A Vonnegut theme, however, is often hard to miss; especially since part of Vonnegut's style placed the author in a position where many readers could palpably feel him throughout the novel. Vonnegut seems to read alongside the reader and assist him; he seems to teach and guide -- gently -- as well as write. As such, Vonnegut helped re-define what high art, and the novel specifically, could be: Irving, who

45). There are also important racial issues that are examined throughout "A Touch of Evil"; these are accomplished through what Nerrico (1992) terms "visual representations of 'indeterminate' spaces, both physical and corporeal"; the "bordertown and the half-breed, la frontera y el mestizo: a space and a subject whose identities are not fractured but fracture itself, where hyphens, bridges, border stations, and schizophrenia are the rule rather than the exception" (Nericcio,

Feminism 19th and Early 20th Century America Writing and woman suffrage were inextricably intertwined in the late 1800s and early 1900s. Suffrage gave them a voice, and they used that voice to challenge the early American patriarchal status quo. By examining those works, new light can be brought to bear on suffrage activists, who at the time were thought to be an unimportant fringe group. Through a study of their