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The urn is a symbol to him of all great works of art which, picturing beauty, will always reflect truth to those who behold them. To Keats "beauty is truth, truth beauty," and art is the balm which soothes his fevered soul. He died at the age of 25 from tuberculosis.
Wordsworth, who lived longer than the other poets, dying at the age of 80, was the leading poet of the nineteenth century. His work, with exquisitely turned phrasing, accurately depict both nature and his emotions. Nature was his inspiration and solace. He believed that nature could heal and commune both the elemental and divine through its natural forces. Like Coleridge, he believed that transcendental meditation was possible and that one could rise to a plane above that of the merely human with contemplation of nature and beauty. His verses rose to new heights in rhythm and meter, unlike the neoclassical poets before him and his description of experiences reflected in tranquility brought his large audience to a deeper appreciation of nature and the depths of human experience.
When he fell into a deep depression,...
It was during this time that he wrote one of his best-known poems, "Lines Composed a Few Miles Above Tintern Abbey" (1798), in which he recognized its healing power and declared that "Nature never did betray the heart that loved her, 'tis her privilege, through all the years of this our life, to lead from joy to joy...."
In this poem, Wordsworth incorporated the key motifs of romanticism that the landscape painters of his day, the musicians with their waltzes and the other two major Romantic poets also gave to the age, the healing power of nature, the relationship that nature has with humankind and the idea that whoever is close to nature is close to God. Mysticism and the renewed awareness that humans are in a nature-filled world from which they came and to which they long to return, imbue the work of these three poets who embody the spirit of the Romantic Age.
Works Cited
Fiero, Gloria K. The Humanist Tradition, Book 5: Romanticism, Realism, and the Nineteenth-Century World.…
Works Cited
Fiero, Gloria K. The Humanist Tradition, Book 5: Romanticism, Realism, and the Nineteenth-Century World. New York: McGraw-Hill. 2002.
The work expresses with clear honesty the need to express, reality and pain, in Wordworthian values. The expression of the work is poignant and clear, as the washerwoman goes through the process of noticing nature, as a guide for time rather than as something she is able to explore at leisure. The woman and the poet explored leisure, in only those available times when she was not otherwise needed
Nature is the vehicle that leads him to awareness on a physical and emotional plane, expressed when he realizes that "each faculty of sense... keep[s] the heart/Awake to Love and Beauty" (62-3). Here we see that the poet is open to whatever his experience with nature will teach him. Another poet that demonstrates the mood and tone of the Romantic era is Percy Shelley. In "Ode to the West Wind,"
Nature in Wordsworthian Poetry William Wordsworth was an English poet who became renowned for his Romanticist type of poetry during the 18th- early 19th centuries. Through this time period, Wordsworth have became known for formulating his own theory on poetry, referred to as the "Unconventional Theory of Poetry," wherein he stated that "poetic truth is the direct experience of the senses." Along with this principle, Wordsworth believed that poetry is also
Nature vs. The Modern World in William Wordsworth's "The World Is Too Much With Us" William Wordsworth (1770-1850) was an English poet and writer widely-acclaimed for his literary works during the English Romantic era. Born on April 7, 1770, in Cumberland, England, Wordsworth was born to an affluent family, and grew up in great commune with nature, because Cumbersome is an area that is often termed as a 'rustic society,' and his
Nature in Poems by Frost, Marlowe and Thomas Nature is often praised and celebrated in poetry. Three poems by three different authors all illustrate this well: "Fern Hill" by Dylan Thomas, "Birches" by Robert Frost, and Christopher Marlowe's "The Passionate Shepherd to His Love." While each poet has a different purpose, all three choose in their poems to focus on joy in life rather than despair, and use the beauty of
Romantic Lit Romantic notions in Blake's "The Chimney Sweeper" Romanticism was an artistic, literary, and intellectual movement that occurred during the second half of the 18th century. During this time, a shift from previously established Enlightenment ideals to more natural, emotional, and personal themes was seen. Opposing forces within Romantic literature were Nature and the Self; Nature was seen as the source of goodness and it was through society and civilization that