Pablo Picasso is noted by the majority of critics as the most important influence of twentieth century art (Picasso pp). Art critic Robert Hughes once stated, "To say that Pablo Picasso dominated Western art in the 20th century is, by now, the merest commonplace" (Picasso pp). Long before his fiftieth birthday, Picasso had become "the very prototype of the modern artist as public figure ... No painter before him had had a mass audience in his own lifetime" (Picasso pp). By the time of his death in 1973, he had created some 22,000 works of art in mediums that included sculpture, ceramics, mosaics, state design and graphic arts (Picasso pp). There is barely a movement during the twentieth century that Picasso did not inspire, contribute, or invent (Picasso pp). Born Pablo Ruiz Picasso on October 25, 1881 in Malaga Spain, Picasso was a precocious draftsman and was admitted to the Royal Academy of Art in Barcelona at the age of fifteen to the academy's advanced classes (Picasso pp). Beginning in 1900, he spent most of his time in Paris and eventually moved there in 1904 where he remained until he moved to the South of France in 1947 (Picasso pp).

Picasso's creative production is often described as a series of overlapping periods (Picasso pp). During his "Blue Period," 1901-1904, he depicted the world of the poor and predominantly used tones of blue, creating a series of melancholy paintings, such as the 1903 "Old Guitarist," that are among the most popular art works of the twentieth century (Picasso pp). During his "Rose Period," 1905-1906, he used a "lighter palette and greater lyricism, with subject matter often drawn from circus life" (Picasso pp). The major avant-garde figures of this time, such as Matisse, Apollinaire, Braque, and Gertrude Stein, frequented...

Having already produced numerous engravings of great power, it was during these years that he began his work in sculpture (Picasso pp).
Picasso's 1907 "Les Demoiselles d'Avignon," now in the Museum of Modern Art in New York City, is considered the most important piece in the evolution toward cubism and modern abstraction (Picasso pp). This first phase of cubism, called analytic cubism, was conceived and developed by Picasso, Braque, and Gris during the years of 1909 through 1912 (Picasso pp). Other works by Picasso from this period include "Female Nude," 1910-1911, now in the Philadelphia Museum of Art and "Woman's Head," 1909, found in the Museum of Modern Art in New York City (Picasso pp).

After 1912 came the synthetic phase of cubism, when Picasso began using larger representational forms and "bright decorative patterns," as seen in his 1921 "The Three Musicians" (Picasso pp). Works from both periods of cubism resulted in a variety of new techniques such as collage and papier colle, and established that "art may exist as a significant object beyond any attempt to represent reality" (Picasso pp). Also during the 1920's, Picasso was greatly influenced by the classical themes and produced large impressive nudes and monsters that were suggestive of antiquity (Picasso pp).

Picasso's second landmark painting was "an impassioned allegorical condemnation of fascism and war," titled "Guernica," and was inspired by the 1937 bombing of the Spanish town of Guernica (Picasso pp). This painting was housed in the Museum of Modern Art in New York City for many years, then in 1981 it was transferred to Spain's Prado, and finally in 1992 it was moved to the Queen Sofia Center of Art in Madrid (Picasso…