Long streamers of garments fluttered from fire-escapes. In all unhandy places there were buckets, brooms, rags and bottles. In the street infants played or fought with other infants or sat stupidly in the way of vehicles. Formidable women, with uncombed hair and disordered dress, gossiped while leaning on railings, or screamed in frantic quarrels. Withered persons, in curious postures of submission to something, sat smoking pipes in obscure corners. A thousand odors of cooking food came forth to the street. The building quivered and creaked from the weight of humanity stamping about in its bowels.
Their working conditions seem equally filthy. Jimmie eventually finds work as a teamster, driving a team of horses through the dirty streets of New York. Maggie finds work as a seamstress in a sweatshop. They can literally find no respite from the physical filth permeating their lives.
Nor can they find respite from the violence that permeates their lives. While the novel opens in a slightly mocking way, initially making light of Jimmie's skirmish with the other boys, it quickly becomes apparent that the boys intend to really hurt Jimmie. When Jimmie's father sees his child involved in the violence, he responds with violence and threats to get his son away from the altercation. They return to the family home where it is revealed that Jimmie is alternately loving and violent towards Maggie. The parents are violent towards each other, and towards the children. After Mr. Johnson dies, Jimmie begins to be violent towards his mother, and the implication is that her violent alcoholism demands a violent response. In addition, judging from the response...
Stephen Crane: A Great Writer of American Naturalist Fiction and Non-Fiction, and of Local Color Stephen Crane (1871-1900) was an American author of the late 19th century, whose work, in terms of style and sub-genre, was somewhere between American Romanticism and American Naturalism (with some American Realism added). Crane wrote at the end of a century (the 19th), a time when several literary styles and genres are typically blended together until
Stephen Crane's novella, Maggie: A Girl of the Streets, was written during America's "Gilded Age" which was the era from the end of the Civil War to the turn of the Century. The name was given to the period by Mark Twain and Charles Dudley Warner, who poked fun at the period for its rampant corruption. During this essential time of American development, New Yorker's were categorized into two different
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"The Open Boat" may have been based on Crane's real-life experience but it also functions as symbolic "of man's battle against the malevolent, indifferent, and unpredictable forces of nature…This reading is confirmed by the final irony of the death of the oiler, physically the strongest man on the scene and the one most favored to withstand the ordeal" (Rath & Shaw 97). The futility of resisting the power nature with
When Pete betrayed her by leaving her for Nellie, that was when Maggie could no longer continue to tell herself (and believe herself) that things were going to get better. Her judgmental, hypocritical family would not take her back in after she left Pete's home and she basically had no choice but to feel completely abandoned and alone. Crane uses a great deal of imagery to portray the mood he
The arrival of Jake's wife and son some three years after him, rather than being a happy occasion, represents to Jake the diminishing of the exciting, new life he has tried to build for himself in New York. After the arrival of his wife, Jake "thought himself a martyr, an innocent exile from a world to which he belonged by right and he frequently felt the sobs of self-pity mounting
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