This shows up most poignantly in her relationship with her granddaughter, the "mixed" child who causes the comment at the start of the story and who basically drives the plot of the story forward. The narrator has difficulty understanding her granddaughter Sophie's behavior, but only partially blames this on the way she is raised. Instead, the grandmother sees this mainly as a function of Sophie's mixed ethnic identity, saying that by the age of three "already I see her nice Chinese side swallowed up by her wild Shea side." The narrator tends to associate everything negative about her daughter and granddaughter with the Irish and American influences, while claiming that if they acted more Chinese things would get better. This shows that racism is not an issue related solely to this country, but that -- ironically -- it is actually a universal aspect of all cultures; a commonality that all peoples share. One specific instance of this phenomenon is given when the Irish grandmother is speaking to the Chinese narrator. After she feels that her family's talk might have offended the narrator, the Irish grandmother attempts to reassure her by saying "I was never against the marriage, you know...I never thought John was marrying down. I always thought Nattie was just as good as white." The fact that she feels a need to tell the narrator this reflects that...
Even the term "good as white" reflects the belief that white skin is the mark of higher class and/or a better race. Thus, in the moment when she is attempting to dispel any feelings of racism in the narrator, the Irish grandmother actually reveals her prejudices, again marking the strange way that the thoughts associated with prejudice that are normally considered divisive work in this story to bridge gaps and find commonalities.
Tran discovered her vocation for writing during her college years, and now, after having read at Gabriel's recommendation the American novel Gone with the Wind, she decides to write something similar and place in the context of the Vietnam War. Placing its events during the war between North and South, Gone with the Wind is just another story of the way in which the racist and cultural confrontations affect
For his wife, John is a "depressed" man, who needed constant assurance of his security as husband and father of the family; for the Mother, however, John is simply her vision of the typical male who depended on the women of his life for survival. When the Mother commented, "If John lived in China, he would be very happy," she meant that John is like other males that she
Persons who do not know about his traditional, middle class, White bread upbringing in upstate New York call upon him to represent the 'Asian viewpoint' when he is asked, for instance, to be a talking head or commentator on a scandal relating to America's relationship with China. Liu has decided he is Asian-American, almost by default -- because he is seen as Asian in America, he is an Asian-American,
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