Diary of a Madman by Lu Xun chronicles a man's descent to insanity or madness, as claimed by both the Madman himself and the society he lived in. As contextualized in the story, the Madman has already recovered from this 'illness' that befell him, and has since moved on and became a functional member of the society again, even taking up an "official post" or new function in the government. The

U.S. War in Iraq Mental Decadence A number of strikingly poignant similarities exist in the short stories composed by A.B. Yehoshua, "Facing the Forests," and Lu Xun, "A Madman's Diary." The most eminent of these, however, pertains to the thematic issues that both authors choose to deal with within these works, which is the degeneration of or loss of sanity incurred within the central protagonists. Stylistically, of course, the author's take two

Tradition and Modernity in "A Madman's Diary" During Lu Xun's time, China was witnessing a landmark political and economic change. This was the time for the popular May Fourth Movement in 1919 following the announcement of the terms of the Versailles Treaty that concluded WWI. At this time, the Chinese society was oppressive and feudalistic. The elite fed off the labors of those below them thus destroying their souls. Those

Lu Xun's a Madman's Diary Story references taken from Norton's Anthology, Expanded Edition No page numbers listed as requested, chapters listed instead Writers are often influenced by their circumstances and, as a result, inspired to write about the things they feel passionately about as well as the things they witness. Writers sometimes use fiction as a tool to express their emotions and opinions and the most successful of writers are able to

Diary of a Madman" versus "The Overcoat" Gogol's "Diary of a Madman," tells the story of an oppressed man in a confined life who dreams that he is a great tyrant and ruler. One of its unique features is not only the atmosphere of paranoia that pervades the work, but the fact that the essay is told from the first person perspective of the madman himself. In contrast, "The Overcoat,"

Lu Xun The founding of the Chinese Communist Party was preceded by an influential intellectual movement called the New Culture Movement. Usually dated between 1915 and 1919, the New Culture Movement was headed by Chen Duxiu of Beijing University, as well as Cai Yuanpei, Li Dazhao, Lu Xun, and Hu Shi (Ebrey; "New Culture Movement"). The New Culture Movement provided the theoretical, scholastic, and ideological underpinnings of the subsequent political movements