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The rococo ethos symbolized this coming together of worldly knowledge and artistic accomplishment. It was a world of the few and the privileged, but in its promotion of careful inquiry and insightful debate, it was laying the groundwork for another era.
The works of the philosophes quickly turned to an out and out criticism of the status quo. Men like Voltaire and woman like Madame de Stael, pursued avenues of thought that lead directly, in their most extreme versions, to revolution. Diderot's Encyclopedie, and Johnson's Dictionary of the English Language, were examples of the strongly rational spirit that was emerging. Much as Socrates, Plato, Aristotle and other Classical thinkers had sought to probe and to understand the mysteries of the natural and human world, so too did the leaders of the Eighteenth Century hope to create a civilization that was based on rational principles and scientific investigation. Turning to examples from the Ancient World, Eighteenth Century artists and architects created works in a neoclassical style that embodied the extreme restraint, studied introspection, and balanced purity of the original Classical forms. England, with its developing democratic institutions, was a leading exemplar of the new outlook, producing such works as Syon House with its rigid Classical symmetry and central plan, and numerous Palladian manor houses, such as Woburn Abbey and Chiswick House. Stripped of the elaborate ornamentation of the rococo, the neoclassical decor featured large expanses of plain white walls, and in painting favored the Roman-inspired themes of David and Ingres - styles that continued standard through the French Revolutionary and Napoleonic periods. The era's leading minds consciously pursued the links between...
The political ideals of the Ancient republicans appeared to match the aspirations of their modern descendants. As well, the first beginnings of the Industrial Revolution could be seen as yet a further development of the Classical spirit of inquiry. Though Neoclassicism would not long survive the upheavals of war and social change, it would establish the artistic and intellectual foundations on which our own industrial and technological world would be built.
Works Cited
http://www.questia.com/PM.qst?a=o&d=15307981
Ramsey, Matthew. "6 Revolutionary Politics and Revolutionary Culture Shakespeare in France, 1789-1815." The French Revolution in Culture and Society. Ed. David G. Troyansky, Alfred Cismaru, and Norwood Andrews. New York: Greenwood Press, 1991. 57-65.
A www.questia.com/PM.qst?a=o&d=102842916
Wilson, Peter H. Absolutism in Central Europe. London: Routledge, 2000.
A www.questia.com/PM.qst?a=o&d=102843008
Peter H. Wilson, Absolutism in Central Europe (London: Routledge, 2000) 79. http://www.questia.com/PM.qst?a=o&d=15308054
Matthew Ramsey, "6 Revolutionary Politics and Revolutionary Culture Shakespeare in France, 1789-1815," the French Revolution in Culture and Society, ed. David G. Troyansky, Alfred Cismaru, and Norwood Andrews (New York: Greenwood Press, 1991) 58.
Works Cited
http://www.questia.com/PM.qst?a=o&d=15307981
Ramsey, Matthew. "6 Revolutionary Politics and Revolutionary Culture Shakespeare in France, 1789-1815." The French Revolution in Culture and Society. Ed. David G. Troyansky, Alfred Cismaru, and Norwood Andrews. New York: Greenwood Press, 1991. 57-65.
A www.questia.com/PM.qst?a=o&d=102842916
Wilson, Peter H. Absolutism in Central Europe. London: Routledge, 2000.
Peter H. Wilson, Absolutism in Central Europe (London: Routledge, 2000) 79. http://www.questia.com/PM.qst?a=o&d=15308054
Art History: The Impressionists Baroque The word baroque has no clear origin. Some says that it came from a medieval philosophical word connoting the strange or the ridiculous, some consider it as derived from the Spanish barueco or Portuguese referring to an irregular shaped pearl. As 18th century was coming to an end baroque find its way to art criticism terminology in form of epithet leveled against art of the 17th century,
His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying
Art History The renaissance period was an important period in terms of culture, history and most importantly art. Art became a way to express ones views in politics, religion and society simply because one could imply subtle images or symbols that could convey their thoughts and opinions. There were many things therefore that inspired various artists in their art work. This paper will focus on Leonardo da Vinci as an artist
Art History The clouds gleamed gloriously, as if they were smiling to greet newcomers to heaven Leonardo da Vinci and Michelangelo Buonarroti. The two artists sat rather impatiently in the heavenly waiting room, and they refused to pick up any of the literature that lay strewn on the gilded coffee table before them. This is ridiculous," grumbled Leonardo, who in spite of his age lacked no luster in his eyes. "I am
Art History The transition from the Baroque to the Rococo style in sculpture and painting was attended by a concurrent shift in European power relations, as the cultural and political hegemony of the Roman Catholic Church gave way to secular institutions of power. Comparing a work produced during the height of either style demonstrates this shift implicitly, because the Rococo style contains a playfulness in both theme and visual content hinting
Art History - High Renaissance The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance