¶ … Judgment," a masterpiece by Michelangelo, as the name depicts is about the Day of Judgment and the concept of heaven and hell. Since Michelangelo was fascinated by human anatomy, the Last Judgment also highlights his interest in this field along with the actual theme of the work. Christ is the central figure of the fresco and is presented as a symbol that generates both fear and hope. The dead are rising to face the final judgment and the right and left arm depict the blessed and the damned respectively. The fresco was once seen as obscene and the church had some of its part repainted in order to cover what was considered vulgar and unworthy of a place in the Sistine Chapel.
The second topic under consideration is Contemporary Christian music which sprang as a response to the hippie culture of 1960s. When in 1960s people moved away from religion and looked for alternative lifestyle, a movement arose to protect the old traditional values of Christianity and the music that came forth under this movement came to be known as Contemporary Christian music. It was first known as Jesus music, "The 'Jesus Movement' of the 1970s was when things really started changing and Christian music began to become an industry within itself."[
] Initially the music simply seemed to have appeared to...
His loyal servant, Urbino, died too in 1556. Though he was known for his temperamental temper, tagged as the terrible Michelangelo, no friends or companions, had complexity in dealing with others and only used boys as his assistants, his desire to glorify and serve God through his works was insurmountable. His solitude reflects his attitude to be wholly absorbed and engrossed with his craft, sacrificing even his personal happiness for
Michelangelo's Sistine Chapel This work has been and truly is a beacon of our art, and it has brought such benefit and enlightenment to the art of painting that it was sufficient to illuminate a world which for so many hundreds of years had remained in the state of darkness. And, to tell the truth, anyone who is a painter no longer needs to concern himself about seeing innovations and
The landscape diffuses in colors to give optical illusion of perspective and farness. The first figures, of the two children are softly modeled in lights and shades. The light is bright and clear and it seems to have no specific direction. Although Renaissance had great preoccupation with the study of light and the use of it to give volume, there will pass a longer time before artists would really use the
The professional manager held ultimate responsibility for construction, while the designer's authority with respect to the client receded. on-site work done by subcontractors was managed by large general contractors who provided the supervising engineers, and did not necessarily have to adhere to the designers places (Cuff 33). This change was a direct consequence of the arrangement of work in the Industrial Revolution, where specialisation was given new dimensions and
(Kleiner, 2010, pg. 360) While Giotto's Christ Entering Jerusalem, is a depiction of Christ entering the Jerusalem. In this situation, he is trying to instill a sense of history and righteousness by showing Christ entering one of the holiest cities in Christianity. At the same time, he is embracing the same kind of basic painting style that was most commonly used during the time. This is important, because it shows
Thomas Aquinas led the move away from the Platonic and Augustinian and toward Aristotelianism and "developed a philosophy of mind by writing that the mind was at birth a tabula rasa ('blank slate') that was given the ability to think and recognize forms or ideas through a divine spark" (Haskins viii). By 1200 there were reasonably accurate Latin translations of the main works of Aristotle, Euclid, Ptolemy, Archimedes, and
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