Incorporating African and Latin sounds into traditional jazz seems natural. Latin jazz uses familiar percussion instruments including congo and other hand drums as well as an assertive horn section. African-influenced jazz may be heavily percussion-driven or may alternatively rely strongly on choral vocals. European jazz musicians have also transformed the art of jazz by using innovative, experimental sounds and improvisational tools. Jazz is a musical genre that is ever-changing, and yet remains driven by its roots. The range of the human voice used in jazz is unlike that in any other genre of music.
Jazz may be either instrumental or vocal-driven. In the early years of jazz, vocals often featured sultry female voices such as that of Sarah Vaughan. Other vocalists like Louis Armstrong have also made indelible marks on the jazz genre. While jazz vocals are often watered-down today as in the case of Diana Krall, some artists like Tom Waits offer audiences rich and emotional experiences that hearken to the heyday of jazz music. Instrumental jazz can be every bit as exciting as vocal-driven jazz. Instruments like the trumpet can in fact serve the same role as the human voice. Likewise, the human voice is sometimes employed like an instrument in jazz music as with scat singing. Scat, made most famous by Ella Fitzgerald, uses the human voice to mimic instruments. Instead of being powered by ...
Minimalism is another fascinating movement in the jazz genre. The opposite of big band, minimalist jazz relies on as few instruments and notes as possible while still retaining some semblance of melody and rhythm. A strategic pluck of a bass string or trumpet bellow can be every bit as effective as a steady bass line or trumpet solo. Jazz is nothing if it is not innovative.
Jazz stands apart from other musical genres in its tremendous flexibility and adaptability. Whereas most genres of music are distinguishable by certain key elements such as time signature or instrumentation, jazz is almost by definition undefinable. Jazz does, however, boast several sub-genres including ragtime, big band, free jazz, and acid jazz. Jazz can have a steady rhythm from a loyal bassist and drummer just as in rock music. On the other hand, jazz can be utterly free-form in a way that rock music cannot without transforming itself into something that is no longer rock and roll. Therefore, jazz encapsulates the artistry of creative music. It is one of the most dynamic and universal forms of music, open to incorporating elements from global instrumentation and song structure.
A Passion for Jazz (n.d.). Jazz Timeline. Retrieved June 5, 2010 from http://www.apassion4jazz.net/timeline.html
The range of the human voice used in jazz is unlike that in any other genre of music.
Jazz "Blues After Dark," Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 Style = BeBop Role of Piano = Stride and Comping Role of the Bass = Walking Role of the Drums = Brushing and Riding Role of the Trumpet and Saxophone = Lead and Melody "Blues After Dark" starts off with Dizzy Gillespie and Sonny Stitt, for a few measures only the trumpet and saxophone
The tone of Dizzie Gillespie and Sonny Sit's solos is notably more optimistic and cheerful. Dizzie Gillespie once again introduces some elements of Bebop into the context of his solos to enrich the more set harmony of the rest of the song. The end of the song actually features Dizzie Gillespie and OSnny Sitt singing along, really capturing the duet style of the song that was first introduced by
Surrounded by the same anti-African-American culture, both civil rights warriors and jazz pioneers faced criticism because of their association with African-Americans. Similarly, both of the movements were founded out of a desire to legitimate, or at least include, African-American contributions into American culture, to popularize the importance of African-Americans in Western, especially American, society. Finally, after their pre and early stages, both the civil rights and jazz movements blossomed
Jazz Live Performance Review Live Performance Review: Roy Haynes and the Fountain of Youth Band Summer festivals always fill the New York air with some pretty amazing music. This year's Charlie Parker music festival was definitely no exception. Some pretty big names showed up to make the festival one to remember, including the great Roy Haynes and his Fountain of Youth Band, which came to pay tribute to the bop and bebop
Jazz Concert On Tuesday, March 20, 2012, I walked into the Paul Harris Theater in the Alta Ham Fine Arts Building at the University of Las Vegas. Tonight was a master recital, delivered by students in fulfillment of a Master of Music in Performance Degree. Because the recital was students performing, I did not know what to expect. Soon, I would be surprised at the quality of playing that I heard
Pioneering Jazz Musician, Sidney Bechet About Sidney Bechet Sidney Bechet was a pioneer jazz musician who changed the music of his time into a unique art form. Considered to be one of the greatest jazz musicians of New Orleans, Bechet was an innovator on both the clarinet and saxophone. His music changed jazz music forever and inspired countless musicians of all types. Bechet was born in New Orleans in May 1897. He was