Bernini and Caravaggio Baroque art was a style that appeared in response to the 16th century Mannerist period and was characterized by religious iconography and figures but with a focus on the pre-Christian religions such as Greek and Roman mythology. The characteristics of Baroque art can be seen in many branches of the art world such as in sculptures, paintings, literature and architecture. The movement started around 1600 in Italy where the Catholic Church was particularly strong and spread throughout most of Europe very quickly. Many of the artworks from this period show the influence of the church on the daily lives of the people and how the artists fought against this. Following this period, the Baroque era is when the taboos of what was and was not appropriate to paint seemed to deteriorate, if not disappear forever, In many works of art at the time, the complete female and male form is depicted, including the vagina, penis, breasts, buttocks and other erogenous zones, once hidden behind clothing. What is more interesting is that during this period it was not only the nude that regained popularity, but the Rubenesque nude, a fully-figured woman with large breasts and imperfect thighs. This made the idea of sexuality come down from the canvas and into the real world. These were real women and thus they possessed all the same things that the women on the street might have which was not an idea that was supported by the rigidity of the Catholic Church. Two specific artists of the Baroque period who showed the influence and rejection of religion...
Teresa" and Caravaggio with "Crucifixion of St. Peter."
Baroque Period Annotated Bibliography Chaffee, Kevin. "Baroque sights, sounds at the gallery." The Washington Times, The National Gallery of Art set up a spectacular exhibit of the Baroque period that included scale models of baroque-era churches, palaces, military forts and grand public buildings. They had problems getting nearly 300 guests through the enormous exhibit. The huge exhibit took up the length of two entire corridors on the main and ground floors of the
There is a kaleidoscopic plurality of symbols and links among them, but it is easier to decipher the central meaning of the whole: the spiritual supremacy of the pope. Thus a political program was transformed into a beautiful masterpiece." (Findlen) Bernini believed that in architecture the main focus was on the material and the invention, then on the manner in which the parts were ordered and finally on the "perfection
E. Jesus Christ, Virgin Mary, St. John the Baptist, are not depicted as ideals, perfect exterior forms but as specific and personal figures who are able to inspire and stir emotions. The viewer is no longer separated from the object of the painting, but becomes closer to it. In this sense, the viewer is able to relate to the experience of the characters. Young Mary is much more than an
Such linkages and juxtapositions contributes to the search for hidden meanings, and concentration on Poussin's iconography shows that critics believe there is usually more meaning in the frame than a cursory look would convey. To a degree, this belies Poussin's emphasis on simply reflecting nature, for the hand of the artist is always evident in the way the frame is formed consciously around various symbols and icons as well
The painting is shocking because of its dramatic perspective. First and foremost the table is not situated in the centre of the painting, nor is Jesus. In a symbolical manner this transmits the idea that God is no longer in the centre of man's world and this accounts for the chaos that seems to be omnipresent. The lower side of the painting is dominated by human figures and an
In Spain, the work of Diego Rodriguez de Silva y Velazquez expressed the style of baroque art in works of oil on canvas painted by Velazquez during the period. Vermeer and Velazquez are associated with what is described as "third phase," in baroque, also referred to as the "classicistic phase." The work of Velazquez is of interest when considering the feminist perspective, because it is his work where we find
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