Brokeback Mountain, by Annie Proulx (2005), is a love story, but it is much more than that - and it is not the typical story of what love and life mean. It is a painful story that brings discomfort to the reader and shows that same discomfort through the feelings and actions of the characters. Homosexuality is often a difficult point for discussion, and Proulx (2005) handles it well, but there is still something disconcerting about it to many people, and to the characters themselves. When it comes to society, it is naturally seen that a gay relationship between two men would not be accepted properly, especially during the time period where the story is told and between men who epitomize what it means to be "manly" with their jobs and ways of life. The two meet when they are late into adolescence, and through the telling of the story they age another 20 years. Their love is very human and very real, but the main problem with it is two-fold: society cannot accept it, and the men themselves cannot accept it. It is the latter part of the issue that proves the most destructive.
Their affair is lifelong, but at nearly every turn there is something that stops them from being together in the way they would like. There are societal constraints, of course (Proulx, 2005). There is the issue of what people would think and how differently they would have to live their lives if they were to be true to themselves and each other. They have more to deal with than just society, though, because they struggle to accept their homosexuality and they are not able to really admit their love for one another. If they could accept both of these things, they would be able to get past what society would think of them. They have to conquer their own problems before they can conquer something that is outside of their sphere of influence and over which they have no control.
Many stories (both books and short stories) that have been written about gay relationships are far different from Brokeback Mountain. For example, many of them are sunny and happy, and they portray many gay men as flighty, giggly, and highly feminine. They also portray them as being comfortable with their own sexuality, which is something that this story does not provide. These are rugged men who focus on getting back to the land. They work on farms and ranches, they are cowboys, and they are as far from "giggly" as is possible to get. Because they are so different from the "Hollywood" depiction of gay men, the story comes across as though it is uncomfortable with the gay relationship and that both men are also very uncomfortable with the relationship they have with one another. Many stories of gay relationships show men who are gay coexisting peacefully with men who are straight, but for Jack and Ennis it is clear that this will not be the case. They will not give up anything to the world, because the world can then take that and use it against them (Proulx, 2005).
They see the world as something that will fight back against them if they admit to who they truly are, and they see the world as being so big and powerful that they know it will always win. What is the point of fighting at all, if there is no way to win? Instead of arguing with society about acceptance, they quietly hide who they really are to everyone but each other. If they are not able to "come out" and be successful in that endeavor, they will choose to remain hidden so that they do not have to fear what society will say about them (Proulx, 2005). The story shows what intolerance will bring, but it is more than that. It is also the story of everyone and how they treat minority groups. Yes, there are success stories, but what about the people who get lost in the shuffle during the journey? How are they treated, and why are they marginalized? This is something to which Jack and Ennis "speak" even though they do not say a word about that specific issue.
The story begins in 1963, and the tolerance for homosexual behavior was far different during that time than it is today. Most people who are gay can live their lives today, but in 1963 they had to stay...
Roger Ebert notes that the inarticulate male hero is another Western trope which he read about in: "McMurtry's Lonesome Dove trilogy, and as I saw the movie I was reminded of Gus and Woodrow, the two cowboys who spend a lifetime together. They aren't gay; one of them is a womanizer and the other spends his whole life regretting the loss of the one woman he loved. They're straight,
Even their approach to sexuality is traditionally masculine with Jack taking the initiative and making advances on his coworker. Moreover, both Jack and Ennis ascribe to their gender roles such as by marrying a female and bearing children. Jack easily assumes the role of husband and father. One of his most masculine scenes in when he bluntly refuses to run away with Ennis, citing the importance of his role as
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