Study Guide Library
Arts Study Guides
Film Review
The Sound of Music (1965): Historical Accuracy Review
Film Studies
Late Spring (1949): Marriage, Freedom, and Postwar Japan
Renaissance Art
Leonardo da Vinci's Last Supper: Symbolism and Innovation
Music Production
Brian Eno and the Studio as a Compositional Tool
Film Studies
Laura Mulvey's Gaze Theory in The Silence of the Lambs
Photography History
History of Photography: From Ancient Origins to Digital Age
Film Studies
Israeli Cinema and the Sabra: From Heroism to Self-Critique
Film History and Criticism
D-Day on Film: The Longest Day vs. Saving Private Ryan
Film Analysis
Schindler's List: Film Techniques and Holocaust Memory
Art History
Pablo Picasso: From Classical Roots to Cubist Revolution
Post-Impressionist Painting
Gauguin, Nietzsche, and the Ubermensch in Post-Impressionism
Film Criticism
Double Happiness (1994): Film Review of Cultural Identity
Film Studies
Frankenstein (1931): Film Review and Themes of Creation
Architecture
Michigan Student Union: Architecture, Community, and Commerce
Architecture and Design
Walter Gropius, the Bauhaus, and Functional Architecture
Art History
Asia and Africa in Western European Art: Global Influences
Musical Theater
Stephen Schwartz: Composer and Lyricist of Stage and Screen
Graphic Design
David Carson's Rule-Breaking Graphic Design Philosophy
Film Studies
Sexuality as Power in Kubrick's Eyes Wide Shut
Renaissance Art
Leonardo da Vinci's Last Supper: Style, Composition & Symbolism
Film Studies
Cinematography Analysis of Avatar's Floating Mountains Scene
Contemporary Art and Exhibition Studies
Challenging the White Cube: Art Exhibition Beyond the Gallery
Art History
Roman, Islamic, and Early Medieval Art: A Comparative Study
Architectural History
Schinkel, Pugin, and Jefferson: Architecture and History
Architecture
11th and 12th Century Romanesque Architecture Overview
Jazz Music
Benny Goodman's Disciplined and Multi-Faceted Musical Style
Film Review
Hairspray (2007): Film Review of Shankman's Musical
Art History
John Singleton Copley: American Painter in European Art
Performing Arts Policy
Accessibility and Declining Patronage in the Performing Arts
Music History
The Ink Spots: History, Legacy, and Musical Impact
Film Awards & Entertainment Culture
Academy Awards vs. MTV Movie Awards: A Comparative Analysis
Film Studies
Huston's Bible vs. DeMille's Ten Commandments: Film Analysis
Art Theory and Criticism
Walter Benjamin's Aura and Mechanical Reproduction of Art
Modern Art History
Duchamp's Fountain vs. Kandinsky's On White II Analyzed
Illustration and Printmaking
Golden Age Illustration: Knight vs. Bull Compared
Documentary Film
Battlefields and Big Macs: Comparing Documentary Styles
Art Criticism
Dali and Van Gogh: A Surrealist and Post-Impressionist Critique
Film Studies
Film Analysis: The Goddess (1934) — Mise-en-Scène & Cinematography
Film Analysis
Bergson's Theory of Comedy Applied to Ace Ventura
Baroque Art
Bernini and Caravaggio: Baroque Art, Religion, and Sensuality
Art History
Neoclassicism and the Legacy of Greco-Roman Art
African Art and Architecture
Great Zimbabwe: Royal Residence and Trade Center of Africa
Sculpture and Art Theory
Sculpture in the Expanded Field: Theory Meets Practice
Art History & Criticism
The Night Café by Van Gogh: An Expressionist Reading
Art Criticism and Analysis
Expressionism in Munch's The Dance of Life: A Close Reading
Film Analysis
The American Dream in Good Will Hunting (1997)
Film Studies
Breathless: Godard's Fragmented Vision of Filmed Sexuality
Art History & Criticism
Mass Media, Advertising, and Art in Berger's Ways of Seeing