Korean Genderless Fashion Term Paper

PAGES
2
WORDS
579
Cite
Related Topics:

Introduction This study examines the Korean Genderless Fashion movement, focusing on Genderless Fashion consumers in Korea between the ages of 20 and 30 years old. Genderless Fashion consumers were found to use clothing as a primary means of self-expression. Moreover, desire was found to be the guiding principle behind the Genderless Fashion movement. The author recognizes three main themes of desire and self-fulfillment in fashion: the pursuit of self-fulfillment, the pursuit of fulfillment from others, and the pursuit of endless fulfillment of their own image. The author also discusses the differences between conscious and unconscious uses of fashion as self-expression.

Literature Review

The author begins the review of literature with the hallyu (Korean Wave), discussing in general the way Korean consumer culture has penetrated the farthest reaches of the globe. Then, the author discusses fashion as a lifestyle concept, but also as one’s expression of lifestyle, values, culture, and gender. Fashion can either be conscious or unconscious expressions of identity.

The review of literature also covers research that addresses self-concept, self-image, and self-presentation. Identity and self-concept are socially constructed. Research also shows how fashion is an extension of the self, a means by which the individual reinforces identity, reflects back normative values to the culture, and potentially changes or alters one’s own self-concept. The review of literature...

...

Based on the prior literature, the author hypothesizes the Genderless Fashion, while seemingly related to sexual identity, is actually more linked to self-expression and self-concept. The theoretical viewpoint used is Lacan’s psychoanalytic theory of desire.
Research Method

The research method used is in-depth, semi-structured interviews and is therefore a qualitative study. The focal questions relate to how Genderless Fashion is defined, which specific trends can operationalize Genderless Fashion, and also how individual consumers use Genderless Fashion as a way of expressing themselves. A convenience sample was used, culled by individuals who are active consumers of Genderless Fashion in the Seoul area. Interviews lasted between 50 and 80 minutes, and informed consent was acquired. Interview questions focused on both the meaning of genderless, but also how the participants actively used fashion as a means of self-expression or to reinforce self-concept.

Results and Discussion

Participants admitted to identifying with the subject of desire, or the idealized self. This was linked to identification with an object/subject that was strongly desired by others, as a form of wish fulfillment. Some participants also expressed a keen interest in brand and identification with the philosophy of the brand as a form of self-expression. Wearing a brand is a…

Cite this Document:

"Korean Genderless Fashion" (2018, March 08) Retrieved April 26, 2024, from
https://www.paperdue.com/essay/korean-genderless-fashion-term-paper-2167119

"Korean Genderless Fashion" 08 March 2018. Web.26 April. 2024. <
https://www.paperdue.com/essay/korean-genderless-fashion-term-paper-2167119>

"Korean Genderless Fashion", 08 March 2018, Accessed.26 April. 2024,
https://www.paperdue.com/essay/korean-genderless-fashion-term-paper-2167119

Related Documents

Fashion Lifestyle&Consumption and it's influence on identities Fashion, lifestyle, and consumption and their influence on identities Fashion plays a huge role in presenting visual images of a person and some even relate to fashionable objects such as garments as though they were humans able to represent them. Direct contact and intimacy with fashionable objects such as garments influences how a person's image is presented and especially the intimacy of the garment with

Fashion When a woman walks down the street carrying a Louis Vuitton handbag and strutting in her Jimmy Choos, what does she say about herself? Her lifestyle? Where she is from? When a man walks down the street carrying a fake Louis Vuitton handbag and strutting in her cheap plastic pumps, what is he saying about himself? When Trayvon Martin walked through his neighborhood wearing a hoodie, George Zimmerman instantly thought

Fashion and Identity The following statement is indeed true: "Fashion provides one of the most ready means through which individuals can make expressive visual statements about their identities" (Bennett, 2005: 96) as we have studied time and again throughout this class. Because fashion is in a sense one's experiential art: fashion distinguishes itself from all other art forms because one truly does live one's life in one's clothes. In this sense

Fashion in Relation to Commodity Culture of 1980s Fashion Fashion during 1980s seems to be glitzy and bold. Fashion trends were no longer dictated by teenagers; as the baby boom generation continued to become richer and older, they demanded more glamorous, upmarket fashion. Contrary to what inspired 1970s fashion, fashion of 1980s did not allow these non-materialist "hippie" values. Some of the nations such as Australia during the decade focused more on

Fashion Buyer Brand Own branded labels include the labels that the stores themselves go on create. Store brands or own products are an array of products that are sold by the retailer less than one marketing identity. The retailer itself designs, produces, packages and markets the goods. All of this is carried out such that there is a strong and a profitable relationship created between the customer's base and the products. On

Fashion Management I am looking for a job as a buyer in the retail/merchandising side of Barneys New York. There are several reasons why I want this job. Barneys is one of the top high-end department stores in New York, which is one of the top fashion cities in the world. I want to be a part of something as amazing as Barneys, since I have always loved visiting that store