Pseudo-Event
In the scientific literature it is difficult to find a useful concept for the news craze. In Media Matters (1994) John Fiske uses the word 'media event'. These kinds of events have their own reality and their own patterns. "The term media event is an indication that in a postmodern world we can no longer rely on a stable relationship or clear distinction between a 'real' event and its mediated representation. A media event, then, is not mere a representation of what happened, but it has its own reality, which gathers up into itself the reality of the event that may or may not have preceded it." The media construct a 'hyperreality', in which a struggle is going on about the interpretation and meanings of what is going on in the world.
This kind 'hyperreality' applies to all forms of communication. According to an article in "
Wired Magazine," by R.
Rothenberg, no one understands how, or even if, advertising works. The author asserts that the system of production, distribution, sales, and communications is so large and complex, that it is impossible to isolate the effectiveness of a single element. He quotes Bill
Bernbach, a prominent figure in the advertising industry, who said, "advertising is fundamentally persuasion and persuasion happens to be not a science, but an art." Rothenberg, goes on to write that because advertising is so complex, advertising agencies have exploited the confusion by urging clients to buy more pages, more spots, more billboards and by creating more gimmicks. He also quotes researcher historian Daniel
Boorstin who has labeled these gimmicks as " pseudo-events" - news conferences, press releases, and stunts that "someone has planned, planted, or incited" to fill the print space and broadcast time. Other such gimmicks include copywriting, market research, psychological research
VALS), sales promotions, and public relations. All of the gimmicks were, and are, intended to distract people from the fact that the results derived from advertising, the media, are unverifiable.
According to researcher Daniel Boorstin, a pseudo event is an event planned for the purpose of producing dramatic images that be disseminated as reported. These aren't typical events in that they exist only to be publicized: press conferences, televised debates, photo opportunities. A pseudo-event has four characteristics. (1) It is planned rather than spontaneous. (2) It is planned primarily for the immediate purpose of being reported. (3) Its relation to the underlying situation is ambiguous. (4) It is intended to be a self-fulfilling prophecy. Thus, if the president of a financially sound bank holds a press conference in order to get out the word that his bank is sound, the announcement is planned and held for the sake of being reported, but it is not a pseudo-event. The statement's relation to underlying reality is one of truth. But if the bank is fundamentally unsound and the bank president is trying to prevent a justifiable run, then the news conference would be a pseudo-event, in Boorstin's sense.
It is obvious, too, that the value of such an event to its actors depends on its being photographed and reported in newspapers, magazines, newsreel, on radio, and over television. It is the report that gives the event its force in the minds of potential customers. The power to make a reportable event is thus the power to make experience. One is reminded of Napoleon's apocryphal reply to his general, who objected that circumstances were unfavorable to a proposed campaign: "Bah, I make circumstances!" The modern public relations counsel -- and he is, of course, only one of many twentieth century creators of pseudo-events-- has come close to fulfilling Napoleon's idle boast. "The counsel on public relations," Mr. Bernays explains, "not only knows what news value is, but knowing it, he is in a position to make news happen. He is a creator of events."
The intriguing feature of the modern situation, however, comes precisely from the fact that the modern newsmakers are not God. The news they make happen, the events they create, are somehow not quite real. There remains a tantalizing difference between the man-made and God-made events.
Still, the media, realizing its force to penetrate into the mass-conscience, "produces" events that are consciously integrative and deliberately constructed with a view of orchestrating a consensus. They are public rituals, emotional occasions. The broadcast does not include the assassinations but the ensuing funerals; not social dramas but their ritualized outcomes.
Fiske prefers to use the term 'discourse': "the continuous process of making sense and of circulating it socially." (p. 6) This is an ongoing process, in the minds of all people as well as in the media or politics. For this...
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