry. New York: Penguin Books. 1971.
Perkins, David, ed. English Romantic Writers. New York: Harcourt Brace Jovanovich.
It has kept going ever since" (Cavendish, 2001, p. 66). Morley's wife, Julia (a former beauty pageant winner) joined him in 1970 to help organize the competition to help maintain the contestants' morals and to ensure their modesty was suitably protected ("not invariably with success") (Cavendish, p. 67). Miss World has subsequently attracted television audiences in almost every country in the world and has earned an enormous amount of money for charity (Cavendish, 2001).
During the first few years of the competition, the Miss Great Britain title was a highly prized award, but Cooke suggests that it represented one of the only ways women had at the time to express themselves in a legitimate fashion: "My feeling," she says, is that it was, perversely, a kind of liberation for some women -- a way of making their only assets and their skills (the application of lipstick, the ability to walk…
Beauty Business, the. (2000, August). Business Asia, 8(12), 36.
Cavendish, R. (2001, April). The First Miss World Contest. History Today, 51(4), 64.
Cooke, R. (June 14, 2004). Girls, girls, girls. New Statesman, 133(4692), 38.
David M. Dozier and Martha M. Lauzen. (2002). You Look Mahvelous: An Examination of Gender and Appearance Comments in the 1999-2000 Prime-Time Season. Sex Roles: A Journal of Research, 429.
Christy Turlington explains to Elle magazine... "Advertising is so manipulative," she says. "There's not one picture in magazines today that's not airbrushed."… "It's funny," Turlington continues. "hen women see pictures of models in fashion magazines and say, 'I can never look like that,' what they don't realize is that no one can look that good without the help of a computer." (Hilary 13)
That's right, the beautiful Turlington, a woman that can be said as fitting the standard ideal of American beauty, admits that it is unachievable even for her. hy? Because even she admits that she has been touched up. In a similar exercise, we can only imagine the remarkable steadfastness this act must have taken, but it shows that there is a realization that this American image is unattainable (Domar 23).
The Trouble with Persisting Ideas
Even if the mechanism behind the spread and adoption of ideas is…
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso Publishing, 1991. Print.
Chernin, Karen. Hungry Self: Women, Eating, & Identity. New York: HarperCollins Publishers, 2008
Dixon, Violet. "Understanding the Implications of a Global Village." Reason and Respect 4.1 (2008). 1-5. Web. 15 May 2011.
Domar, Allan. (Prof) Harvard Medical School. Parade magazine, October 11, 2003.
If you walk in to a bookstore or browse online you will find hundreds, in fact thousands, of essays, books, articles, and speeches about prejudice. Obviously, most of them are against prejudice and before you begin reading any of them, let me tell you that chances are good that they will contain phrases like "don't have prejudice against people," "prejudice results in downfall" or "prejudice is a bad thing,." ut what puzzles the mind is whether phrases like "we shouldn't have prejudice against people" are enough to end prejudice. Does a moral lesson at the end of a very moving story convince you not to have prejudice against your fellow beings? Does it convince people not to judge others and to treat everyone equally? I think not. In order to understand what prejudice is, does a person have to experience it firsthand?
In order to ponder over this important…
Angelou, Maya. "Graduation." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008).335-342. Print.
Hurston, Zora. "How It Feels To Be Colored Me." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008). 159-161. Print.
Kincaid, Jamaica. "On Seeing England For The First Time." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008).720-727. Print.
Staples, Brent. "Just Walk On By." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008). 153-155. Print.
gay couple walks hand-in-hand across campus. A man driving by in a car sees them and shouts, "Fags!" A black student is working late at a local coffee shop. A professor from one of her classes comes in and tries to order a meal. She explains that the coffee shop is closing. He insists, becomes more and more upset until he calls her a "*****" and a "nigger" and stalks away.
Both the gay couple and the young woman have been subjected to extreme verbal abuse. But should the people who said these hateful things be punished? According to Thomas Grey's article, "Civil Rights vs. Civil Liberties: The Case of Discriminatory Verbal Harassment," whether or not the speakers should pay a price for their words depends on whether one adopts a civil liberties point-of-view or a civil rights point-of-view.
The civil liberties point-of-view holds that the speakers, though undeniably obnoxious,…
This suspicion becomes even more ironically clear as we read further. As we progress with the analysis of the protagonist's description of his love we find even more apparently negative comparisons. For example, he states that that in comparison to perfumes his "mistress reeks" and that music has a much more "pleasing sound" than her voice. He also states that she is no goddess in the lines,
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground
However in the final couplet of the sonnet there is a dramatic change of tone and a radical change in our perception of the loved one. The final two lines read as follows.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
These two lines should be carefully considered as they ironically overturn the meaning and intention of…
Suddenly I receive a Titian to hang on my wall -- a Greek bas-relief to stick over my chimney-piece." (James in: Phelan-Cox, 2004)
Through the analogies of alph, the reader is able to view the manner in which "male pleasure in spectatorship with interconnected with Western aesthetics generally." (Phelan-Cox, 2004) it is the argument of Laura Mulvey that the film of Hollywood is structured around "the voyeurism and scopopophilia of the male gaze by denying the existence of other viewing positions." (Phelan-Cox, 2004) James veritably denied other ways to view through his description of the scene "by consciously omitting Isabel's own perception of herself in that setting or any objective description of the scene that might include observations about alph." (Phelan-Cox, 2004)
VII. Portrait and the Implications
The title of this story is even misleading as noted by Phelan-Cox the word 'portrait' "implies that the novel is to be a…
Ascari, M. (nd) Three Aesthetes in Profile: Gilbert Osmond, Mark Ambient, and Gabriel Nash. RSA Journal 7.
Braden, HE (2011) Lily Bart and Isabel Archer: Women Free to Choose Lifestyle of Victims of Fate? University of New Orleans. 4 Aug 2011. Retrieved from: http://scholarworks.uno.edu/cgi/viewcontent.cgi?article=1247&context=td
Brown, B. (2001) Thing Theory. Critical Inquiry. Vo. 28, No. 1 Autumn 2001.
Gilmore, MT (1986) the Commodity World of the Portrait of a Lady. The New England Quarterly, Vo. 59, No. 1. Mar, 1986.
Mildred tries to imitate the economical management in her own family. Like in Faye's case, whose marriage had been a "business arrangement," her own marriage to Monty has the same business character: Mildred chooses Monty for his relations that could help her daughter to make the most of her musical talent. Also, Mildred's other attempt in getting a husband for money is telling for the way she is constantly selling or trying to sell herself, and not only her prettiness, but also her cooking talents. The analogy between her career as a waitress, and then a restaurant manager, trying to sell food and the way Mildred tries to sell herself as a wife to ally Burgan, using the same cooking talents as a weapon, is striking. It is here that we most clearly detect the parallel between private life and mass economy. Love, like in est's book, is nothing else…
Cain, James. Mildred Pierce. New York: Alfred A Knopf Inc., 1941
Jurca, Catherine White Diaspora: The Suburb and the Twentieth Century American Novel. Princeton: Princeton University Press, 2001
West, Nathanael. The Day of the Locust. New York: New Directions, 1950
As he himself admits, "I have a very grim perspective. I do feel that it's a grim, painful, nightmarish meaningless existence, and the only way to be happy is if you tell yourself some lies. One must have some delusions to live" ("Cannes 2010: oody Allen on Death -- 'I'm Strongly Against It'"). hat Midnight in Paris is for him (and us), therefore, is a kind of distraction from the reality that at some point the final credits will roll.
Malick's Tree of Life, then, is a kind of answer to Allen's melancholy. It is, of course, a religious answer told through an impressionistic and indirect medium. Nonetheless, unlike Allen, Malick is willing to embrace the spiritual side of man and explore its meanings and possibilities. For Malick, life is a spiritual journey that can lead one either upwards to the good or downwards to the bad. Allen's film may…
Allen, Woody, dir. Midnight in Paris. Los Angeles: Sony Pictures Classics, 2011.
Augustine. City of God. Edinburgh: T&T Clark, 1888. Print.
Augustine. The City of God against the Pagans. Cambridge University Press, 2002.
The Birkin may still have some durability if it changes and morphs -- if smaller sizes, new colors, new models, or new fabrics suddenly become trendy. However, it cannot remain as it is in the peripatetic world of fashion and still draw attention.
What are the implications of broad diffusion and adoption of this innovation?
Very broad diffusion would result in the 'death' of the bag, even the death of Hermes; given the lack of diffusion of the brand in society is the point of owning the bag. Knock-offs and fakes are extremely common, to the point that many fashion magazines run articles on how to spot a fake Birkin.
Because of its waiting list, from a typical expensive Hermes bag, "Birkin has become a cultural emblem of elitism, privilege and celebrity" (Givhan 2004). One store put up a sign: "The Wait Is Over. Get Yours Now" (The wait list…
Carter, Kelly. (2008). Can a Birkin bag get you special treatment? USA Today.
Retrieved November 12,
2011 at http://www.usatoday.com/life/lifestyle/fashion/2008-04-21-birkin-main_N.htm
Givhan, Robin. (2004). Martha's moneyed bag carries too much baggage. The Washington Post.
Applying Goffman to Modern Advertisements
Goffman and Gender Commercials
Goffman contends that the selection of commercial pictures in advertisements is intentional and serves a specific agenda that is not in service to consumers' well-being or natural interests. He argues this facet of culture is ripe for analysis with respect to topics such as sexuality, gender, power, the means of production, and social reality, among others. His strongest assertions concerns how analysis of the selection of commercial pictures reveals keen insights when comparing them to behavioral practices as experience in everyday interactions. Goffman grounds his hypotheses in concrete methodological practices, with primary aims to locate and define discovery, proof, and presentation. Grounding is his research in established methodology keeps opposition from arguing that his findings and conclusions are wild-eyed, paranoid theories that undermine American culture or the American way of life. He claims that the kind of analysis he proposes…
in "Piaf," Pam Gems provides a view into the life of the great French singer and arguably the greatest singer of her generation -- Edith Piaf. (Fildier and Primack, 1981), the slices that the playwright provides, more than adequately trace her life. Edith was born a waif on the streets of Paris (literally under a lamp-post). Abandoned by her parents -- a drunken street singer for a mother and a circus acrobat father -- Edith learns to fend for herself from the very beginning. As a natural consequence of her surroundings, she makes the acquaintance of several ne'er do wells. She rises above the lifestyles of the girls she grows up with who prostitute themselves for a living in the hope that they will eventually meet a benefactor with whom they can settle. Edith has a talent for singing and she indulges this interest by singing loudly in the streets.…
Beauvoir, Simone de, and Parshley, H.M. The Second Sex. New York: Alfred A. Knopf, 1993.pp. lv, 786
Eisenstein, Zillah R. The Radical Future of Liberal Feminism. The Northeastern Series in Feminist Theory. Northeastern University Press ed. Boston: Northeastern University Press, 1986.pp. xi, 260
Engels, Fredrick. "The Development of Utopian Socialism." Trans. Lafargue, Paul. Marx/Engels Selected Works. Revue Socialiste. Ed. Basgen, Brian. Vol. 3. New York: Progress Publishers, 1880. 95-151.
Origins of the Family, Private Property, and the State. 1894. Retrieved April 10, 2003 from. http://csf.colorado.edu/psn/marx/Archive/1884-Family/
The Effect of the Flappers on Today's Women
The 1920's in the U.S. And UK can be described as a period of great change, both socially and economically. During this period the image of the women completely changed and a "new women" emerged who appears to have impacted social changes occurring in future generations of both men and women. This new symbol of the women was the Flapper. The Flapper was a new type of young woman that was rebellious, fun, bold and outspoken (Zeitz, 2006). This research paper explains the rise and fall of the Flapper in the 1920's, explores its historical and current impact on women in terms of culture, work, gender and social behavior and reflects on its long-term impact of the position of today's women.
Evolution of the Flapper
Flappers, most often characterized as the "New Woman," originally emerged in the 1920s in the…
Allen, F.L. (1957). Only yesterday: An informal history of the nineteen-twenties. New York:
Harper and Row.
Baughm J.S. (1996). American decades: 1920-1929. New York: Manly.
Bliven, B. (1925, September 9).FlapperJane. New Republic, pp. 65-67.
Though the reader understands that this is impossible as the beauty of youth cannot last forever, Shakespeare makes a point to remedy this. The speaker in the poem notes that his love's timelessness will be ensured through his actions of writing about her. No matter what happens to either of them through the course of their own lives, the beauty of the woman being written about and love that existed at the moment of the poem's writing will be carried unaltered through the ages to come -- which has proven true for centuries.
Ezra Tompkins' poem, "What is it that Compels," focuses on the themes of love, death, and the fleetingness of human existence. The poem centers upon the speaker after the death of his father and his observance of the way his mother is handling the death of her husband. Tompkins' poem deals with the hardships that come when…
Blake, William. "To See the World in a Grain of Sand [from Auguries of Innocence]."
The Complete Poetry and Prose of William Blake. Harpswell, Maine: Anchor. 1997. 80-84. Print.
Shakespeare, William. "Shall I Compare Thee to a Summer's Day?" Love Poems and Sonnets of William Shakespeare. New York, NY: Doubleday Press. 1957. 13. Print.
Stallworthy, Jon. "Sindhi Woman." Rounding the Horn: Collected Poems. Manchester,
This poem is a favorite of mine because it reminds me to slow down and appreciate everything. It does not take long nor does it take much to renew and revive and that is exactly what the poet wishes to communicate.
In Joy Harjo's "Remember," the poet uses imagery and personification to convey points of importance. Because the poet is encouraging someone to remember, she pulls images from experience that will be familiar. She begins by telling the reader to "Remember the sky" (Harjo 1) and to "know each of the star stories" (2). In addition, it is important to know the moon. The poet wants to use images the reader already knows and identifies with in order to stress the importance of connecting with the earth. The importance of remembering one's parents is also important because we are all connected. She tells the reader to remember the "earth whose…
Bishop, Elizabeth. "The Fish." Literature: An Introduction to Reading and Writing. 9th Edition.
edited by Edgar V. Roberts and Henry E. Jacobs. Upper Saddle River, NJ:
Pearson/Prentice Hall, 2007. Print.
Frost, Robert. "Stopping by Woods." Literature: An Introduction to Reading and Writing. 9th Edition.
Because males were typically depicted as participating in some sort of action, men viewing advertisements most likely saw the action as superior to the men's looks, suggesting pressure to excel at professions, sports, or family life, instead of pressure to perfect their bodies.
In advertisements featuring men today, however, it is clear that men are being used solely for their looks. There is no clearer testimony to this than the following billboard advertisement for clothing brand Abercrombie and Fitch ("Billboards Archives"):
On this billboard, the male model displays his chest and has his hands positioned in an almost sexual posture suggesting that his body is otherwise perfected. The fact that his head is cut out of the picture leaves no room for argument as to whether or not this is an advertisement that uses the make model to suggest beauty or physical aesthetics alone. Clearly, the model is featured in…
"Abercrombie Ad." Interesting Ads. 7 May 2007. Xanga. 20 April 2009.
"Billboards Archives." Racked: New York. 27 Dec. 2007. 20 April 2009.
Frost's Poetry And Landscape
The Rise of Modernist Poetry
Between the years of 1912 and 1914 the entire temper of the American arts changed. America's cultural coming-of-age occurred and writing in the U.S. moved from a period entitled traditional to modernized. It seems as though everywhere, in that Year of 1913, barriers went down and People reached each other who had never been in touch before; there were all sorts of new ways to communicate as well as new communications. The new spirit was abroad and swept us all together. These changes engaged an America of rising intellectual opportunities and intensifying artistic preoccupation.
With the changing of the century, the old styles were considered increasingly obsolete, and the greatest impact was on American arts. The changes went deep, suggesting ending the narrowness that had seemed to limit the free development of American culture for so long. That mood was not…
Ray also believed that Hollywood presented a world that was completely foreign and at odds with the reality of life in India. hy, then, had so many previous Indian filmmakers attempted to copy the Hollywood style? The result could only be failure. It was for this reason that Ray decided to turn his back on the Hollywood aesthetic altogether - and the result was Pather Panchali. Rather than the stylistic gloss that Hollywood coats its product with, Ray allowed a significant degree of "dirt" in to his film as a way of arguing with the dominant aesthetic.
In doing so, Ray purposefully chose a "rambling" novel to adapt for his first film. "The script," he later explained, "had to retain some of the rambling quality of the novel because that in itself contained a clue to the feel of authenticity: life in a poor Bengali village does ramble" (Ray 33).…
Ray, Satyajit Ray. 1976. Our Films, Their Films. Calcutta: Orient Longman Limited.
Branding is a critical component of selling any product, but jewellery in particular. With this particular product's market, purchasing decisions are often emotionally rather than logically based (Karo 1968:49). Branding enables the retailer to influence customer perceptions and is a key driver in terms of the customer's store choice and long-term brand loyalty. It is every jeweller's desire to have a customer who goes to buy his engagement ring, wedding ring, and anniversary gifts for his (or her) significant other from the same, trusted retailer. The purpose of this paper is to integrate lessons from branding and retail image research to provide a better understanding of how jewellery retailers create their brand images, paying special attention to the role of the manufacturer and private label brand assortment.
This report takes the format of a compare-and-contrast case study of two different jewellery retailers located within the Oasis shopping centre of Queensland,…
Amore. (2014). Official website. Retrieved from:
Darje. (2014). Official Website. Retrieved from:
One of Wright's major works was Black Boy and one of the most poignant sections of that book was Chapter 12 in which Wright described the experiences of two southern black boys exploited by the "five dollar fight." Working for an optician in Memphis, Tennessee, the protagonist (Richard) hopes that his experiences with white people in Memphis will be better than in the small town of Jackson, Mississippi "The people of Memphis had an air of relative urbanity that took some of the sharpness off the attitude of whites toward Negroes & #8230;"
However, Richard finds that white people are just as exploitative and abusive of blacks in the big city as in small towns. Some of the white men where Richard works pay another black boy a quarter at a time to let them kick him in his rear end and even when white men seem to be nice…
Interestingly, this is a stereotype that she herself promotes, rather than having it imposed on her by others or by external prejudices.
In the film, most prejudice seems to be externally imposed rather than being perpetuated by the persons themselves. One exception to this might be the Iranian family, where Farhad and his daughter apparently deliberately speak their native language in the gun shop despite the irritation of the shop owner. When Daniel installs the lock, Farhad does not understand him sufficiently to have his door fixed, with disastrous consequences. One might wonder why his daughter or some other mediator was not there to help them communicate more clearly.
Farhad, also seems to be subject to a very specific cultural pride, which precludes him from either seeking help to understand Daniel, or at least learning English properly. The dismay of the family at the perpetrators of the vandalism not realizing…
The door itself is a barrier, and she does not realize what is behind that door until she is inside and it is too late.
This kind of innocence is repeated in other Griffith films, and some of his biographers have speculated that the sort of character represented mirrors Griffith's view of his older sister, who raised the family after the mother's and father's deaths and who herself never married (Henderson 23-26). hether this is the true source or not, the innocent female from the country was a staple in Griffith's films and a character tested again and again as various temptations are placed in her path. In ay Down East, the temptation may include the more affluent lifestyle of Lennox Sanderson and the Tremonts, and this desire to rise above her station may be the real sin for which Anna must atone. Sanderson's house has a high ceiling that…
Cohen, Paul Marantz. Silent Film & the Triumph of the American Myth. New York: Oxford University Press, 2001.
Griffith, D.W. Way Down East. United Artists, 1920.
Henderson, Robert M.D.W. Griffith: His Life and Work. New York: Oxford University Press, 1972.
Wexman, Virginia Wright. "Suffering and Suffrage: Birth, the Female Body, and Women's Choices in D.W. Griffith's Way Down East." The Velvet Light Trap, 29(1992), 53-65.
Maya Deren: An Experimental Life
Maya Deren, born Eleanora Derenkowsky on April 29, 1917 in Kiev, Ukraine, has been referred to as "the high priestess of experimental cinema." (1) Even though she was a dancer, choreographer, poet, writer and photographer, she is still considered a pioneer not only in experimental filmmaking, but also a voice for the feminist film community.
In 1922, the Derenkowsky family fled the threat of anti-Semitism in the Ukraine, arriving in New York where they changed their name to "Deren." The family, though, was frequently unhappy and at odds. As an adolescent, Maya was sent to Geneva to attend The League of Nations International School while Maya's mother, Marie Deren, studied languages in Paris and her father, Solomon Deren, practiced psychiatry in New York City.
After attending school in Geneva, Deren studied journalism and political science and became active in student politics at Syracuse University. She…
4. P. Adams Sitney, Visionary Film: the American Avant-Garde 1943-1978, Oxford: Oxford University Press, 1979, p.10
5. Nichols, Maya Deren and the American Avant-Garde, Berkeley: University of California Press, 2001, p.5
6. Deren, p. 33
An Analysis of Love in the Renaissance Art of Sidney, Shakespeare, Hilliard and Holbein
If the purpose of art, as Aristotle states in the Poetics, is to imitate an action (whether in poetry or in painting), Renaissance art reflects an obsession with a particular action -- specifically, love and its many manifestations, whether eros, agape or philia. Love as a theme in 16th and 17th century poetry and art takes a variety of forms, from the sonnets of Shakespeare and Sidney to the miniature portraits of Hilliard and Holbein. Horace's famous observation, ut picture poesis, "as is poetry so is painting," helps explain the popularity of both. Indeed, as Rensselaer . Lee observes, the "sister arts as they were generally called…differed in means and manner of expression, but were considered almost identical in fundamental nature, in content, and in purpose" (Lee 196). In other words, the love sonnets…
Aristotle. Poetics (trans. By Gerald Else). MI: Ann Arbor Paperbacks, 1970. Print.
Greenblatt, Stephen. Will in the World. NY W.W. Norton, 2004. Print.
Hogan, Patrick. "Sidney and Titian: Painting in the 'Arcadia' and the 'Defence.'" The
South Central Bulletin, vol. 27, no. 4. (Winter, 1967): 9-15. Print.
Hiller aims to deepen the understanding of architectural knowledge by focusing on internal structures and entities and relationships within structures, and to eliminate unproductive or potentially alienating relationships between the dweller of the structure and the building, based on human psychology.
Hiller states that there is a need for more scientific research about mathematics and human psychology within architecture. Architecture must cease to be as enclosed a discipline as it has become, and one can use such knowledge in architectural practice. Hiller points out that an architect must have an idea of what the building's potential dweller or occupier will 'know' about a space when he or she enters the structure. Often the knowledge of the space comes through the different, sucessive visibility fields he or she encoungers when navigating the interior space.
Hillier suggsests that although architects may view structures based upon mathmatical design, according to Euclidean notions of…
The choice cannot be repudiated or duplicated, but one makes the choice without foreknowledge, almost as if blindly. After making the selection, the traveler in Frost's poem says, "Yet knowing how way leads on to way/I doubted if I should ever come back" (14-15). And at the end, as one continues to encounter different forks along the way, the endless paths have slim chance of ever giving the traveler a second choice. One can see this as similar to Mrs. Mallard's change. As she looks out into the future, she sees endless possibilities for choice and nothing feels like she would ever return to the determinate state of marriage.
The final two lines of "The Road Not Taken" say, "I took the one less traveled by / and that has made all the difference" (19-20). Unlike in Chopin, the traveler determines to take the path. In Chopin, the path forces…
Carver, Raymond. (1981). Cathedral: stories. New York: Vintage.
Chopin, Kate. (2003). The Awakening and selected short fiction. New York: Barnes & Noble.
Frost, Robert. (1969). The Poetry of Robert Frost: the collected poems E.C. Lathem, Ed. New York: Holt.
In it, Stevens demonstrates how social progress was preceded and by rustic and natural living, which the jar exemplifies. The jar as a symbol carries with it significant meanings for the poem: as one of the earlier works of ancient human culture, the jar became the tool through which humans lived (as a tool for gathering food) and died (serving as an urn for the remains of the dead). Apart from symbolism, Stevens also used colorful imagery to demonstrate the progress of human society from being nomadic to being sedentary and progressive. The use of the words "roundness," "wilderness," "gray," and "bare" are effective words through which ancient human life is illustrated. Similarly, the progress of human civilization through time is depicted in the phrases, "wilderness rose up," "no longer wild," "tall and of a port in air," and "took dominion everywhere."
In "Daystar," paradox is utilized to generate an…
All the attention is on the woman, and the background is inconsequential. The lighting is not harsh on Diana, it does not create deep shadows, but it is very soft all around her, almost blurry, but not quite, focusing the entire attention of the photo only on her. The depth of field is primarily her face and torso, the rest of the room is softly out of focus. The primary shape is Diana herself, slowly fading out into the background as she lies on the couch. In that, there is really very little sense of space, because the photo is so central to her, the space around her is not important at all.
The first thing, and only thing, you see in this photo is Diana. She is somehow larger than life, even though she is portrayed so simply. There is strong contrast in the photo, because of the lighting…
Editors. (2008). Mario Testino. Retrieved 29 Jan. 2008 from the Mario Testino.U.S. Web site: http://www.mariotestino.us/index.html.
Editors. (2007). Q&a with Mario Testino. Retrieved 29 Jan. 2008 from the CNN.com Web site: http://www.cnn.com/2007/SHOWBIZ/02/07/revealed.testino.qanda/ .
This meant that men held positions of power and authority in all the public spheres including economics/business, politics/the law, and the bearing of arms. Men also possessed social status that women did not have, enabling the perpetuation of a patriarchal society.
y applying Freudian psychoanalysis and feminist theory, I will analyze the personality of the independent, strong, risk taker, and smart Alexandra ergson in Willa Cather's O Pioneer! As Smith points out in Freud's Philosophy of the Unconscious, the psychoanalytic model lends insight into the underlying psychic forces promoting personal and collective change. With regards to a singular female like Alexandra ergson, psychoanalysis takes into account the protagonist's family background, tracing her ego development across the course of her lifetime starting with childhood. The significance of my research is that it studies the possibility of female's success in life under certain circumstances and refutes the outmoded opinion that suggests the…
By applying Freudian psychoanalysis and feminist theory, I will analyze the personality of the independent, strong, risk taker, and smart Alexandra Bergson in Willa Cather's O Pioneer! As Smith points out in Freud's Philosophy of the Unconscious, the psychoanalytic model lends insight into the underlying psychic forces promoting personal and collective change. With regards to a singular female like Alexandra Bergson, psychoanalysis takes into account the protagonist's family background, tracing her ego development across the course of her lifetime starting with childhood. The significance of my research is that it studies the possibility of female's success in life under certain circumstances and refutes the outmoded opinion that suggests the leadership is a male-specific quality. Cather creates an overtly political novel with O Pioneer! As her protagonist single-handedly proves that women can be completely self-determined and self-reliant. This would have been a revolutionary view when Cather first published her novel.
The 1913 novel O Pioneer! By Willa Cather, one of the greatest American women writers, is a good illustration for the frontier literature in general, regardless of its political views on gender. However, Cather differentiates herself from her contemporaries and other writers in the Wild West genre, by stressing the other half of the human race: the half that is typically excluded from histories and literature alike. Cather accomplishes what Robinson comments on in "Treason Our Text," a feminist challenge to the accepted and established literary canon. The established canon of literature propagated by mainstream academia is a decidedly and unapologetically patriarchal one; that is, until the second wave of feminism (Robinson). It is therefore important to appreciate Cather's novel within her own historical context, which makes O Pioneer! truly revolutionary. Cather, although certainly not the first or only female American novelist, expands the canon of American literature by addressing the social, political, and economic worldviews from a more global and inclusive perspective, one that takes into account the lives of half of humanity. Patriarchal literature limits itself to constructing women out of stereotypes and projections of feminine ideals and mystiques; Cather simply tells it like it is (Duby, Perrot and Pantel).
The novels heroine embodies all feminine characters who disregard the complex American West during the time the novel was written. The narratives reveals out the difficulties experienced by women
Today, the term "designer" is too often associated with people who churn out clothing lines every season. In this sense, Gabrielle "Coco" Chanel stands as a breed apart. Fashion analysts today attribute the birth of modern fashion to Coco Chanel. She is viewed as a woman and an artist ahead of her time. Her clothing influenced not only the way women dress, but the way women define femininity. In this sense, Chanel is very much a part of the modern artistic movement, along with the likes of Pablo Picasso and Jean Cocteau.
This paper examines the many facets of Coco Chanel's artistry. The first part of the paper looks at Chanel as a product of her social environment, discussing the factors that have contributed to the evolution of Chanel's style and clothing designs. The next part then looks at Chanel's designs and choice of fabrics. Chanel never defined…
Dunn, Jennifer. "Coco Chanel and Fashion." Transcription Topics. 20 December 1999. University of California at Santa Barbara. 13 March 2004 http://transcriptions.english.ucsb.edu/archive/topics/infoart/chanel/.
This website offers a complete and insightful account of Coco Chanel's designs. The first section provides a good resource not only regarding the "look" of Chanel's designs. In addition, this website is useful for identifying how Chanel's "look" evolved in relation to prevailing social norms. The sections on the role both World Wars played in changing the social roles of women were especially illuminating. While many Internet sites on Coco Chanel focus on the designs, Dunn's scholarly approach teases out how designs such as the "working uniform" and the "Chanel suit" both reflect social trends and open new opportunities for working women.
Madsen, Axel. Chanel: A Woman of Her Own. New York: Henry Hold and Company, Inc.
It is well-known that many of the stories regarding Coco Chanel's past are just fabrications. Many were in fact spread by Chanel herself. Considering this, Madsen does a remarkable job of presenting a thorough biography of one of the 20th century's most innovative women. Madsen's work, however, shows some weaknesses. He often underestimates, for example, the importance of the class system and social cachet in early 20th century Europe. This leads him to wonder why associations with royalty and powerful men were important to a modern woman like Coco Chanel. Despite this, his work is an interesting account of how Chanel managed to rise to the top of the fashion industry. The illustrations and Madsen's novelistic style of writing make this book both entertaining and informative.
The lighting in the store is very classy, and the walls are wood paneling which gives the store a nice homey feel. The bookshelves on the main floor are categorized of course: there are well-marked categories including: History, Biographies, Business & Money, Politics and Current Events, Art, Architecture & Photography, and many more. The smell in this bookstore is of coffee, which can be found upstairs (a wide staircase making it easy for two people abreast to walk up or down). The coffee shop also includes pre-made sandwiches, pastries, bagels, soups and small green salads (again, pre-made). The young women serving coffee are friendly, helpful, and they bring the coffee to your table; there are eight tables each with four chairs; these are comfortable chairs with built-in cushions on the seat and the seat-back. There are also several booths for more privacy. The windows on the second floor look out…
Dracula is a far more traditional Gothic novel in the classic sense than the four books of the Twilight series, in which Bella Swan and her vampire lover Edward Cullen never even fully consummate their relationship until they are married in the third book Eclipse, and Bella does not finally get her wish to become a vampire until the fourth and final book Breaking Dawn. Far from being Edward's victim, or used as a pawn and discarded, she is eager to leave her dull, empty middle class life behind and become part of the Cullen vampire family. When she nearly dies giving birth to their half-vampire daughter, Edward finally does 'turn' her to save her life, and to paraphrase the title of the old song, we can only hope that she is satisfied. Bella in fact is a very traditional and conservative character, including her religion and even…
Branch, L. 2010. "Carlisle's Cross: Locating the Past in Secular Gothic" in A.M. Clarke and M. Osburn (eds). The Twilight Mystique: Critical Essays on the Novels and Films. McFarland & Company Publishers: 60-79.
Byron, G. 2008. "As One Dead': Romeo and Juliet in the Twilight" in J. Drakakis and D. Townshend (eds) Gothic Shakespeares. Routledge: 167-86.
Meyer, S. 2005. Twilight. Little, Brown and Company.
Meyer, S. 2006. New Moon. Little, Brown and Company.
She also learns, too late, that the jewels and the life she coveted so long ago was a sham. Hence, the symbolic nature of the necklace itself -- although it appears to have great value, it is in fact only real in appearance, not in reality and the heroine is incapable of assessing the false necklace's true worth.
The tale of "The Necklace" conveys the moral that what is real, the replacement she returned to Madame Forstier, can be won not with beauty but with hard work, sweat, and toil. Like "The Tell-Tale Heart," "The Necklace" revolves around the use of irony and a single, symbolic element, exemplified in the title object that works throughout the tale, using the literary device of irony, to reveal the protagonist's moral character. That final revelation engineered by the title object makes the story compelling, even if both protagonists may seem morally repugnant. The…
Works Cited de Maupassant, Guy. "The Necklace." Classic Short Stories. 28 Jun 2008. http://www.classicshorts.com/stories/necklace.html de Maupassant, Guy. "A Piece of String." Classic Short Stories. 28 Jun 2008. http://www.classicshorts.com/stories/string.html
Poe, Edgar Allen. "The Tell-Tale Heart." The Online Literature Library. Literature.org.
28 Jun 2008. http://www.literature.org/authors/poe-edgar-allan/tell-tale-heart.html
Pissarro took a special interest in his attempts at painting, emphasizing that he should 'look for the nature that suits your temperament', and in 1876 Gauguin had a landscape in the style of Pissarro accepted at the Salon. In the meantime Pissarro had introduced him to Cezanne, for whose works he conceived a great respect-so much so that the older man began to fear that he would steal his 'sensations'. All three worked together for some time at Pontoise, where Pissarro and Gauguin drew pencil sketches of each other (Cabinet des Dessins, Louvre).
Gauguin settled for a while in ouen, painting every day after the bank he worked at closed.
Ultimately, he returned to Paris, painting in Pont-Aven, a well-known resort for artists.
Le Christ Jaune (the Yellow Christ) (Pioch, 2002) Still Life with Three Puppies 1888 (Pioch, 2002)
In "Sunny side down; Van Gogh and Gauguin," Martin…
Bailey, Martin. (2008). Dating the raindrops: Martin Bailey reviews the final volumes in the catalogues of the two most important collections of Van Gogh's drawings. Apollo Magazine Ltd. Retrieved February 26, 2009 from HighBeam Research:
Martin. (2005) "Van Gogh the fakes debate. Apollo Magazine Ltd. Retrieved February 26, 2009 from HighBeam Research:
http://www.highbeam.com/doc/1G1-127058183.html . Bell, Judith. (1998). Vincent treasure trove; the van Gogh Museum's van Goghs. Vincent van Gogh's works from the original collection of his brother Theo. World and I. News World Communications, Inc. Retrieved February 26, 2009 from HighBeam Research:
Miami was where it all happened. I dated then. I guess you could say I had a life. Back then, if I were to be living under any rock, it had to be a very beautiful one, such as limestone, the kind of limestone that grew in small crevices on the road leading up to my grandfather's home on the island. I felt then that Prince Charming would come, eventually and when he did he wasn't going anywhere. After all, I am amazing; he must just not have received the memo quite yet. All of this was in the past and the time was now. I had been through enough doubt and feeling that I was some creature living under a rock. I was going to meet him and this situation would be resolved. Tonight was my coming out from under the rock.
Lucas. His name is Lucas Walker. We…
The Lord will lead one to safety always. One can simply believe in something higher to get the meaning of this; it doesn't have to be Jesus. Psalm 127, contrarily is confusing because it states that unless the Lord builds the house, it is built in vain. This seems to be more literal, but I do get the idea. Unless the people building the house are doing it with the love of the Lord in their hearts, or building it for him, then what is the point?
Didactic poetry can be quite comforting as seen in Psalm 23 or it can be much too literal and seen as both confusing and condescending. Psalm 127 isn't very instructive spiritually speaking, unlike Psalm 23.
Updated Proverb: A broken toe can hurt, but a broken heart can kill.
Metaphors: Obscure or Illuminate? Didactic literature with its use of metaphors can sometimes obscure the…
I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." (Bronte, 1922, p. 28)
The young girl was to be defined by her future prospects, being meager, as she was an orphan with little income, she was to be taught an even more extreme form of humility because she would have to use her charm alone to get a good match or secure a position as a governess or ladies maid. There was little love in her early years, whether with her hostile relatives or in her school. As any reader would find it was this poor disposition she gained from her early life that she had to overcome to gain her match.
Just as women were ideally brought up by…
http://www.questia.com/PM.qst?a=o& ;d=49023764' target='_blank' REL='NOFOLLOW'>
If however she had achieved the ideal non-attachment of Buddhism, her grief would still be real, but she would experience it in a different way. Her grief would be part of a process of letting go the son who is no longer there. A degree of non-attachment would then allow her to experience the grief as outside of herself rather than as part of her individuality. This would help her to move on with the life that is her own. In the above way a too great degree of attachment to human relationships may become destructive to the spiritual goal.
The same is true of a great degree of attachment to materialistic ideals such as food or money. Great ambition to accumulate money or physical assets may cause a person to lose sight of spiritual goals. This is a very one-sided approach to life, and may lead to destruction when…
Myth of Marriage and Children
Joseph Campbell's The Power of Myth is a book that can potentially transform the reader's consciousness. Beyond being informative, Campbell's analysis of cultural myths is profound; it provokes genuine introspection. The author refers to the spiritual in whatever he speaks about, and yet he never lapses into religious diatribe or dogma. Subjects like marriage are elevated beyond the social to the psycho-spiritual. For example, he calls marriage "primarily a spiritual exercise, and the society is supposed to help us have the realization. Man should not be in service to society, society should be in the service of man," (8).
In light of modern society, Campbell's words hold new meaning. In America, we have few true rituals because we have turned our attention outward instead of inward. The wisdom of life is being denigrated through a preoccupation with technology and material goods. There is little…
Both men's appearance are said to repel the young, yet they attempt to safeguard their 'just' reputations -- Blindy even says directly that he earned his nickname in his infamous fight: "you seen me earn it" (495). Blindy says that Willie Sawyer's castrating him, although not blinding him was 'too much' during his final fight, as if bargaining with fate.
Eventually, some compassionate individual steps in to defend the reputation of the old men. In "A Clean, Well-Lighted Place" the older waiter takes the old man's side when the younger waiter casts aspersions on the old man's lack of sexual prowess -- because, it is implied that he also lives alone in similar depression and isolation. Frank the bartender tells the story of Blindy's final fight. This is essential given that even if they men believe their fates are 'just' in some fashion, they are haunted by incomplete business in…
So perhaps it was appropriate that then, at my lowest point, I found my beauty -- and my miracle.
I remember telling her my goal of learning to walk without crutches. She answered that I might not get there, but that it all depends on how hard I worked. Those words were magical. Not only did they relate honesty, a virtue which physical therapists have all but forgotten, but also empowerment.
For two months, Pam pushed me to my limit, encouraged me when I was down, and -- literally and figuratively -- got me back on my feet. And now, standing here, all I can say is: Pam, you're beautiful.
Quotations by Topic." Quoteland. 5 Dec. 2006 http://www.quoteland.com/topic.asp?CATEGORY_ID=15.
Quotations by Topic." Quoteland. 5 Dec. 2006 http://www.quoteland.com/topic.asp?CATEGORY_ID=15 .
Interpersonal Conflict in Film
American Beauty (Spacey, Bening and Birch) is a 1999 Film with many interpersonal conflicts that are never resolved. Basically a comedy and drama about Lester Burnham's mid-life crisis but also showing the personal crisis of every other major character, the movie shows a father-daughter conflict between Lester and Jane Burnham that could have been resolved. Communication, time and their common characteristics are three factors that could have resolved Lester's and Jane's interpersonal conflict, if Lester had lived longer.
Everybody in Lester Burnham's life, including Lester and his daughter, Jane, think that he is a "loser." The conflict between them is shown early in the movie, at dinner. Lester, Carolyn and Jane Burnham are having their family dinner at home, Lester asks about Jane's school day and she eventually says sarcastically, "It was spectacular." Then, when Lester discusses his job problem and Jane does not seem interested,…
American Beauty. Dir. Sam Mendes. Perf. Kevin Spacey, et al. 1999. DVD.
Customer, Company, Context, Collaborators, Competitors
The overall financing strategy of this beauty center is to provide a wide variety of services at a high volume, at a relatively low cost to the subscription-paying customer. It will target a mid-market, highly trend-conscious consumer who is interested in her appearance and values this aspect of her life enough to seek out regular beauty treatments as part of her lifestyle. Low-income consumers are unlikely to regularly patronize beauty salons for the variety of treatments offered by the company, while high-end consumers will not be as cost-driven as this company's business model suggests. The branding of the business stresses its convenience and cost as much as the actual services, and deemphasizes that personalized attention and relaxation aspect of beauty treatments. Thus a more professional, younger, and slightly less affluent demographic will be emphasized. Women unable to afford spa services previously are likely to be…
UAN LUDVIGON[footnoteRef:1] [1: usan Ludvigson was born in Rice Lake, Wisconsin on February 13, 1942 and graduated from the University of Wisconsin, River Falls in 1965 with majors in English and psychology. he taught English in various Junior high schools before finishing a master's degree in English at the University of North Carolina, Charlotte. he began the PhD program in English at the University of outh Carolina, taking classes with James Dickey, but was offered a job at Winthrop University. Ludvigson lives in outh Carolina. And was inducted into the outh Carolina Academy of Authors in 2009.]
The Lilies of Landsford Canal[footnoteRef:2] [2: Landsford Canal is the farthest upstream of a series of canals built on the Catawba and Wateree Rivers to provide a direct water route between the upstate settlements and the towns on the fall line.It is located along the Catawba River in Chester County and Lancaster County…
Sweet Confluence: New and Selected Poems
Louisiana State University Press, Baton Rouge, 2000
Your answer should be at least five sentences long.
The Legend of Arthur
Lesson 1 Journal Entry # 9 of 16
Journal Exercise 1.7A: Honor and Loyalty
1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality.
2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable.
Lesson 1 Journal Entry # 10 of 16
Journal Exercise 1.7B: Combining Sentences
Complete the Practice Activity on page 202 of your text. After completing this activity, read over your Essay Assessment or another journal activity you've completed.
* Identify three passages that could be improved by combining two or more sentences with coordinating or subordinating conjunctions. Below the practice activity in your journal, write the original passages and the revised sentences you've created.
* Be sure to…
La Parure "The Necklace" by Maupassant
French author Guy de Maupassant is considered one of the greatest French short story writers. Maupassant wrote more than 300 short stories, six novels and three travel books until in 1891, when he went mad. Maupassant's tales were dark and ironic, he portrayed the bourgeoisie life of Paris and his characters were unhappy victims of their greed, desire or vanity. What was most remarkable was Maupassant's style, he was a master of his skill, and he had a highly controlled style marked by objectivity and with sheer irony and comedy. His stories were usually about simple episodes of everyday life, which revealed hidden sides of people.
La Parure (The Necklace) is one of the celebrated works of Maupassant, a short story filled with irony and dark humor with implicit philosophical message that 'pride goeth before a fall' and the fact that pride always brings…
Bernardo, Karen. Guy de Maupassant's "The Necklace" 2000 at http://www.storybites.com/demaupassantnecklace.htm
Maupassant, Guy de. The Necklace and Other Short Stories (Dover Thrift Editions), Dover Pubns; (February 1992).
Women in 20th Century Canadian Society: Social Conventions and Change
20th century society placed Canadian women within restrictive conventions and norms. There was a very pronounced domestic expectation placed upon women that they would have jobs or careers, but only until they married. Once married, the expectation was that they would abandon their careers to be housewives, working within the domestic sphere of the home, cooking and cleaning and tending to the general needs of the family. During this period, the expectation was that the husband and father was the man of the house and the sole financial provider or “breadwinner” for the family. Given the narrowness of existence for these women, and how limited their choices were, their reactions to this type of domestic captivity were all very diverse. Some women responded to the limiting social conventions by conforming to the expectations placed upon them, while others made great…
The death of their son is bearable only because they believe that justice will be served and Richard will be locked away forever. However, at the preliminary hearing, not only is Richard released on bail, but it looks as if the charges will be dropped to manslaughter. As the months go by, Ruth keeps seeing Richard around town and as her anger grows her grief snowballs. The thought of him serving only five or ten years becomes unbearable for her and Matt. Ever the devoted husband and father, Matt takes matters into his own hands.
Mendes portrays Ruth as a doting but critical mother, very much concerned with her own world, He sums her up in one sentence at the end of the movie when Matt returns home, she simply says, "Did you do it" and then goes cheerfully into the kitchen to make coffee without a thought to what…
Benton, Robert. "Kramer vs. Kramer." RCA/Columbia Pictures. 1979.
Redford, Robert. "Ordinary People." Paramount Pictures. 1980.
Mendes, Sam. "American Beauty." DreamWorks SKG. 1999.
Field, Todd. "In the Bedroom." Good Machine;Greene Street Films, Inc.;
corpse strangled with the rope still around his neck, the first thing I wanted to do was to remove the rope. Because the look on the dead body's face was horrible, and obviously the rope was what was responsible for the death, and also for the horrible look on the corpse's face, with bulging bloodshot eyes and the tongue sticking out. But Harry went and looked at the body to make sure that he was dead, and then basically Harry told me that this was a crime scene, so we shouldn't disturb any possible evidence. So we didn't take the rope off, and instead we went to talk to the victim's wife. She hadn't moved from the last time we saw her; she was just motionless in her chair. I asked her if she had told anybody about her husband's death, and in a weirdly non-emotional way she said that…
The scene is full of hope and joy, and the use of light helps to illuminate this mood.
Once Laura crosses the road, the scene is described quite differently. At first it is "smoky and dark," however Laura does manage to see in some of the cottages flickers of light in the shadows. These flickers of light represent flickers of hope, but they are far less luminous than those which were presented during the garden party.
"The Indian Camp" also makes use of light and dark imagery as a means of signifying elements of the initiation process. Nick and his father start off their journey in the dark of night, which signifies the lack of knowledge that surrounds Nick, and his blindness to the events that are about to take place in the shanty in the Indian camp. Like Laura's experience in the village, Nick too is able to see…
Hemingway, Ernest. "Indian Camp." Stories of Initiation. Stuttgart: Ernst Klett Sprachen GmbH, 2009. 7-12..
Mansfield, Katherine. "The Garden Party." Stories of Initiation. Stuttgart: Ernst Klett Sprachen GmbH, 2009. 46-64.
Mordecai, Marcus. "What is an Initiation Story?" Journal of Aesthetics and Art Criticism, Vol. 19, No. 2 (Winter, 1960), pp. 221-228
Further, Valerie doesn't have any experience in the beauty industry other than Wisson, so the loss of a reference for this experience would be devastating. A loss of a job at Wisson would also mean that she would lose her tuition reimbursement for a master's of science program she has just been accepted to at the prestigious University of Chicago. Without this assistance, she might be unable to pay the very expensive tuition bills and would lose the ability to earn a degree that would greatly benefit her career.
Discuss Valerie's manager, Waters, in relationship to his ethics in handling business and employees.
There are many ways that Water's ethics negatively impacted the business and employees. There is a common theme among experts who have researched leadership; integrity is the most important of all the qualities a leader must possess and leaders must act with integrity at all times (Cunningham,…
Communication and leadership. http://www.nwlink.com/~Donclark/leader/leadcom.html
Cunningham, T.M. (2002, August 27). Leadership 101: Integrity. http://www.withthecommand.com/2002-Aug/MD-TMC-leader-integ101.html
Dench, S. (2006). How personal can ethics get? Journal of Management Development (10): 1013-1017.
Later, I saw you again at my uncle's party. You looked so beautiful sitting there with Lizel and Denise. I wanted to come over and talk to you when you smiled and waved at me. I could not at that time because I was with Elizabeth.
Even though it was a long time before I would see you again, I never stopped thinking about you. I hoped I would see you more when Lizel started renting a room for my uncle. When she asked about renting the other room to you, I said, "no" due to having a girlfriend and I knew I could not handle having you so close to me all the time.
Lizel, however, never listens to me. To my surprise, the next day I see you walking down the steps. y heart almost stopped as I felt like I was going to faint when you sat…
My heart has never been unlocked this way to anyone like you. Please take this gift and keep it to remind you of me. The feeling with which I give it extends from my soul. You may do with the gift whatever you will. If you cherish it, the feeling with it will grow to no end. If you decide to keep it in its box, it will, as I, be patiently waiting for you.
I do not care if we conquer the world and rule as king and queen or if we simply live as mere peasants. If I had you - I would be the richest man of all times in history. If to my loss, however, if you find you are happiest in the arms another, I want that for you always -- that you are your happiest. So, my dearest Chesca, if these words do not stir your heart as you stir mine, please put me back in to my box. I will wait patiently; hoping and praying. I will wait for however long it takes to reassure you that with me, you have nothing to fear. I will wait until we both know the meaning of the saying that: Perfect loves casts out fear -- hopefully together.
Blue Letter Bible. "John's First Epistle - 1 John 4:18b - (KJV - King James Version)." Blue Letter Bible. 1996-2009. 14 Dec 2009. %3c http://www.blueletterbible.org/Bible.cfm?b=1Jo&c=4&t=KJV %20%3e??