¶ … Iago and Othello are taken from the play Othello penned by Shakespeare, a master at depicting psychological and personality nuances among characters. Othello is the same sort of a play that personifies vengeance more than any other emotion.
There are some fundamental differences between the character profiles of Iago and those of Othello that shall be discussed here. The plot of the play revolves around Othello who is the protagonist in this tale, sharing his limelight with Iago, who has more lines and wrecks more havoc than any other villain in Shakespeare's characters. (Rosenberg)
Othello is the moor who is in love with Desdemona, while Iago is his faithful soldier, who has been as Othello's side for a long time, but was superseded by Cassio, Othello's subsequent choice of an admiral for himself. While this might not have been the only reason of Iago's jealousy, it does add to the reason why he behaves the way in which he was portrayed to behave. (Stone)
Othello
Othello is a moor, who is a representation of what is noble and good in men. He is personified as a dark noble leader who loves the naive Desdemona, a fair lady whom he thinks he doesn't deserve. It is partially this feeling of insecurity that fuels his rage against his innocent wife and leads him to believe...
Othello Aristotle's Poetics is the most informative piece of work on the nature of art. It is in the Poetics that Aristotle defines the fundamental nature of tragedy. For Aristotle, what defines tragedy (and all art, in general) is in the way that it is imitation (Golden 142). Every form of art (qua imitation) can be compared in terms of the artistic means, object, and manner used in their creation. In
Othello The audience is aware of Iago's nefarious nature from the opening scene of Othello. During his conversation with Roderigo, Iago confesses his hatred of both Cassio and of Othello, his commanding officer of whom he says, "I follow him to serve my turn upon him," (I.1.42). Iago's rage and vengefulness drive the play's plot forward, leading to the death and downfall of many of its main characters. Thoroughly humiliated by
They will go to far to hire a mercenary like Iago to pursue their goal for them. There are Othellos today as there was a shining one in Shakespeare's fiction or time. Military heroes like him have secret vulnerabilities, which reveal themselves in unguarded or trying moments. As a self-claimed victim of a foreign culture, Othello's cry of discrimination resounds in contemporary society despite his accomplishments. Contentment in life is
Othello Of the alleged chief tragedies penned by Shakespeare, Othello has led to a certain degree of embarrassment. This 'domestic tragedy' lacks the dynastic and political consequences that characterize Macbeth, Hamlet, and Lear. The protagonist, Othello, behaves like a blockhead. Readers are led into doubting his claims to greatness right from the start. The Bard of Avon is famous for his interest in identity issues. Antagonists may cruelly impose themselves on
Othello: The Tragedy of Internalized Racism William Shakespeare's tragedy of the Moor Othello is the only major drama of the great playwright in which race plays a major role. The title character begins the play a great and esteemed general, despite the fact that he is a member of an 'othered,' despised race against which some whites have great prejudice. Othello's apparent nobleness, his military prowess, and his eloquence (despite his
Othello and Justice Like many of Shakespeare's plays, Othello demonstrates how emotion and a strict personal ethic can lead to tragedy. The play is filled with intrigue, mainly on the part of Iago, another trait of Shakespeare's plays, and the characters seem to twist around their own insecurities. Linking this play to a central theme is difficult because there are so many threads that could be taken as the primary driver
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