God and Evil "If God Exists, then Why…":Understanding and Countering Certain "Proofs" of God's Non-Existence The question of whether or not God exists is central to many modes of understanding and systems of knowledge, both theological and philosophical, and the implications of the answer to this question -- and of the question itself -- are quite far reaching indeed. The very fabric of reality depends upon the knowledge that this question seeks

Tragic Hero begins with an examination of Oedipus Rex. But, while he is the archetype of this particular literary character, Hamlet is, perhaps, the most well developed and psychologically complex of tragic heroes. For the Greeks, all things in life are preordained, which is what makes for the tragedy of Oedipus - his attempt to make his own destiny. Over the course of time, however, while the form of

Antigone and Oedipus Rex are both tragic plays by Sophocles. In many ways, these plays are similar to one another as tragedies. For one, they are part of the same set of texts by Sophocles. Antigone is the first installment in the series of three plays. Oedipus the King (Oedipus Rex) is the second of the trilogy. Second, the title characters in the plays are related, as Antigone is the

Book Of Ruth Ruth, and God's apparent absence. The Old Testament is filled with stories of mighty works between God and man. In supernatural ways, god seem intimately involves with his creation in order to reveal himself in their lives, and weave Himself into their history. Moses, Joshua, Abraham, and Elijah - these mighty leaders seem to be lead, or maybe pushed, to great deeds by intimate interactions with the creator of

Oedipus Exemplifies or Refutes Aristotle's Definition of a Tragic Hero Aristotle's, the Greek philosopher definition of a tragic hero and tragedy has been influential since he set these definitions down in The Poetics. These definitions were viewed as important during the Renaissance, when scores of writers shaped their writings on the works of the ancient Rome and Greece. Aristotle asserted that tragedies follow the descent of a tragic hero or

Again, we see a strong, confident woman in Janie. She is also mature. Hattenhauer maintains that we can see this in they way Janie understands certain truths about life. She states that the "tragic truth, Janie has learned, is something no one could have told her, and something she cannot tell anyone" (Hattenhauer). While Janie may be in denial of her immediate death, it is clear that she knows