Too little, for what matters is that he knows he is being watched and too much, because he has no need in fact of being so (Alford, 2000).
Bentham laid down the principle that power should be visible and unverifiable. Visible in that the inmate would constantly have before him the tall outline of the central tower from which he was watched. Unverifiable in that the inmate must never know whether he is being looked at or not, but he must be sure that there is always the possibility. In order to make the attendance or nonattendance of the guard unverifiable, so that the prisoners, in their cells, cannot even see a shadow, Bentham visualized not only venetian blinds on the windows of the central observation hall, but, on the inside, partitions that intersected the hall at right angles and, zigzag opening instead of doors. For even the slightest noise, or gleam of light, would betray the presence of the guard. "The Panopticon is a machine for dissociating the see/being seen dyad: in the peripheral ring, one is totally seen, without ever seeing; in the central tower, one sees everything without ever being seen" (Alford, 2000).
The Panopticon was an important mechanism, for it automated and de-individualized power. Power has its principle in a certain concentrated distribution of bodies, surfaces, lights, gazes and not so much in the person. In this case it was an arrangement whose internal mechanisms produce the relation in which people were caught up. The ceremonies, the rituals and the marks by which the monarch's excess power was manifested were useless. There was machinery that assured dissymmetry, disequilibrium and dissimilarity. As a result, it did not matter who exercised the power. Any person, taken at random, could operate the machine. The Panopticon was a great machine and no matter what one used it for it produced uniform effects of power (Alford, 2000).
Foucault said unvarying supervision and forced discipline broke the will of the criminal and made him into a passive body and the passive body was easy to control by people in power. Prison's major goal was to decrease crime by punishing the criminal. It was also thought that prisons should deter others from committing crimes. According to Foucault, prisons did not meet this goal; in fact he thought they made criminals worse. Foucault believed the prison system was not a system designed to decrease crime by punishing criminals and deterring others. He believed the prison system instead functioned very effectively at accomplishing other goals. The prison system allowed the upper class to carry on the subjugation of the lower class. The prison system efficiently incarcerated, isolated and economically controlled the most dynamic members of the lower class. The nonstop cycle of isolation and supervision rendered this most volatile group both politically and socially harmless. The discipline of the prison system spilled out into all of society causing a struggle for each member of society. People either struggled and resisted the discipline of society and were labeled as criminal or the submitted to it and lost their own identity. For Foucault the losing of ones own identity to the discipline of the state was the real crime (McGaha, n.d.).
Foucault sought to look at punishment in its social context, and to see how altering power relations affected punishment. He began by looking at the situation before the eighteenth century, when public execution and corporal punishment were key punishments, and torture was used in most criminal investigations. Punishment was ritual and directed at the prisoner's body. It was a ceremony in which the spectators were important. Public execution re-established the power and authority of the King. Popular literature recounted the details of executions, and the public was greatly involved in them (Discipline and Punish, 2011).
The eighteenth century saw a variety of calls for reform of punishment. The reformers, according to Foucault, were not motivated by a concern for the well-being of prisoners. Rather, they wanted to make authority operate more resourcefully. They proposed a theater of punishment, in which a multifaceted system of representations and signs were displayed publicly. Punishments correlated obviously to their crimes, and served as an obstruction to lawbreaking (Discipline and Punish, 2011).
Prison was not yet imaginable as a penalty. Three new form of penalty helped to surmount resistance to it. Nonetheless, great differences existed between this kind of coercive institution and the early, punitive city. The path for the prison was laid by the developments in the seventeenth and eighteenth centuries of the disciplines. Discipline was thought to be a series of methods by which the body's...
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