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Fight Club (Project Mayhem)
Project Mayhem in the novel Fight Club is the continuation of the initial rebellious organization known as "Fight Club." This organization is started in response to society's obsession with material values and status. Tyler Durden, the alter ego initially seen by the protagonist as a physically separate person, is at the head first of Fight Club and also the one to start Project Mayhem. It is interesting to note that, despite its rebellion against conventional values and rules, both organizations are governed by its own set of regulations.
It is interesting to note the parallels between the rules for Fight Club and Project Mayhem. Fight Club is governed by eight rules, while Project Mayhem has only five, for example. This could signify the gradually increasing distance between the members of the club and the society they seek to destroy. Furthermore, the repetition of the first rule for each club is significant. The rule for Fight Club focuses on secrecy. The purpose of the club is also to give its members a vent for their frustration with the world.
Project Mayhem on the other hand focuses outwardly towards society, rather than the members of the organization. The secrecy of Project Mayhem has evolved to being a secret even from its own members, and particularly from the protagonist, suggested by its first and repeated rule "You do not ask questions." This also suggests that Project Mayhem is a far more sinister entity than its predecessor, in that the rules no longer focus on the safety of its members. Instead the focus here is on utmost secrecy and trust.
The complete obedience and trust required by the third to fifth rules then form the basis from which Project Mayhem aims to destroy all the elements of society against which Fight Club was a rebellion. It is only by disobeying, asking questions and relinquishing his trust of Tyler that the protagonist is able to overcome his own destruction, if not the destruction of society as it is known at the time.
He is just as surreal as Palahniuk's Tyler Durden, and yet he is not freeing any hero from consumerist enslavement but -- on the other hand -- burying the reader behind a false and deluded masculine mythology -- namely, that a masculine hero is virile not because he "knows himself" and seeks virtue but because he knows how to drive fast cars, win at cards, be physically fit and
Fight Club The 1999 feature movie, Fight Club, directed by David Fincher and starring Brad Pitt and Edward Norton seemed as if the entire film was dedicated to the phenomenon of antisocial behavior. This exploration into the mind of an apparently normal man demonstrated the significance and the trials of an individual dealing with the pressures of society. The purpose of this essay is to explain antisocial behavior as it is
It is also important to note that major offenses within the fight club are punished through castration, as if to imply that the punished person is no longer a man and therefore no longer worthy of being part of the violent organization. The roles of women in Fight Club are extremely limited. Marla Singer is the only female character in the film. She shares qualities that are present in "Durden,"
They lived in a derelict building with the other white males they recruited -- the army they recruited. They created their own world where everything was masculine and they plotted against the capitalists in order to redefine their masculinity. They continued to engage in violent acts which grew more and more destructive. Through these, they were able to gain back their power, the power they have lost through the
Fight Club" and the creation of a false urban masculinity in cinematic and real life One of the most interesting aspects of the narrative art is seen in the unpredictable ways in which individuals are apt to embrace filmic narration and cinematic narrative techniques and to transfer them into the narrative texture of their own lives. Also reflected in this phenomenon is the fact that viewers can develop ways of
Gender and Communication Fight Club: A world of feminine influence barring open communication David Fincher's Fight Club released in 1999 has acquired more than its due share of critical analysis by many critics and viewers while the film embodies a variety of themes including the often uttered gender and communication issues. Among other themes many have found isolation, emasculation, consumer culture, violence and even lack of father figure. In this paper we're