"Tiempos Amargos" (Bitter Times), with its ironic lamentation on the passage of time, criticizes life under the exploitive Mexican president Porfirio Diaz: These are no longer the times of Porfirio (D'az), when they cried for the master when they'd meet him, they'd shake his hand, and button his pants. If one day the steward became angry with a worker it was because there was another one closer to the snaps of

Images of Nursing 1897 Pablo Picasso 1856 Jerry Barrett As we have noted, there are numerous images that are effective in establishing the image and role of nursing to the general public. Two prime examples are a surprisingly poetic "Science and Charity," an 1897 work by 17-year-old Pablo Picasso, and a work from 1856, "Florence Nightingale Receiving the Wounded at Scutari -- or The Mission of Mercy," by Jerry Barrett. "Science and Charity" is

Gender as Prison At first reading, Babbitt by Sinclair Lewis and Margaret Atwood's The Handmaid's Tale seem to have little to do with each other except for the very general fact that both novels have elements of social and political commentary in them. But, while the world's portrayed in these books are fundamentally different from each other, a closer reading suggests important intersections and congruences in the novels around the subject

The Romanticism of Goya's work is shown in the way that it is openly partisan and emotional -- it lacks the clean lines of David's painting and thus make the figures seem more worthy of pathos, more real as subjects to the viewer, even though the rendering of the subject may be less realistic on the surface. Goya's intent was to make a clear, partisan point that would move the

Like Picasso, Van Gogh (though with an old world soul) would find fullest expression once landing in Paris. After a year of being in the company of other Impressionists like Paul Signac -- and being in a city that itself so filled with history, Catholicity, and romance -- Van Gogh's soul brightened from its gloomier days in search of a Protestant mission: his 1886 painted bulbs are the reflection of

Indeed Tezuka takes great liberties with Buddha, invents scenarios, but his Manga generally stays true to the life of Buddha (Siddhartha) and his spiritual journey to battle injustice (including the caste system), to help those in need during famine, warfare and drought. Hence, Buddha is editorially far, far apart in style and in concept from Dark Knight, which in comparison, is frivolous and cliched. Aside from the superhero antics --