Mind and Body A review of the required literature, Robert Thurman's "Wisdom" (Thurman), Karen Armstrong's "Homo Religiousus" (Armstrong), and Oliver Sacks' "The Mind's Eye: What the Blind See" (Sacks), gives significant insights into how the mind and body must work together to create our lived experience. Though the three authors may initially appear to discuss somewhat different topics, they have vital commonalities. The readings will lead the thoughtful reader to a

Adele Weder might have had this renovation in mind, when she described D'Arcy's constructions as being Modernistic, graceful, and well-proportioned. The lightness of his touch and grace illuminates this dwelling. Prefabricated cabin. The Cowboy cabin Set squarely in the woods, the Cowboy cabin is a flat-pack cabin, one-story, well proportioned as all of D'Arcy creations are, and resonating with its landscape and surroundings by the use of scrubbed, unadorned wood. D'Arcy shocks again by

Architecture It is interesting to learn that Mid-Century modern is really an architectural, interior and creation purpose procedure that normally defines mid-20th century expansions in modern blueprint, architecture, and urban expansion from approximately 1933 to 1965. The period, occupied as a style descriptor even during the mid-1950s, was reiterated in 1983 by author Cara Greenberg in the name of her manuscript, Mid-Century Modern: Furniture of the 1950s, which celebrating the style

It is impossible to have one without the other. The progression of shadows is used to indicate the passage of time in Ando's work. One can watch the progression of shadow across a light piece of concrete and track the passage of time. It can be said that light represents the concept of somethingness and shadow represents the concept of nothingness. It is the nothingness that humans seek to understand

Materiality is a tool in which should be incorporated into the performative deign, but also allows a design to enhance a form or space and invoke different emotions. "First, material artifacts engage us with all our senses. Materiality comprise physical properties such as texture (roughness or smoothness, details), geometry (size, shape, proportion, location in space, and arrangement in relation to other objects), material (weight, rigidity, plasticity), energy (temperature, moisture), as

Lighting Techniques in Art The human mind is only capable of sight by means of taking light through the eye and interpreting that within the brain. Although people did not fully understand the scientific properties of light until relatively recently, artists throughout time have had the particular challenge of creating an illusion of the existence of light within an art piece. Human sight has an incredible range, feeding the mind images